Black and White Photography for Sale
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Between The Lines
Alexander Benz
Photography - 40 x 40 x 0.1 cm Photography - 15.7 x 15.7 x 0 inch
£411
Going In Circles
Alexander Benz
Photography - 40 x 40 x 0.2 cm Photography - 15.7 x 15.7 x 0.1 inch
£411
Abdoulaye Oumar Diallo – Marchand de bestiaux à Ouest foire
Antoine Tempé
Photography - 50 x 50 x 5 cm Photography - 19.7 x 19.7 x 2 inch
£3,126
Dance Moods - Ousseyni Sako (II)
Antoine Tempé
Photography - 60 x 50 x 4 cm Photography - 23.6 x 19.7 x 1.6 inch
£2,680
Shielded | Saint Tropez
Serge Guerand
Photography - 80 x 120 cm Photography - 31.5 x 47.2 inch
£2,787
Jenny Owens Birds Series
Jenny Owens
Photography - 15 x 20 x 0.1 cm Photography - 5.9 x 7.9 x 0 inch
£357
Untitled (bird and beak) (2)
Mikael Siirilä
Photography - 22 x 15 cm Photography - 8.7 x 5.9 inch
£286
Portfolio Box 2022 "Botanical Studies"
Matthias Conrad
Photography - 29.7 x 21.2 x 0.1 cm Photography - 11.7 x 8.3 x 0 inch
£312
Unsharp #02 (2)
Edin Mustafic
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
£4,020
Unsharp #02 (1)
Edin Mustafic
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
£4,020
Shoreline Walk
Paul J Bucknall
Photography - 40.6 x 30.5 x 0.3 cm Photography - 16 x 12 x 0.1 inch
£340
Girl with Baby
Larry Snider
Photography - 30.5 x 30.5 x 0.6 cm Photography - 12 x 12 x 0.25 inch
£332
Ki no kioku, Memory of Tree, Ibuta-ji, Matsusaka city, Mie prefecture, 2023-11, 13
Teddy Peix
Photography - 27 x 20 x 0.01 cm Photography - 10.6 x 7.9 x 0 inch
£348
Miles Davis - Regard au sol
Hervé Pezzini
Photography - 30 x 24 x 0.1 cm Photography - 11.8 x 9.4 x 0 inch
£223
Miles Davis - le groupe
Hervé Pezzini
Photography - 30 x 24 x 0.1 cm Photography - 11.8 x 9.4 x 0 inch
£223
Forest Ruin (with horse and deer)
Diana Thorneycroft
Photography - 73.7 x 111.8 x 0.3 cm Photography - 29 x 44 x 0.1 inch
£2,680
Rio no color #3 - Rio de Janeiro, Brazil
Joaquim Nabuco
Photography - 150 x 120 cm Photography - 59.1 x 47.2 inch
£5,002
Errances Silencieuses 02 - Sancy (Auvergne)
Teddy Peix
Photography - 16 x 40 x 0.04 cm Photography - 6.3 x 15.7 x 0 inch
£402
Errances Silencieuses 03 - Sancy (Auvergne)
Teddy Peix
Photography - 16 x 40 x 0.04 cm Photography - 6.3 x 15.7 x 0 inch
£402
Errances Silencieuses 01, Le lac d’en Haut, la Godivelle. (Auvergne)
Teddy Peix
Photography - 16 x 40 x 0.04 cm Photography - 6.3 x 15.7 x 0 inch
£402
Du bout du monde 03 - Les Écrins (Alpes)
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
£241
Du bout du monde 02 - Les Écrins (Alpes)
Teddy Peix
Photography - 22 x 22 x 0.04 cm Photography - 8.7 x 8.7 x 0 inch
£241
Paparazzi
Vassilia Kouboulis
Photography - 30 x 30 x 0.3 cm Photography - 11.8 x 11.8 x 0.1 inch
£357
Série "Le son de blé"
Pavlo Mazai
Photography - 100 x 150 x 4 cm Photography - 39.4 x 59.1 x 1.6 inch
£3,573
Série "Mar Adentro"
Pavlo Mazai
Photography - 100 x 150 x 3 cm Photography - 39.4 x 59.1 x 1.2 inch
£3,573
Série "Mar Adentro"
Pavlo Mazai
Photography - 150 x 100 x 3 cm Photography - 59.1 x 39.4 x 1.2 inch
£3,573
Série "Mar Adentro"
Pavlo Mazai
Photography - 100 x 150 x 2 cm Photography - 39.4 x 59.1 x 0.8 inch
£3,573
Pour Andrey Tarkovsky
Pavlo Mazai
Photography - 60 x 40 x 2 cm Photography - 23.6 x 15.7 x 0.8 inch
£2,412
Délit de Fuite - 03
Bruno Palisson
Photography - 40 x 60 x 1 cm Photography - 15.7 x 23.6 x 0.4 inch
£2,054
Délit de Fuite - 02
Bruno Palisson
Photography - 40 x 60 x 1 cm Photography - 15.7 x 23.6 x 0.4 inch
£2,054
Délit de Fuite - 01
Bruno Palisson
Photography - 40 x 60 x 1 cm Photography - 15.7 x 23.6 x 0.4 inch
£2,054
Dis, quand reviendras-tu ? 2
Charlotte Skurzak
Photography - 30 x 30 x 0.3 cm Photography - 11.8 x 11.8 x 0.1 inch
£268
Dis, quand reviendras-tu ? 1
Charlotte Skurzak
Photography - 30 x 30 x 0.3 cm Photography - 11.8 x 11.8 x 0.1 inch
£268
24h du Mans 1970-Vue sur la ligne droite du circuit et les gradins depuis le bord de la piste, 13 ou 14 juin 1970.
