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Les lions sont des rois
Patrick Cornée
Painting - 120 x 120 x 3 cm Painting - 47.2 x 47.2 x 1.2 inch
$4,662 $4,196
Stormtrooper, welcome to the dark side
Patrick Cornée
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
$2,775 $2,497
Yuxtaposición (Juxtaposition)
Juan Jose Hoyos Quiles
Painting - 76.2 x 101.6 x 3.8 cm Painting - 30 x 40 x 1.5 inch
$2,160
Points of view III
Jessica M. Chaix
Painting - 121.9 x 152.4 x 3.8 cm Painting - 48 x 60 x 1.5 inch
$4,600
Audrey Hepburn loves Andy Warhol
Patrick Cornée
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$3,552 $3,197
336 Bridge over Arno river
Anne B Schwartz
Painting - 91.4 x 91.4 x 91.4 cm Painting - 36 x 36 x 36 inch
$4,275
181 Before harvest
Anne B Schwartz
Painting - 43.2 x 43.2 x 3.8 cm Painting - 17 x 17 x 1.5 inch
$2,200
Pikachu is my hero
Patrick Cornée
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
$2,775 $2,497
Doggy POP, Pink version
Patrick Cornée
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$3,552 $3,197
Natation sur cyclo
Muriel Bordier
Photography - 90 x 190 x 1 cm Photography - 35.4 x 74.8 x 0.4 inch
$6,105
Marée haute
Muriel Bordier
Photography - 90 x 190 x 1 cm Photography - 35.4 x 74.8 x 0.4 inch
$6,105
Ecstasy of St Teresa (medium)
Jesus Torio
Photography - 84.1 x 57.7 x 0.2 cm Photography - 33.1 x 22.7 x 0.1 inch
$1,443
Into the darkness (medium)
Jesus Torio
Photography - 32.29 x 84.1 x 0.2 cm Photography - 12.7 x 33.1 x 0.1 inch
$1,443
392 spring in Capri
Anne B Schwartz
Painting - 50.8 x 50.8 x 3.8 cm Painting - 20 x 20 x 1.5 inch
$2,650
Reconnecting with your inner self
Selene Art
Painting - 49.8 x 174.8 x 3.6 cm Painting - 19.6 x 68.8 x 1.4 inch
$2,183
Lapin ou ne pas être
Michèle Corotti
Painting - 100 x 50 x 2 cm Painting - 39.4 x 19.7 x 0.8 inch
$888
Taj Mahal. India
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,221
Línea Bloques
Rodrigo Spinel
Fine Art Drawings - 19 x 19 x 0.3 cm Fine Art Drawings - 7.5 x 7.5 x 0.1 inch
$400
Ballerina meccanica
Alexander Daniloff
Painting - 35 x 12 x 0.3 cm Painting - 13.8 x 4.7 x 0.1 inch
$188
Línea Aparejo (Framed)
Rodrigo Spinel
Fine Art Drawings - 19 x 19 x 0.3 cm Fine Art Drawings - 7.5 x 7.5 x 0.1 inch
$400
Armor
Rossella Mercedes
Fine Art Drawings - 21 x 29.7 x 0.1 cm Fine Art Drawings - 8.3 x 11.7 x 0 inch
$189
Standing wild bear
Richard Orlinski
Sculpture - 40 x 25 x 28 cm Sculpture - 15.7 x 9.8 x 11 inch
$14,319
Bird and flower
Juffrouw Springtouw
Painting - 40 x 50 x 2 cm Painting - 15.7 x 19.7 x 0.8 inch
$1,054
The space between II
Claire Smith
Painting - 80 x 80 x 4 cm Painting - 31.5 x 31.5 x 1.6 inch
$2,059
Enjoy the view anywhere
Juffrouw Springtouw
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,387
Les ancêtres I
Soly Cissé
Fine Art Drawings - 30 x 42 x 1 cm Fine Art Drawings - 11.8 x 16.5 x 0.4 inch
$1,665
Composition Abstraite Ref AB0248
Jean-Marie Ledannois
Painting - 51 x 40 cm Painting - 20.1 x 15.7 inch
$555
Glaciers Melting
Adriano Bernetti da Vila
Painting - 80 x 80 x 4.5 cm Painting - 31.5 x 31.5 x 1.8 inch
$5,328
Long day's journey into tomorrow
Elena Raceala
Photography - 91.4 x 61 cm Photography - 36 x 24 inch
$1,332
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!