Black and white

Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?

Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.

Colour is a distraction of sorts, a disturbance: colour is a nuisance.

And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?

The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.

The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.

So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!

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Black and white

Café des Cascades Paris

Bluesman on Beale

Jacquelina

MP474

MP208

MP096

MP109

MP296

Otras danzas, escena 4

Otras danzas, escena 3

Otras danzas, escena 2

Otras danzas, escena 1

Baiser noir et blanc

Karl Largerfield soirée Kenzo

Disorder

Def Leppard

Andi with Leica M 3 and Yamamoto coat

MP472

MP462

MP470

MP350

MP355

MP357

MP168

MP405

MP173

MP052

MP129

MP323

MP060

MP052

MP059

MP001

Évasion

Lunar

L'homme du passé

Fickle Memory 02

Graciela

00H00

Estuary 1

Élément jaune (PM15)

Zone blanche (PM11)

Milla Jovovich

Marée

Florence Pritchett Smith

Liz Pringle Refreshments in Jamaica

Jean Patchett for Saks Fifth Avenue

Seaplane At Palm Beach

Bridget Bardot

Lévitation Effect 003

11h53 - 6,09, Crue de la Seine - Paris 2016

Randonnée au bord du lac

L'abreuvoir d'Eiffel

Écorce, portrait I

La tete dans les infos

Diamant Noir (medium print)

Le Petit Prince

Ghost

Ein-Stein-Zeit

Desvelando Gaudí 02

WhatEyeAm II

Ebony Jet. Girlfriend, NYC

Hansuben

Test Pattern 6 (Grey study)

Survey 5

Swipe 3