Semi-abstract Landscape Artists
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Les jardins secrets
Jean-Paul Agosti
Painting - 103 x 103 x 0.4 cm Painting - 40.6 x 40.6 x 0.2 inch
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Canopée rose à l'or
Jean-Paul Agosti
Painting - 63 x 63 x 0.4 cm Painting - 24.8 x 24.8 x 0.2 inch
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Labyrinthe chromatique
Sophie Dumont
Painting - 60 x 81 x 2 cm Painting - 23.6 x 31.9 x 0.8 inch
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Sur les bords de la ville illuminée
JPx
Painting - 40 x 40 x 1 cm Painting - 15.7 x 15.7 x 0.4 inch
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La corse en noir et blanc
Valérie Dragacci
Painting - 30 x 30 x 2 cm Painting - 11.8 x 11.8 x 0.8 inch
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Le bassin Majorelle
Agnès Tiollier
Painting - 97 x 130 x 2.5 cm Painting - 38.2 x 51.2 x 1 inch
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L'allée d'Agapanthes
Agnès Tiollier
Painting - 114 x 146 x 2.5 cm Painting - 44.9 x 57.5 x 1 inch
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Instant Majorelle III
Agnès Tiollier
Painting - 92 x 73 x 2.5 cm Painting - 36.2 x 28.7 x 1 inch
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Lumière du matin II
Agnès Tiollier
Painting - 100 x 81 x 2.5 cm Painting - 39.4 x 31.9 x 1 inch
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Scent of spring, Oil on Cardboard, Painting by Shandor Alexander
Alexander Shandor
Painting - 37 x 57 x 0.2 cm Painting - 14.6 x 22.4 x 0.1 inch
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Cette obscure clarté qui descend des étoiles
Jule
Painting - 100 x 120 x 4 cm Painting - 39.4 x 47.2 x 1.6 inch
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On plonge ou pas ? (Variation 15)
Juliette June
Painting - 28.5 x 20 x 0.2 cm Painting - 11.2 x 7.9 x 0.1 inch
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On plonge ou pas ? (Variation 12)
Juliette June
Painting - 28.5 x 20 x 0.2 cm Painting - 11.2 x 7.9 x 0.1 inch
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Dis-moi, la Lune !
Françoise Duprat
Painting - 97 x 130 x 2 cm Painting - 38.2 x 51.2 x 0.8 inch
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The bay, Oil on Cardboard, Painting by Shandor Alexander
Alexander Shandor
Painting - 35 x 45 x 0.2 cm Painting - 13.8 x 17.7 x 0.1 inch
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Notre Dame de Lorette
Danielle Maillet-Vila
Painting - 120 x 80 x 4 cm Painting - 47.2 x 31.5 x 1.6 inch
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Comme un miroir II
Agnès Tiollier
Fine Art Drawings - 90 x 90 x 0.18 cm Fine Art Drawings - 35.4 x 35.4 x 0.1 inch
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Semi-abstract Landscape Artists
Camille Pissarro’s landscape entitled Orchards in Bloom, Louveciennes (1872) was one of the first Impressionist paintings to be displayed. The use of buildings and trees to frame paintings and the ability to capture light or fleeting cloud shadows on a hillside changed the art world forever. Can we see what the artist saw? By forgoing absolute realism, but still creating landscapes that were recognizable, the Impressionists opened the floodgates for color and shape to become the focus. By the 20th century, abstract art strived to not depict any ‘likeness’ to reality at all. But what if there is a middle ground, a shift away from realism in order to capture life and light in the moment but not abstract enough that color and shape denies the viewer anything recognizable – like semi-abstract landscape art? Like abstract figurative art, this movement can fall on the spectrum between realism and complete abstraction and in our selection of works, artists like Liliane Paumier paint “life itself”, depicting harmony in their use of color when rendering rural motifs. Suiting vast compositions, semi-abstract landscape art can broaden the frame of the artist and allow them to take a snapshot of what the eye can’t see…yet still recognizes – you only have to tumble into the abyss of artists like Christelle Desangles to find out…