Cinq continents sur terre, 2015

by Baptista Antunes

Painting : acrylic 35 x 41 x 0.5 cm 13.8 x 16.1 x 0.2 inch

£2,490
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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Painting: acrylic

Dimensions cm inch

35 x 41 x 0.5 cm 13.8 x 16.1 x 0.2 inch Height x Width x Depth

Framing

Beige frame

Artwork dimensions including frame

50 x 56 x 2.5 cm 19.7 x 22 x 1 inch


Tags

Art brut

Keith Haring

Mythology

Characters

Surrealism

Symbols

Red

Artwork sold in perfect condition

Artwork location: France

Baptista-Antunes' paintings are populated by interlocking characters, themselves inhabited by other characters. The artist evokes in his puzzle work, an imaginary reign where everything is metamorphosis and interdependence of nature.
In this work painted in acrylic on canvas, colored flats surrounded by black separate beings and things while nesting them with each other.
An unclassifiable artist, Antunes is on the borders of surrealism, art brut and symbolism.
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About the seller

Galerie PLURIELLE • France

Artsper seller since 2016

Vetted Seller

This seller rewards your purchases of multiple artworks


Collector’s Guide

Imagine it at home

Baptista Antunes, Cinq continents sur terre
Baptista Antunes

Baptista Antunes

Portugal  • 1953

Joaquim Antunes, who prefers to sign 'Baptista Antunes', joining the surnames of his father and his mother, was born on March 8, 1953 in Sertâ, Castelo Branco, one of the poorest provinces of Portugal.

Sixth child of a large peasant family, Joaquim Antunes spent part of his youth tending the herds, caring for his brothers and sisters, and helping his father in collecting the bark of the cork oak. Very early on, he was considered the "black sheep" of his family because he revolted against the religious conformism and popular superstitions of his background.

It was in the early 80s that he began to draw, after a series of trips, the last of which took him to New York where, knowing nothing about art, he discovered both Chagall, whose freedom l marvels, and Picasso's Guernica.

He was then 20 years old and, since the age of fifteen, waiter in a large hotel in Lisbon. Leading an exhausting life to which he cannot resign himself, he begins to trace all sorts of imaginary beings at night on the back of menu sheets which he manages to recover. Very quickly he was noticed by the surrealist poet and painter Mario Cesariny, who encouraged him to take up painting (he then painted one picture a day in a state of total frenzy). Then, on a scholarship from the Gulbenkian Foundation, he moved to Paris in 1987.

Subsequently, he will join the Neuve Invention in Lausanne and then the whole circuit of “singular" art.


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