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Phoebe, La Barque
André Carrara
Photography - 18 x 15 x 2 cm Photography - 7.1 x 5.9 x 0.8 inch
€750
Nude Carla Bruni, Harper Bazaar 1992
Philipe Robert
Photography - 100 x 75 x 5 cm Photography - 39.4 x 29.5 x 2 inch
€11,000
Haskins Posters Front Cover
Sam Haskins
Photography - 61.2 x 52.7 cm Photography - 24.09 x 20.76 inch
€6,867
Elena Mar, odalisca en mio patio
Alberto García-Alix
Photography - 40 x 50 x 0.1 cm Photography - 15.7 x 19.7 x 0 inch
€9,500
Kate Moss At 16
Jake Chessum
Photography - 101 x 51 x 0.01 cm Photography - 39.8 x 20.1 x 0 inch
€3,200
Sans titre
Alexandre Saint-Loup
Photography - 150 x 100 x 0.1 cm Photography - 59.1 x 39.4 x 0 inch
€2,430
Ma liberté
Luc Masson-Todeschini
Photography - 25.9 x 20 x 0.1 cm Photography - 10.2 x 7.9 x 0 inch
€300
Fiddlehead Fern
Mark Arbeit
Photography - 50.8 x 40.6 x 1.3 cm Photography - 20 x 16 x 0.5 inch
€2,128
Glance Towards the Oblivion
Fathi Hassan
Photography - 76 x 50 cm Photography - 29.9 x 19.7 inch
Price upon request
Hands Off
Lars Beusker
Photography - 126 x 166 x 5 cm Photography - 49.6 x 65.4 x 2 inch
Price upon request
Rhythmogramm 183 A
Heinrich Heidersberger
Photography - 59.4 x 42 x 0.1 cm Photography - 23.4 x 16.5 x 0 inch
€1,350
Hilton Falls - 13309
Simeon Posen
Photography - 25.4 x 30.5 x 5.1 cm Photography - 10 x 12 x 2 inch
€870
Rockies - 152101
Simeon Posen
Photography - 25.4 x 30.5 x 5.1 cm Photography - 10 x 12 x 2 inch
€870
Hector Falls - 121702
Simeon Posen
Photography - 25.4 x 30.5 x 5.1 cm Photography - 10 x 12 x 2 inch
€870
Watkin's Glen - 121302
Simeon Posen
Photography - 15.2 x 17.8 x 5.1 cm Photography - 6 x 7 x 2 inch
€870
Wilson Falls - 14501
Simeon Posen
Photography - 25.4 x 30.5 x 5.1 cm Photography - 10 x 12 x 2 inch
€870
Midway Lights - 99127
Simeon Posen
Photography - 25.4 x 30.5 x 5.1 cm Photography - 10 x 12 x 2 inch
€870
Midway Lights - 13914
Simeon Posen
Photography - 25.4 x 30.5 x 5.1 cm Photography - 10 x 12 x 2 inch
€870
99102- Midway Lights
Simeon Posen
Photography - 25.4 x 30.5 x 5.1 cm Photography - 10 x 12 x 2 inch
€870
99101 - Midway Lights
Simeon Posen
Photography - 25.4 x 30.5 x 5.1 cm Photography - 10 x 12 x 2 inch
€870
02751- Midway Lights
Simeon Posen
Photography - 25.4 x 30.5 x 5.1 cm Photography - 10 x 12 x 2 inch
€870
Aus dem Gruppenbuch der Christiane P. - „Es Gibt Nur Eine Wahrheit.“
Matthias Leupold
Photography - 50 x 40 x 0.1 cm Photography - 19.7 x 15.7 x 0 inch
€900
Rhythmogramm Klangfläche
Heinrich Heidersberger
Photography - 30 x 24 x 0.1 cm Photography - 11.8 x 9.4 x 0 inch
€8,400
Rhythmogramm Verzeichnis Nr: 03782_000_253
Heinrich Heidersberger
Photography - 24 x 18 x 0.1 cm Photography - 9.4 x 7.1 x 0 inch
€5,800
Rhythmogramm Triennale
Heinrich Heidersberger
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
€11,000
Malcolm X during his visit to enterprises owned by Black Muslims.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. NYC. Marilyn Monroe.
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
USA. Marilyn Monroe (USA). Actress & singer
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
USA. Illinois. Bement. US actress Marilyn Monroe during a public appearance.
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
Mikhail Baryshnikov, American Ballet Theatre - NYC
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
Spain. Mallorca. Anthony QUINN and Anna KARINA on the set of Guy Green's The Magus.
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
New York, Model, Drusilla Dru Beyfus.
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
Sylvana Mangano (ITA), at the Museum of Modern Art, USA
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
GB. Shepperton. Film Set Becket, Elizabeth Taylor & Richard Burton
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
John and Angelica Huston (USA). 1968
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. NYC. Black is Beautiful.
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
USA. New York. American actress Marlene Dietrich.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
James Brown; singer, being interviewed after a concert in the Apollo in Harlem where the slogan Black is Beautiful was introduced.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
Charlotte Stribling. USA. New York City USA.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. Nevada and California. The Misfits, a film by John HUSTON. 1960 III
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. Arizona. James Stewart on the set of The flight of the phoenix.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
Bob Marley at Berkshire Music Glen, (III)
Michael Grecco
Photography - 40.6 x 50.8 x 5.1 cm Photography - 16 x 20 x 2 inch
€2,902
Bob Marley at Berkshire Music Glen, (II)
Michael Grecco
Photography - 40.6 x 50.8 x 5.1 cm Photography - 16 x 20 x 2 inch
€2,902
Dwight Yoakam - San Antonio, Texas
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,902
The Cramps lead guitarist Poison Ivy (II)
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,902
USA. Nevada and California. The Misfits, a film by John HUSTON. 1960 VIII
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
GB. London. Girls sharing apartment.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. Intergration Crisis.
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
USA. Nevada and California. The Misfits, a film by John HUSTON. 1960 VII
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
USA. Marilyn Monroe (USA). Actress & singer
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
USA. Nevada and California. The Misfits, a film by John HUSTON. 1960 IX
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
Marilyn Monroe and Montgomery Clift during filming of The Misfits - USA, Nevada
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
GB. Women Without Men.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. Marilyn Monroe. Actress & singer
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. Nevada and California. The Misfits, a film by John HUSTON. 1960 IV
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
USA. New York. American actress Marlene Dietrich.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
GB. Church Of England
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
Candice BERGEN and Michael CAINE - Spain, Mallorca 1967 II
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. New York city. Actors Studio. American actor Paul Newman
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
Candice Bergen and Michael Caine - Spain, Mallorca
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. California. Los Angeles. Joan Crawford and Eve Arnold.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. Long Island. A baby's first 5 minutes.
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
USSR. Russia. Divorce.
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,273
Andy Warhol, exercising seated on the toilet, in the Silver Factory, New York.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
USA. Nevada. Reno. Marilyn's reaction to a lucky toss. Marilyn Monroe and John Huston. 1960
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,273
Member of Human League, Susan Sulley - Boston, MA
Michael Grecco
Photography - 40.6 x 50.8 x 5.1 cm Photography - 16 x 20 x 2 inch
€2,902
Koudjour - 763602
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
€3,240
Koudjour - 763603
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
€3,240
Natanz Mosque - 765403
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
€3,240
Persepolis - 765902
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
€3,240
Persepolis - 765903
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
€3,240
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!