White

In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?

Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.

In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.

With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.

 

Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.  

 

Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!


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Painting, Well..., Wencke Uhl

Well...

Wencke Uhl

Painting - 100 x 80 x 2 cm Painting - 39.4 x 31.5 x 0.8 inch

€2,093

Painting, Supreme Lion, Jo Di Bona

Supreme Lion

Jo Di Bona

Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch

€5,000

Painting, Village de campagne, Xiu

Village de campagne

Xiu

Painting - 33 x 33 x 1 cm Painting - 13 x 13 x 0.4 inch

€550

Painting, SMS, Dima Filatov

SMS

Dima Filatov

Painting - 74 x 120 x 0.5 cm Painting - 29.1 x 47.2 x 0.2 inch

€750

Painting, Untitled, Doïna Vieru

Untitled

Doïna Vieru

Painting - 75 x 50 x 0.1 cm Painting - 29.5 x 19.7 x 0 inch

€900

Painting, Balance, Dima Filatov

Balance

Dima Filatov

Painting - 120 x 150 x 1 cm Painting - 47.2 x 59.1 x 0.4 inch

€1,200

Painting, Dreams-II, Svetlana Martin

Dreams-II

Svetlana Martin

Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch

€570

Painting, Dreams-I, Svetlana Martin

Dreams-I

Svetlana Martin

Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch

€570

Painting, Roboïde Tattoo 2, PRAB'Z

Roboïde Tattoo 2

PRAB'Z

Painting - 120 x 80 x 2 cm Painting - 47.2 x 31.5 x 0.8 inch

€1,300

Painting, Hope day, Le Hai Linh

Hope day

Le Hai Linh

Painting - 100.1 x 80 x 3.3 cm Painting - 39.4 x 31.5 x 1.3 inch

€1,167

Painting, Les mangues, Yrak

Les mangues

Yrak

Painting - 80 x 60 x 4 cm Painting - 31.5 x 23.6 x 1.6 inch

€3,000

Painting, Donald paint, Fat

Donald paint

Fat

Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch

€2,800

Print, Solstici, Joan Brossa

Solstici

Joan Brossa

Print - 50 x 38 cm Print - 19.7 x 15 inch

€550

Print, Comboi, Joan Brossa

Comboi

Joan Brossa

Print - 38 x 50 cm Print - 15 x 19.7 inch

€550

Print, Ballet, Joan Brossa

Ballet

Joan Brossa

Print - 50 x 38 cm Print - 19.7 x 15 inch

€550

Painting, New Day, Jacob Burda

New Day

Jacob Burda

Painting - 92 x 92 x 2 cm Painting - 36.2 x 36.2 x 0.8 inch

€1,500

Painting, Ascension, Natacha Gillot

Ascension

Natacha Gillot

Painting - 80 x 40 x 2.5 cm Painting - 31.5 x 15.7 x 1 inch

€800

Photography, White spring, Viet Ha Tran

White spring

Viet Ha Tran

Photography - 80 x 119.9 x 0.3 cm Photography - 31.5 x 47.2 x 0.1 inch

€2,275

Painting, Artwork 4, Cécile Lacombe

Artwork 4

Cécile Lacombe

Painting - 55 x 46 x 2 cm Painting - 21.7 x 18.1 x 0.8 inch

€550

Painting, 2 Glisten, Hunt Slonem

2 Glisten

Hunt Slonem

Painting - 25.4 x 20.32 x 1 cm Painting - 10 x 8 x 0.4 inch

€7,000

Painting, Landscape, Areg Vahramyan

Landscape

Areg Vahramyan

Painting - 110 x 80 x 2 cm Painting - 43.3 x 31.5 x 0.8 inch

€1,700

Print, Otoño, Josep Guinovart

Otoño

Josep Guinovart

Print - 70 x 100 x 0.5 cm Print - 27.6 x 39.4 x 0.2 inch

€2,090

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