Spontaneous Lines

It is unsurprising that, historically, black as a color has been linked to somberness, melancholy and madness, but the history of this color is so much more nuanced than that. From the thick black strokes creating spontaneous lines in Edouard Manet's Music in the Tuileries (1862) to Anish Kapoor gaining the rights to Vantablack (the darkest shade of black at the time) in 2016, the use of black line has captured the artist's obsessions for centuries. Pierre Soulages used black line as a way to provide texture to his paintings, playing with how black and light interact upon the canvas. Whilst Mark Rothko revered the simplicity of color and line, and their rightful place in the history of abstract art, as a link between the emoting artist and their expression on the canvas – regardless of whether that emotion was dark or not. Line is the ultimate factor of definition and declaration, thus, unsurprisingly it is used instinctively by the artist. In Artsper's own selection of works, the likes of Moon Shin and Gérard Escougnou have been noted for their use of spontaneous lines. In fact, Escougnou uses black lines to emit vibrations from his work, with white used as a void or a moment of silence. Lines can cause the viewer to become introspective and reflective, a way for the viewer to relate to a work and the artist's reasons for creating it.

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Sienna Ant Fourmi sienne Drawing Dessin Sculpture MMCA National Museum of Modern and Contemporary Art, Séoul, South Korea

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Spontaneous Lines

Brown sculpture

Drawing Dessin Sculpture MMCA National Museum of Modern and Contemporary Art, SEOUL, South Korea

Sculpture

Sculpture

Red Sculpture Rouge 1979 Collection MMCA Museum Modern Contemporary Art Seoul South Korea

Red Sculpture rouge 1975 Collection MMCA Museum Modern Contemporary Art, Seoul

Blue Drawing Dessin Sculpture MMCA National Museum of Modern and Contemporary Art, SEOUL, South Korea

Drawing Dessin Sculpture MMCA National Museum of Modern and Contemporary Art, Seoul, South Korea

Blue brown sculpture

Two Brown & Blue Sculptures

Sculpture

Red blue sculpture

Ses Lèvres Sculpture Her Lips HOMMAGE A MAN RAY TRIBUTE

Round Olympiad sculptures From Barcares 1970 to Seoul Olympiads 1988

Sculpture

1975 La Fourmi Sculpture The Ant

1975 La Fourmi Sculpture The Ant

1975 La Fourmi Sculpture The Ant

Red Sculpture Rouge Collection MMCA Museum Modern Contemporary Art, Seoul, South Korea

Red Sculpture Rouge Collection MMCA Museum Modern Contemporary Art, Seoul, Corée du Sud

Drawing Dessin Sculpture MMCA National Museum of Modern and Contemporary Art, Seoul, South Korea

Drawing Dessin Sculpture MMCA MMCA National Museum of Modern and Contemporary Art, South Korea

Sculpture

Sculpture

Sculpture

Sculpture

Sculpture

La Raie Manta Sculpture

Sculpture

Sculpture

Sculpture

1979 Sculpture MMCA Museum Collection

Feather Sculpture Plume 1979

Sculpture Moon Shin 1979 Museum 2

1979 Moon Shin Sculpture Museum 1 and City

Sign No. 28 (Abstrait Noir et Blanc)

Sign No. 25 (Abstrait Noir et Blanc)

L 1973-46

La mascotte

Après l'orgie

Les reclus

Le blanc-bec

Le Riz

Good Night 3 - Black and White Abstract

Sign No. 16 - Black and White Minimalist Abstract (Abstrait Minimaliste Noir et Blanc)

Line 6

Hermitage

Ophélia

Kiss me

Jasmine

Doriane

Storm Series (Ref 844)

Wendy

Totem de Barcares, 1970 à Seoul Olympiads, 1988

Red Sculpture Rouge 1971 MMCA Collection Museum Modern Contemporary Ar

Sienna Ant Fourmi sienne Drawing Dessin Sculpture MMCA National Museum of Modern and Contemporary Art, Séoul, South Korea

Brain Power 10

Brain Power 9

Brain Power 8

Brain Power 7

Brain Power 6

Brain Power 5

Brain Power 4

Brain Power 3

Mitjó

Vision 11