PAPARAZZI : LIMELIGHT SHADOWS, 2009

by Ryoko Watanabe

Painting : oil 150 x 170 x 5 cm

$7,228

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Medium

Dimensions cm inch

150 x 170 x 5 cm Height x Width x Depth

Framing

Not framed


Tags

Pop Art

Sport

Wrestling

Asian Pop

Rugby

Sumo

Grey

Artwork sold in perfect condition

Artwork location: France

2009, Unique Artwork

Oil on Canvas

59 1/10 × 66 9/10 in – 150 × 170 cm

The artwork and signed by the Artist on verso of the canvas & stamped with the logo of the Studio of the Artist on verso of the canvas

serie “Timeless Rhythms : Sumotori in the Urban Symphony”

In Ryoko Watanabe’s captivating series, “Timeless Rhythms: Sumotori in the Urban Symphony,” the artist embarks on a visual exploration that transcends temporal boundaries and fuses ancient Japanese traditions with the pulsating energy of contemporary urban life.

In each canvas, Watanabe masterfully orchestrates a convergence of sumotori, the formidable symbols of Japan’s historical prowess, and the dynamic urban crowds that define the modern era. The backdrop, rendered in a striking black and white palette, serves as a canvas of timelessness, a stage where tradition and modernity engage in a harmonious dance.

As the viewer steps into the gallery, they are immediately drawn into Watanabe’s world, where the rhythmic beats of tradition resonate alongside the bustling symphony of the urban landscape. The sumotori, adorned in their ceremonial garb, stand as stoic guardians of heritage amidst the lively chaos surrounding them.

Watanabe’s deliberate choice to desaturate the background creates a stark contrast, emphasizing the vivid colors of the sumotori and the eclectic city dwellers. The cityscape becomes a living entity, with crowds navigating through buses, traffic jams, and metro stations, forming a visual narrative of the ceaseless movement of time.

In one canvas, a sumotori stands poised in a metro station, surrounded by faceless commuters rushing past. The juxtaposition of ancient strength against the transient nature of modern life evokes a sense of introspection, prompting the viewer to ponder the endurance of tradition in the face of contemporary flux.

Another painting features a group of sumotori engaged in a traditional ceremony against the backdrop of a crowded city square. The juxtaposition of the solemn ritual with the vivacity of the urban setting creates a profound dialogue between the past and the present, inviting viewers to reflect on the interconnectedness of cultural heritage and the ever-evolving urban landscape.

“Timeless Rhythms: Sumotori in the Urban Symphony” is not merely a collection of paintings; it is a narrative woven with strokes of cultural resonance. Watanabe, through her art, invites us to contemplate the essence of time, tradition, and the enduring spirit that persists, like a rhythmic heartbeat, in the intricate tapestry of Japan’s past and present.

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About the seller

galerie jacob paulett • France

Artsper seller since 2014

Vetted Seller


Collector’s Guide

Imagine it at home

Ryoko Watanabe, PAPARAZZI : LIMELIGHT SHADOWS
Ryoko Watanabe

Ryoko Watanabe

Japan  • 1973

Ryoko Watanabe is a Japanese artist born in 1973 in Sapporo, Japan.

He draws his inspiration from the cultural heritage of his region and from the power of Japanese stereotypes such as Sumotori, Geishas and Samourai Warriors. She exploits these subjects with talent and turns stereotypes to her advantage by exploiting their reputation in order to convey an artistic message. In the artist's work we can perceive a strong nostalgia and a desire to preserve the cultural heritage of Japan and its unique personages which are part of the country's history.

In her paintings she depicts subjects such as the culture of her country with a unique technique that combines ancient Japanese elements with those of modern life in Japan. What is more striking than her choice of subjects such as the Sumotoris or the Samourais is where she places these subjects. Instead of placing them in traditional arenas or castles, they are placed on crowded streets, buses or in subway stations in an attemp to create a humorous contrast. Her technique consists in always putting her subjects on the foreground and in color, even if the background is left black and white. This way she draws attention to them and places them at the center of the viewer's attention.

Since 2008, her work has been exhibited in numerous galleries all around the world.
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