Abstract artworks

Abstract art was born at the beginning of the 20th century, more specifically between 1911 and 1917 with the work of four influential painters: Frantisek Kupka, Vassily Kandinsky, Kasimir Malevich and Piet Mondrian . Although each of these artists formulated their own vision of abstract art, a shared historical context explains the concurrent emergence of this artistic movement.

The scientific discoveries of the early 20th century completely revolutionized man's perception of the world. These artists, who were literary and cultured men, were well aware of scientific progress. As Paul Valéry put it, "in the last twenty years neither matter nor space nor time has been what it was from time immemorial". People needed a new language to both express and to comprehend this "new world". These four artists demonstrated a keen interest in the esoteric and occult, which explains why the abstract is presented as a research of another type of truth, a way to elevate one's mind and soul towards new horizons, uncovering the deepest mysteries of humankind. The realm of music truly fascinated these artists; they identified with it and, several of them, especially Kandinsky, used it as inspiration. Music is the epitome of the imponderable and the intangible; it suggests meanings while escaping from reality at the same time.

The influence of artistic movements such as Fauvism and also served as references for the development of the abstract's aesthetic research. Abstraction did not attempt to represent the visible world, but rather to become a "visual language". However, it is essential to bear in mind that each of these four painters took a different path, and that they independently formulated their conception of abstract art.

Abstract art wanted to display an "abstract image," a non-figurative representation, outside of reality. They wanted to create art that was self-sufficient, that could look to itself to find the resources needed to support its existence. Abstract creation often required the artists to unleash their consciousness, to break free of instinctive visual associations. This approach produced powerful artworks which, although free of any literal meaning, retained the ability to provoke strong sensations and feelings in the viewer. The triumph of color, of subjectivity and the lack of conventions, foreshadowed the advent of an art that was liberated and free of any restrictive conventions. Abstract art manifestos laid the foundations of its aesthetic. Kandinsky's letters to the music composer Schönberg demonstrated the porous nature of the genres at a time where serial music was emerging. Both music and painting followed a path of growing “dissonance within the arts". These abstract artworks can demand collector to approach them in a particular. Although the interplay of shapes and colours in abstract art make it a visually accessible style, it is also important to reflect on the works more deeply. They invite the viewer to escape from reality, to consider things according to the prism of the absolute, of essence and absence. They might encourage viewers to adopt a new outlook on the world, where everything is astonishing and where our consciousness is constantly wonderstruck by the world around us.

“Art does not reproduce the visible; it makes visible." - Paul Klee

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Abstract artworks

Flower Beach

Pray for Rain

Uncovered Memories

Couleurs en friches

Élégance

Embrasement

Imagine

Spirale infernale

Estiu 1

Partir Ailleurs

Elégance

Soleil de plomb

Assis sur la lumière

le rêve devant

Raison d'avoir tort

Street style

Bulle de street

Mariage

Wyoming 36

Untitled 14

Untitled 10

Untitled 13

Untitled 12

Untitled 32

Untitled

Untitled

Au-delà du réel

Démiurge

Silence ca tourne

bleu d'or

Just rainy-XXIII

Double up surge

Passage

Yellow skin

Taula, collage

Taula acentuada

Partial cloud-like pictogram

Chaines syllabes

Cloud pictogram XVIII

Duo

PJ4

Summer fragrance

Evenining music

Garden of eden

Morning flowers melodies

Flowers in water

Spring

Blooming spring flowers

Mystic Gatherings

Roland Garros

Untitled 30

Untitled 40

Untitled 22

Untitled 11

Untitled 7

Untitled 54

Untitled

Salut pel a tolhom

Landscape-XIX

Native New Yorker

Rojo y negro (red and black)

Concrete composition 20

Yuxtaposición (Juxtaposition)

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House of cards

Plateau der Menschheit ops I_II