Gestural abstraction
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The present moment is all you have (stretched)
Nadine Antoniuk
Painting - 100 x 170 x 0.1 cm Painting - 39.4 x 66.9 x 0 inch
$2,899
Don't close your eyes
Nadine Antoniuk
Painting - 100 x 205 x 0.1 cm Painting - 39.4 x 80.7 x 0 inch
$3,922
Abstract R 2410
Alex Senchenko
Painting - 140 x 200 x 0.1 cm Painting - 55.1 x 78.7 x 0 inch
$3,337 $2,336
Abstract R2408
Alex Senchenko
Painting - 140 x 200 x 0.1 cm Painting - 55.1 x 78.7 x 0 inch
$3,337 $2,336
Abstract 2415
Alex Senchenko
Painting - 150 x 100 x 1.5 cm Painting - 59.1 x 39.4 x 0.6 inch
$2,536 $1,775
Abstract 2412
Alex Senchenko
Painting - 100 x 150 x 4 cm Painting - 39.4 x 59.1 x 1.6 inch
$2,536 $1,775
Couleurs et formes du monde - Lumières d'automne
Thomas Jeunet
Painting - 100 x 80 x 3.5 cm Painting - 39.4 x 31.5 x 1.4 inch
$2,046
Explosion de couleurs - Smashed 6
Thomas Jeunet
Painting - 120 x 90 x 1.5 cm Painting - 47.2 x 35.4 x 0.6 inch
$2,217
Explosion de couleurs - Smashed 5
Thomas Jeunet
Painting - 80 x 60 x 1.5 cm Painting - 31.5 x 23.6 x 0.6 inch
$1,023
Le grand bleu - Junior suite sea view - Windy
Thomas Jeunet
Painting - 100 x 100 x 3.5 cm Painting - 39.4 x 39.4 x 1.4 inch
$2,160
Explosion de couleurs - Smashed 4
Thomas Jeunet
Painting - 90 x 120 x 1.5 cm Painting - 35.4 x 47.2 x 0.6 inch
$2,217
Abstract forest-III
Stanislav Bojankov
Painting - 60 x 80 x 1 cm Painting - 23.6 x 31.5 x 0.4 inch
$625
Abstract forest-IV
Stanislav Bojankov
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$625
Abstract forest-II
Stanislav Bojankov
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$682
Abstract forest-I
Stanislav Bojankov
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$682
Iridescent Drizzles (Rain in pink)
Nestor Toro
Painting - 127 x 116.8 x 1.8 cm Painting - 50 x 46 x 0.7 inch
$8,530
Paysage en Dombes
Damien Berrard
Painting - 97 x 130 x 2.5 cm Painting - 38.2 x 51.2 x 1 inch
$2,160
Looking for Anomalies
Newel Hunter
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
$4,450
The Girl in My Dreams
Newel Hunter
Painting - 76.2 x 61 x 3.8 cm Painting - 30 x 24 x 1.5 inch
$4,150
Giving Voice to It
Newel Hunter
Painting - 121.9 x 91.4 x 3.8 cm Painting - 48 x 36 x 1.5 inch
$5,050
Redhead with Highlights
Newel Hunter
Painting - 91.4 x 61 x 3.8 cm Painting - 36 x 24 x 1.5 inch
$3,350
All the Dos & Don'ts
Newel Hunter
Painting - 61 x 76.2 x 3.8 cm Painting - 24 x 30 x 1.5 inch
$2,600
Spontaneous Combustion
Newel Hunter
Painting - 101.6 x 76.2 x 3.8 cm Painting - 40 x 30 x 1.5 inch
$4,400
Riding a Pale Horse
Newel Hunter
Painting - 121.9 x 91.4 x 3.8 cm Painting - 48 x 36 x 1.5 inch
$5,050
Artifacts Triptych
Newel Hunter
Painting - 50.8 x 121.9 x 3.8 cm Painting - 20 x 48 x 1.5 inch
$4,000
Lost Cause Triptych
Newel Hunter
Painting - 61 x 142.2 x 3.8 cm Painting - 24 x 56 x 1.5 inch
$5,050
Flights of Fancy2
Newel Hunter
Painting - 101.6 x 76.2 x 3.8 cm Painting - 40 x 30 x 1.5 inch
$4,500
Gestural abstraction
The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."