Semi-abstract Landscape Artists
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Vierge Au Manteau Bleu
Danielle Maillet-Vila
Painting - 30 x 30 x 4 cm Painting - 11.8 x 11.8 x 1.6 inch
$679
Promenade au parc II Diptyque
Agnès Tiollier
Painting - 65 x 184 x 2.5 cm Painting - 25.6 x 72.4 x 1 inch
$2,829
Row of red trees #12
Xuan Khanh Nguyen
Painting - 60 x 50 x 3 cm Painting - 23.6 x 19.7 x 1.2 inch
$1,358
Glow of sunset 11
Xuan Khanh Nguyen
Painting - 70 x 70 x 3 cm Painting - 27.6 x 27.6 x 1.2 inch
$2,263
Another Direction
Siranush Vardanyan
Painting - 130 x 150 x 2 cm Painting - 51.2 x 59.1 x 0.8 inch
$1,697
Winterlandscape; mixed technique on paper
Fiona Weedon
Painting - 30 x 20 x 1 cm Painting - 11.8 x 7.9 x 0.4 inch
$221
Nimrod Semiramis Tammuz
Martin Wojnowski
Painting - 120 x 100 x 3 cm Painting - 47.2 x 39.4 x 1.2 inch
$2,037
Saint Pierre vue du ciel
Charlotte Pivard
Painting - 120 x 40 x 4 cm Painting - 47.2 x 15.7 x 1.6 inch
$792
On Stage Meltdown
Martin Wojnowski
Painting - 100 x 150 x 4 cm Painting - 39.4 x 59.1 x 1.6 inch
$1,697
Vue sur le vieux port de Marseille, sous le regard de le Bonne Mère
Jiel
Painting - 55 x 46 x 2 cm Painting - 21.7 x 18.1 x 0.8 inch
$2,037
Sans titre (Côtes d'Armor)
Jacques Robert
Painting - 80 x 120 x 2 cm Painting - 31.5 x 47.2 x 0.8 inch
$6,677
Jardin, eau, terre, ciel
Jean-Paul Agosti
Painting - 63 x 63 x 0.4 cm Painting - 24.8 x 24.8 x 0.2 inch
$10,750
L'atelier du peintre
Sophie Dumont
Painting - 60 x 73 x 2 cm Painting - 23.6 x 28.7 x 0.8 inch
$4,413
Ciel de traine en Normandie
Sophie Dumont
Painting - 54 x 65 x 2 cm Painting - 21.3 x 25.6 x 0.8 inch
$3,508
Semi-abstract Landscape Artists
Camille Pissarro’s landscape entitled Orchards in Bloom, Louveciennes (1872) was one of the first Impressionist paintings to be displayed. The use of buildings and trees to frame paintings and the ability to capture light or fleeting cloud shadows on a hillside changed the art world forever. Can we see what the artist saw? By forgoing absolute realism, but still creating landscapes that were recognizable, the Impressionists opened the floodgates for color and shape to become the focus. By the 20th century, abstract art strived to not depict any ‘likeness’ to reality at all. But what if there is a middle ground, a shift away from realism in order to capture life and light in the moment but not abstract enough that color and shape denies the viewer anything recognizable – like semi-abstract landscape art? Like abstract figurative art, this movement can fall on the spectrum between realism and complete abstraction and in our selection of works, artists like Liliane Paumier paint “life itself”, depicting harmony in their use of color when rendering rural motifs. Suiting vast compositions, semi-abstract landscape art can broaden the frame of the artist and allow them to take a snapshot of what the eye can’t see…yet still recognizes – you only have to tumble into the abyss of artists like Christelle Desangles to find out…