

Germany
• 1928
Biography
« The greatest of the « constructed », « geometric » or « abstract » artists undoubtedly develop an extreme sensitivity to forms, to the bright or whispered accords of colours, but this sensitivity is no longer in the register of emotion, since it is no longer of the order of confidence but of the order of the most exquisite or powerful refinement – which, once again, is not at all the same thing. »
Frédéric Vitoux – Member of the Académie Française
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