Golfers - black and white photography, 2017

by Allan Teger

Photography : archival pigment print 60 x 90 cm 23.6 x 35.4 inch

£1,334

One of the last works available by this artist

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About the artwork

Type

Numbered and limited to 15 copies

4 copies available

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Photography: archival pigment print

Dimensions cm inch

60 x 90 cm 23.6 x 35.4 inch Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: United States

This beautiful black and white miniature photograph is done by Allan without any manipulation or photoshop. Allan builds these installation and takes a straight shot of it.
This piece can also be custom size.

"I remember the moment that the idea for Bodyscapes came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the image in my mind of a skier going down a breast. This was it - the universe repeating its shapes - a body looking like a mountain. It was also an example of two realities coexisting. The picture could be seen as a landscape and it could also be seen as a body. Although they were different, both perceptions were right at the same time. I knew instantly that I had an entire series of images waiting to be captured on film."
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About the seller

Professional art gallery • United States

Artsper seller since 2019

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This seller rewards your purchases of multiple artworks


Collector’s Guide

Imagine it at home

Allan Teger, Golfers - black and white photography
Allan Teger

Allan Teger

United States

I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level, and suddenly I had the image in my mind of a skier going down a breast. This was it - the universe repeating its shapes - a body looking like a mountain. It was also an example of two realities coexisting. The picture could be seen as a landscape, and it could also be seen as a body. Although they were different, both perceptions were right at the same time. I knew instantly that I had an entire series of images waiting to be captured on film.


Within a week or two, I had my first model and began shooting. I was a complete newcomer in the world of art. I had never taken a course in photography, art, or art history, and had no idea that other people had ever thought of the similarity of bodies and landscapes. So I approached the project with naive energy, convinced that I was breaking new ground with each exposure.


I created these images by placing toys and miniatures on the body and shooting the picture as a single exposure. I knew it was possible to produce multiple exposure images such as photo montages, but felt that if it were to appear real to the viewer, it had to actually be real at some level... with the figure and the body together at the same time. Furthermore, I didn't want to resort to camera or darkroom tricks as that would make the work less credible. Now with the advent of digital photography, most people assume that any unusual photograph is a product of photoshop. However, I still work the way I began. I set the toys and the model and make a single exposure. I do not construct the image in photoshop.


Over the years, I have discovered that art can be fun and serious at the same time. I have always believed that in the end an artist needs to communicate to the viewer, and involve them in the work to complete the experience. I feel that my art is complete when a viewer reacts to it. I have enjoyed creating Bodyscapes and I enjoy sharing them with others and seeing their response.


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