XXVIII 1 // XXVIII Wodaabe, Chad (XL)
Jimmy Nelson
Photography - 170 x 207.5 cm Photography - 66.93 x 81.69 inch
£47,548
Photography : C-print
100 x 120 cm 39.37 x 47.24 inch
Free returns within 14 days
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Type
Numbered and limited to 6 copies
4 copies available
Signature
Not Signed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Photography: C-print
Dimensions cm • inch
100 x 120 cm 39.37 x 47.24 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: United States
Series: Before They Pass Away
"XI 262 - Hilao Moyizo Village - Omo Valley - Ethiopia, 2011.
The nomadic Mursi people live in the lower area of Africa's Great Rift Valley. Extreme drought has made it difficult for them to feed themselves by means of traditional cultivation and herding. The establishment of national parks has restricted their access and threatened their natural resources.
“It's better to die, than live without killing"
The Mursi are famous for their stick-fighting ceremony and Mursi women are known all over the world for wearing clay plates in their lower lips. Their economy is concentrated on bartering and sharing possessions. As tourists are now often visiting Mursi villages, offering money in exchange for photographs, the communal economy is changing."
All available sizes and editions:
24.41" x 29.13", Edition of 9
39.37" x 47.24", Edition of 6
55.11" x 66.93", Edition of 3
66.93" x 96.46", Edition of 1
About the seller
Trimper Gallery • United States
Vetted Seller
I take pictures. I make images. Unlike film, which overwhelms you with movement and sound, defining the ongoing moment, a photograph just sits there quietly while you decide what it is saying.
I strongly believe that artists must always be part of a conversation, and share provocative ideas. My idea is that of aesthetic and empowerment for a better world. I hope that with my work, remote, indigenous people (in many cases without a global perspective) get a better sense of their uniqueness and importance in the world we all live in, which will support them to be more resilient to the pressures around them.
This personal artistic documentation is a way of re-igniting the fire and pride within and for indigenous people, of creating mutual respect for all people, and of empowering future generations all over the world to illuminate their cultural heritage.
So all of us will see the bigger picture and stand united in our diversity, to meet the enormous challenges we face as humankind in the decade to come.
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