Sweet Toof

Teeth and gum imagery
According to an account by Olly Beck, Sweet Toof looked at himself in a looking glass "in crisis after a messy break-up", with the enlarged and distorted imagery of the "crescents of teeth", the "visible part of our skeletal frame" as a reminder of mortality.[1] Beck relates Sweet Toof's concerns and imagery with the 16th-century Northern European "Vanitas" tradition of reminding of the transience and vanity of life, and to the Mexican celebration of skull imagery to accepting, honouring and celebrating death as part of the life trip.
Sweet Toof's skull
A Sweet Toof work in Brick Lane, London
Sweet Toof's own comments seem to uphold this interpretation, in which the artist comments, "To get one's teeth into things, before it's too late."[1] Elsewhere he notes, "Teeth can be really sexy, or aggressive, but they're also constant reminders of death. They're how we get recognised by police when there's nothing else left."
Biographical information[edit]
According to an interview, he began tagging at age 13, saving up 50 p (pence) lunch money and buying cheap spray cans to go out at night, before evolving to the more distinctive work for which he has become well known, and eventually going on to study and graduate from the Royal Academy of Arts, with a master's degree.