White

In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?

Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.

In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.

With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.

Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.

Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!

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White

Nu de femme

Sketch 1

Libido and Mortido Portrait #3

Libido and Mortido Portrait #11

Sculpture Paola

Solarized Roundism 01-07-22

La petite pisseuse

El Rey de los Paganos

La maga

Icarus

Manzana

Elusive dance

Whimsical dance

Invacuo Project #27

Invacuo Project #25

Prends ma main

Suprématisme ukrainien 1

Dichotomy 1/5

Venus de Mile

Pensées chaotiques et autres perturbations cérébrales

The structure

The beat

Black Angel on Knees

Petite méditation sur fond bleu

Petite méditation sur fond rouge

Nude - 3

Seule

Encore un jour sans que Louis n'utilise le théorème de Pythagore

Le Triangle Amoureux

Pin-up Cravache sketchbook

Duelles Pin-ups sketchbook

Luceros del Alba

Nude of Isabelle in Milan

Fragments of dream 2

Noire Tendresse #2

Le Livre de Monelle 2

N° 1134 Covid 19 (7) La rage 2.

Eroto Study 2 - Perspective

La visiteuse

Jambes Blanches

Le Pied

Courbure

Down 2

281 )La Chinchorra, la Vénus de la seconde chance

Lotus

Marianne à la Rose 1/8

Harmonie

Caresses 4

Symbolizing Love When Words Are Not Enough

Sometimes All You Can Do is Just Giving a Hug

Pauline mise en abyme

Apparition chambre bleue

June, nude

Speculum animalibus - Rhinoceros

Flowering

Bound by Light

Elysian Flight

Warden of New Hope

In between

Blues du dimanche

Cauchemars - Odalisque aux poissons

Tant'è amara che poco è più morte

Prendi il secchio

La delicatezza delle radici che emersero - tavola 9

La delicatezza delle radici che emersero - tavola 1

Lying Baby With Butterfly, Cast Glass Sculpture