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OMO: Untitled 10
Drew Doggett
Photography - 45.7 x 68.6 x 0.3 cm Photography - 18 x 27 x 0.1 inch
$2,149
OMO: Untitled 45
Drew Doggett
Photography - 45.7 x 68.6 x 0.3 cm Photography - 18 x 27 x 0.1 inch
$2,149
Pointe du diable N&B
Jean-Guy Nakars
Photography - 60 x 90 x 0.1 cm Photography - 23.6 x 35.4 x 0 inch
$905
Dark Beach
Jean-Guy Nakars
Photography - 60 x 90 x 0.3 cm Photography - 23.6 x 35.4 x 0.1 inch
$1,074
Le Débarcadère
Jean-Guy Nakars
Photography - 40 x 90 x 0.3 cm Photography - 15.7 x 35.4 x 0.1 inch
$1,074
Campo San Polo
Vassilia Kouboulis
Photography - 30 x 40 x 0.3 cm Photography - 11.8 x 15.7 x 0.1 inch
$396
Prédateurs
Korsé
Fine Art Drawings - 29.7 x 21 x 1 cm Fine Art Drawings - 11.7 x 8.3 x 0.4 inch
$283
Cafe de Flore (Ravelstein)
Richard Dunkley
Photography - 61 x 50.8 x 2.5 cm Photography - 24 x 20 x 1 inch
$649
Le Voyeur / Peeping Tom d'après le film de Michael Powell (1960)
Fabrice Montignier
Fine Art Drawings - 37 x 37 x 1 cm Fine Art Drawings - 14.6 x 14.6 x 0.4 inch
$441
The Calligrapher’s Hand
Jordana Ozier Lafontaine
Photography - 30 x 20 cm Photography - 11.8 x 7.9 inch
$294
En attendant la neige / 2
Adrianna MJW
Photography - 30 x 30 x 0.5 cm Photography - 11.8 x 11.8 x 0.2 inch
$1,074
Pyramid riding
Guilhem Ribart
Photography - 60 x 40 x 2 cm Photography - 23.6 x 15.7 x 0.8 inch
$1,131
Olivia
Amrita Bilimoria
Photography - 45.7 x 30.7 x 0.5 cm Photography - 18 x 12.1 x 0.2 inch
$1,600
Spirit of the Camargue
Drew Doggett
Photography - 45.7 x 68.6 x 0.3 cm Photography - 18 x 27 x 0.1 inch
$1,866
Dance of the Sea
Drew Doggett
Photography - 45.7 x 68.6 x 0.3 cm Photography - 18 x 27 x 0.1 inch
$2,149
Majesty At Sea
Drew Doggett
Photography - 45.7 x 68.6 x 0.3 cm Photography - 18 x 27 x 0.1 inch
$2,149
Velvet Crest
Drew Doggett
Photography - 45.7 x 68.6 x 0.3 cm Photography - 18 x 27 x 0.1 inch
$2,149
Yosemite Awakens
Drew Doggett
Photography - 45.7 x 68.6 x 0.3 cm Photography - 18 x 27 x 0.1 inch
$2,149
Encounter II
Drew Doggett
Photography - 40.6 x 68.6 x 0.3 cm Photography - 16 x 27 x 0.1 inch
$1,866
Watusi in Profile
Drew Doggett
Photography - 68.6 x 45.7 x 0.3 cm Photography - 27 x 18 x 0.1 inch
$1,866
Sacred ground
Drew Doggett
Photography - 30.5 x 68.6 x 0.3 cm Photography - 12 x 27 x 0.1 inch
$1,866
Arbre
Lionel le Jeune
Fine Art Drawings - 21 x 29.7 x 0.2 cm Fine Art Drawings - 8.3 x 11.7 x 0.1 inch
$57
Série des mètres
Arthur Di Nunzio
Photography - 100 x 100 x 0.5 cm Photography - 39.4 x 39.4 x 0.2 inch
$1,414
Série des mètres
Arthur Di Nunzio
Photography - 100 x 100 x 0.5 cm Photography - 39.4 x 39.4 x 0.2 inch
$1,414
Série des mètres
Arthur Di Nunzio
Photography - 100 x 100 x 0.5 cm Photography - 39.4 x 39.4 x 0.2 inch
$1,414
L’enfant et le soldat
José Nicolas
Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch
$339
Sisyphe
Arthur Di Nunzio
Photography - 100 x 100 x 0.5 cm Photography - 39.4 x 39.4 x 0.2 inch
$1,866
Vautour
Lionel le Jeune
Fine Art Drawings - 42 x 29 x 0.2 cm Fine Art Drawings - 16.5 x 11.4 x 0.1 inch
$339
Crâne
Lionel le Jeune
Fine Art Drawings - 21.5 x 29.7 x 0.2 cm Fine Art Drawings - 8.5 x 11.7 x 0.1 inch
$317
Crâne
Lionel le Jeune
Fine Art Drawings - 22.8 x 29.7 x 0.2 cm Fine Art Drawings - 9 x 11.7 x 0.1 inch
$317
Une nuit en Espagne
Lionel le Jeune
Photography - 30 x 45 x 0.5 cm Photography - 11.8 x 17.7 x 0.2 inch
$396
Gare de Porto [Femme à la pastèque sur le quai], Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Photographes de playa, Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Sans titre
Juliette Wegrzyk
Photography - 30 x 22.5 x 0.01 cm Photography - 11.8 x 8.9 x 0 inch
$735
Droit dans les yeux
Valentin Pacaut
Photography - 60 x 40 x 0.2 cm Photography - 23.6 x 15.7 x 0.1 inch
$961
Migration de zèbres
Valentin Pacaut
Photography - 50 x 75 x 0.3 cm Photography - 19.7 x 29.5 x 0.1 inch
$1,131
Wonderalnd : Change
Ellie Sass (Sassayiannis)
Photography - 50 x 70 x 0.1 cm Photography - 19.7 x 27.6 x 0 inch
$441 $375
Corrida portugaise [le Matador et le Taureau dans l'arène, vue d'ensemble avec le public dans les gradins], Portugal, 1985
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Corrida portugaise [le Matador et le Taureau dans l'arène], Portugal
José Nicolas
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$339
Corrida portugaise [le Matador, le Taureau et 7 Picadors dans l'arène], Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Corrida portugaise [Taureau et Picadors, affrontements dans l'arène], Portugal,
José Nicolas
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$339
Une star se baigne ? [sur la plage], Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Lecture sur la plage, Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Jeux de plage et baignade, Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Pêcheurs et bâteaux traditionnels en bois de pêche [au mouillage], Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Plage intergénérationnelle [jeux d'enfants et promenade de la grand-mère], Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Etendoir traditionnel "urbain" [linge suspendu dans la rue], Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Départ des pêcheurs en bateau traditionnel [depuis la plage], Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Femmes de pêcheurs entres elles sur la plage [causeries], Porto, Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Petits métiers à Porto, vendeurs ambulants [poissons séchés et journaux], Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Plage de Porto [cycliste, bain de soleil, hôtel Albatroz], Portugal
José Nicolas
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$339
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!