Abstract artworks
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Sensation d'horizon 17
Francine Scrignac
Painting - 116 x 89 x 2 cm Painting - 45.7 x 35 x 0.8 inch
$1,132
Washi with texture
Jan Sullivan Fowler
Painting - 101.6 x 76.2 x 2.5 cm Painting - 40 x 30 x 1 inch
$850
Coquelicot flottant
Léa Dedieu
Photography - 60 x 45 x 3 cm Photography - 23.6 x 17.7 x 1.2 inch
$1,075
Espace magique II
Pedro Moreno Linares
Sculpture - 20 x 8 x 8 cm Sculpture - 7.9 x 3.1 x 3.1 inch
$781
Untitled
Guillaume Chansarel (Guiyome)
Fine Art Drawings - 29.5 x 41.3 x 0.2 cm Fine Art Drawings - 11.6 x 16.3 x 0.1 inch
$396
Codes esthétiques 0373
Konstantin Kornakov
Photography - 60 x 45 cm Photography - 23.6 x 17.7 inch
$792
Sans titre
Maria Helena Vieira da Silva
Fine Art Drawings - 14.3 x 6 x 0.02 cm Fine Art Drawings - 5.6 x 2.4 x 0 inch
$12,674 $11,407
The assembly of cubes 2
Simon Raffy
Sculpture - 10 x 10 x 10 cm Sculpture - 3.9 x 3.9 x 3.9 inch
$1,358
Matière avec ligne jaune
Yves Bordes Lapeyre
Photography - 80 x 80 x 0.5 cm Photography - 31.5 x 31.5 x 0.2 inch
$1,007
Optimism Painting I
Stuart Christian Möller
Painting - 41 x 41 x 2.5 cm Painting - 16.1 x 16.1 x 1 inch
$1,245
Ref. 736 - Variations
Vahid Mohammadi
Painting - 140 x 200 x 4 cm Painting - 55.1 x 78.7 x 1.6 inch
$7,921
Esperance I
Gabriella Moussette
Painting - 100 x 100 x 2 cm Painting - 39.4 x 39.4 x 0.8 inch
$5,432
Beyond the Visible
Yaacov Agam
Fine Art Drawings - 25.4 x 27.9 cm Fine Art Drawings - 10 x 11 inch
$2,000
Close to nothing (Pink)
Sophie Derrick
Photography - 42 x 30 x 8 cm Photography - 16.5 x 11.8 x 3.1 inch
$1,597
Arche à intérioriser
Sylvie Groud
Sculpture - 30 x 20 x 20 cm Sculpture - 11.8 x 7.9 x 7.9 inch
$815
La Chapelle sur Carouge
Bram van Velde
Painting - 100 x 74 x 1 cm Painting - 39.4 x 29.1 x 0.4 inch
$248,962
Cloud Gate Sculpture, Millenium
Michael K. Yamaoka
Photography - 91.4 x 61 x 0.1 cm Photography - 36 x 24 x 0.04 inch
$4,000
Douce lumière de Loire
Padraig Creston
Painting - 40 x 40 x 2 cm Painting - 15.7 x 15.7 x 0.8 inch
$1,132
Stoneforest in Red
Tung-Wen Margue
Painting - 180 x 180 x 3 cm Painting - 70.9 x 70.9 x 1.2 inch
$5,658
Suite de Pâques, Le Jardin des Oliviers
Alfred Manessier
Print - 56 x 76 cm Print - 22 x 29.9 inch
$679
La tète dans les mains
Jacques Tenenhaus
Sculpture - 90 x 47 x 33 cm Sculpture - 35.4 x 18.5 x 13 inch
$20,369
Male Nr. 121701
Andrej Jakab
Sculpture - 48.5 x 27.5 x 9 cm Sculpture - 19.1 x 10.8 x 3.5 inch
$16,918
Stone Series 1
GK Austin II
Photography - 76.2 x 50.8 x 2.5 cm Photography - 30 x 20 x 1 inch
$3,800
Dynamique Chromatique 853
Dario Perez-Flores
Painting - 140 x 140 cm Painting - 55.1 x 55.1 inch
$27,159
Dragon Sleeps in the Heaven of Flowers
Li Lei
Painting - 150 x 100 x 0.5 cm Painting - 59.1 x 39.4 x 0.2 inch
$23,764
Untitled II
Sébastien Castillo
Photography - 40 x 60 x 1 cm Photography - 15.7 x 23.6 x 0.4 inch
$611
Mother and Child 2
Beatrice Hoffman
Sculpture - 70 x 47 x 40 cm Sculpture - 27.6 x 18.5 x 15.7 inch
$4,130
You're behind me
Saoud Abdallah
Painting - 120 x 120 x 3 cm Painting - 47.2 x 47.2 x 1.2 inch
$7,200
Square and no limit
Philippe Hautenauve
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
$5,545
Boia boia
Marie-Noëlle Deverre
Sculpture - 220 x 100 x 20 cm Sculpture - 86.6 x 39.4 x 7.9 inch
$2,942
Abstract artworks
Abstract art was born at the beginning of the 20th century, more specifically between 1911 and 1917 with the work of four influential painters: Frantisek Kupka, Vassily Kandinsky, Kasimir Malevich and Piet Mondrian . Although each of these artists formulated their own vision of abstract art, a shared historical context explains the concurrent emergence of this artistic movement.
The scientific discoveries of the early 20th century completely revolutionized man's perception of the world. These artists, who were literary and cultured men, were well aware of scientific progress. As Paul Valéry put it, "in the last twenty years neither matter nor space nor time has been what it was from time immemorial". People needed a new language to both express and to comprehend this "new world". These four artists demonstrated a keen interest in the esoteric and occult, which explains why the abstract is presented as a research of another type of truth, a way to elevate one's mind and soul towards new horizons, uncovering the deepest mysteries of humankind. The realm of music truly fascinated these artists; they identified with it and, several of them, especially Kandinsky, used it as inspiration. Music is the epitome of the imponderable and the intangible; it suggests meanings while escaping from reality at the same time.
The influence of artistic movements such as Fauvism and also served as references for the development of the abstract's aesthetic research. Abstraction did not attempt to represent the visible world, but rather to become a "visual language". However, it is essential to bear in mind that each of these four painters took a different path, and that they independently formulated their conception of abstract art.
Abstract art wanted to display an "abstract image," a non-figurative representation, outside of reality. They wanted to create art that was self-sufficient, that could look to itself to find the resources needed to support its existence. Abstract creation often required the artists to unleash their consciousness, to break free of instinctive visual associations. This approach produced powerful artworks which, although free of any literal meaning, retained the ability to provoke strong sensations and feelings in the viewer. The triumph of color, of subjectivity and the lack of conventions, foreshadowed the advent of an art that was liberated and free of any restrictive conventions. Abstract art manifestos laid the foundations of its aesthetic. Kandinsky's letters to the music composer Schönberg demonstrated the porous nature of the genres at a time where serial music was emerging. Both music and painting followed a path of growing “dissonance within the arts". These abstract artworks can demand collector to approach them in a particular. Although the interplay of shapes and colours in abstract art make it a visually accessible style, it is also important to reflect on the works more deeply. They invite the viewer to escape from reality, to consider things according to the prism of the absolute, of essence and absence. They might encourage viewers to adopt a new outlook on the world, where everything is astonishing and where our consciousness is constantly wonderstruck by the world around us.
“Art does not reproduce the visible; it makes visible." - Paul Klee