Jacques Violet
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
£357
24h du Mans 1970-La Porsche 917K n°23 de R. Attwood et H. Herrmann, 13 ou 14 juin 1970.
Jacques Violet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
£357
La Grotte
Jean-Guy Nakars
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
£447 £402
La nuit étoilée
Eric Bouvet
Photography - 80 x 120 x 0.1 cm Photography - 31.5 x 47.2 x 0 inch
£2,144
Claude Viallat Portrait
Jean-Pierre Loubat
Photography - 42 x 31 x 1 cm Photography - 16.5 x 12.2 x 0.4 inch
£429
Daniel Dezeuze Portrait
Jean-Pierre Loubat
Photography - 43 x 31 x 1 cm Photography - 16.9 x 12.2 x 0.4 inch
£429
Leaf Veins VII
Charles Brabin
Photography - 30 x 42 x 0.1 cm Photography - 11.8 x 16.5 x 0 inch
£175
Discover the styles & movements
Discover the selection of our experts
No77 Spirit
Yevgeniy Repiashenko
Photography - 91 x 91 x 0.1 cm Photography - 35.8 x 35.8 x 0 inch
£1,318
Guggenheim Museum Bilbao 1
Antoine Kubler
Photography - 42 x 29.7 x 0.1 cm Photography - 16.5 x 11.7 x 0 inch
£223 £201
Rolling Stones (1998)
Kevin Westenberg
Photography - 40 x 51 cm Photography - 15.7 x 20.1 inch
£1,581
Black and White Photography for Sale
Black and white photography is today one of countless photographic techniques and yet it was at one time the only type of photography available. This is the reason why it often tends to be associated with historical works and a vintage feel.
In the 1830s, Nièpce discovered how to print images onto metal plates. When he died in 1833, Louis Daguerre, followed by Francois Arago, continued to develop his research, resulting in the invention of the daguerreotype which consisted of an image printed onto a silver plate when exposed to the light. Together they invented photography.
The first black and white photos began to appear. Initially used for research purposes, photography started to spread as daguerreotype studios opened everywhere. Black and white portraits immortalized the faces of the upper middle classes and would later be used to capture all members of society. Celebrities were also a popular subject choice and many photographers specialized in taking their portraits, as Jean-Loup Sieff did all throughout his career almost a century after the invention of photography.
The first colored photographs soon followed. The technique was invented as early as 1860 but was not put to use until a century later. In the meantime, many unforgettable artists began to demonstrate their talents for art photography. Street photography, for example, was a key trend during the 20th century, with major photographers such as Robert Doisneau, Brassi and Henri Cartier-Bresson capturing the urban landscape of the time. All three were masters of taking candid photos. They succeeded in making fleeting moments last forever in monochrome images. Sometimes humorous, sometimes romantic, or even just a little bizarre, they take us back in time to days gone by. Looking at such rare and fragile moments can be like going through old postcards from the past, and although we enjoy looking at them, they can provoke a sense of nostalgia and melancholy.
In the United States, the humanist Walker Evans led the way for black and white photography, capturing the daily life of modern America with his analogue camera, whether it be in the New York subway or on the highways of the Deep South. A little later, Robert Frank photographed the faces of America and the American people with his remarkable black and white shots, recognizable thanks to his highly distinctive photographic technique and composition.
Of course, black and white photography is not limited to the representation of everyday scenes. It can also sublimate landscapes, as demonstrated by Kasra's shots. The black and white blend perfectly with the long exposure to create an effect of softness, floating and the passage of time quite exceptional. We could also mention Michael Kenna and Ricky Cohete who particularly excel in this field.
Some works fascinate by the perfect complementarity of these two colors: black, which is often associated with nothingness and sadness, and white, which is associated with light and hope. In the West at least, because it can have a completely opposite meaning in other cultures like Japan. The union of these two shades accentuates the contrasts and highlights the forms in a sober and elegant way. It often directs our attention to a single subject.
Often used to provoke a feeling of nostalgia, black and white unconsciously inscribes the works in history by conveying a timeless message, frozen in time.
Artsper invites you to take a stroll through time with this selection of works by Brno Del Zou, Yevgeniy Repiashenko, Emmanuelle Barbaras, Bert Stern, Alexander Benz and Hervé Gloaguen.
What does black and white mean in photography?
In photography, black and white means that all color has been removed from the image, leaving just shades of gray that span from black to white. This can either be done digitally or by using black and white film.
What is good about black and white photography?
Many photographers and artists use black and white photography because it removes the distraction of color from an image. This can draw more focus to elements of the image such as the facial expression or gesture of the subject, the composition, or the shapes and textures.
What techniques are used in black and white photography?
Black and white photography is generally shot using the same equipment as color photography (although if film, using black and white film), but artists may optimise their results by looking for high contrast images, light sources, and interesting textures.