Le Moulin Rouge : La Goulue & Valentin le désossé, 1891 (d'après Henri de Toulouse-Lautrec), 2020

by Henri de Toulouse-Lautrec

Print : lithography 73.8 x 54 cm

€690
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About the artwork

Type

Numbered and limited to 60 copies

1 copy available

Signature

Stamped

Authenticity

Sold with certificate of Authenticity from FRANCE ART DIFFUSION

Invoice from the gallery


Medium

Print: lithography

Dimensions cm inch

73.8 x 54 cm Height x Width x Depth

Framing

Not framed


Tags

Everyday life

Drawing on paper

Art History

Montmartre

Paris

Artwork sold in perfect condition

Artwork location: France

LITHOGRAPH n° 45/60 Printed in 4 passes and enhanced with watercolor (8 colours with 4 printed + 4 colours applied by hand). The highlights increase the realism of the drawing.
Numbered and handsigned edition at 60 exemplars only.

From a study of The Toulouse Lautrec museum in Albi (France), realized in 1891 for his greatest poster : “The Moulin Rouge" (1891) & for the first time in the world in lithograph. One of the very rare drawings of Lautrec ever made in lithography. Neither during the artist's lifetime nor after his death.

From the drawing to its printing, this lithograph has been entirely realized by hand. With the same technical and artistic constraints, the same moves are made on the very same period machines. Drawn and printed colour by colour on "Marinoni Voirin" lithographic flat press of 1920.

Title : The Moulin Rouge : The Goulue & Valentin, the Boneless One, 1891.
Publisher : FRANCE ART DIFFUSION
Origin of the drawing : Toulouse Lautrec museum (Albi, France)
Paper : BFK Rives 270g
Signature : Numbered & Handsigned by the lithographer and the publisher
Printed note : imp Clot, Paris (Clot Printer, Paris).
Dry stamp of the publisher.

Lithograph realized in the Clot Workshop in Paris.
The Clot Workshop is one of the most ancient and famous lithography workshop of the world. Since 1896, its name is associated with those of the greatest painters of the end of the 19th century to now. Lautrec, Degas, Renoir, Rodin, Monet, Munch.... or more recently Foujita, Matisse, Calder, Soulages printed their artworks here .
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About the seller

FRANCE ART DIFFUSION • France

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Collector’s Guide

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Henri de Toulouse-Lautrec, Le Moulin Rouge : La Goulue & Valentin le désossé, 1891 (d'après Henri de Toulouse-Lautrec)

Henri Marie-Raymond de Toulouse-Lautrec-Montfa was born in 1864 in Albi. Son of the Count of Toulouse-Lautrec and Countess Adèle Zoé Marie Marquette Tapié de Céleyran, Lautrec has one of the biggest names in France and his vocation as an artist somewhat surprised his family. In 1879, after a first fracture in one leg, Lautrec broke his other leg due to spontaneous fractures which prevented his lower limbs from developing. He remains crippled. Subsequently, in 1881, he stopped his studies and moved towards the studio of the academic painter Bonnat on the advice of his first teacher, Princeteau. He began to take an interest in Japanese art and left the Bonnat workshop for that of Cormon the following year. The years pass and he frees himself more and more from academia and settles in Montmartre in the heart of the nightlife. In 1885, Aristide Bruant opened the cabaret Le Mirliton. Lautrec frequents the cabarets of Montmartre.

From the 1890s, Henri de Toulouse-Lautrec exhibited at Le Barc de Boutteville, with Anquetin, Emile Bernard, Pierre Bonnard and Maurice Denis. He signed his first poster which made him famous: Moulin-Rouge (La Goulue). 2 years later, Lautrec created a poster for his friend Jane Avril, a dancer in the French cancan quadrille; he also represented her in the Japanese Divan, in Jane Avril au Jardin de Paris, 1893, and in a final Jane Avril poster in 1899. Lautrec made the first poster in the Bruant series, Aristide Bruant aux Ambassadeurs. At the same time, he entered the world of Revue Blanche and became familiar with the Natanson brothers, Tristan Bernard and Romain Coolus. He regularly frequented brothels and was passionate about the theater.

In 1895, La Goulue asked him for a decor for his fairground booth, traveling with his friend Joyant to London where he met Oscar Wilde and Whistler. A year later, he moved to 30, rue Fontaine and traveled by boat with his friend Joyant to Lisbon (The passenger of 54). He is passionate about cycling and follows Tristan Bernard to the velodromes.

In 1897, he published the album Elles, the fruit of his work in brothels, the frontispiece of which was used as a poster. He exhibited in 1898 at the Galerie Goupil in London. Lautrec publishes his second album dedicated to Yvette Guilbert. 1 year later, Lautrec was interned for three months in a nursing home. In 1901, at the age of 37, he died in Malromé with his mother. His body is buried in Verdelais.


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