Abstract artworks
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Sans titre, bleu, vert jaune 2
Baptiste Laurent
Painting - 162 x 109 cm Painting - 63.8 x 42.9 inch
$3,115
Chaîne et tracteur. Rouille
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,591
Moma
Clara NineL
Fine Art Drawings - 48 x 38 x 1 cm Fine Art Drawings - 18.9 x 15 x 0.4 inch
$455 $409
Tre cavalli in corsa
Gianfranco Migliozzi
Painting - 100 x 120 x 15 cm Painting - 39.4 x 47.2 x 5.9 inch
$2,842
Untitled N. 39
Adam Hongshan Wei
Painting - 37 x 33 x 0.3 cm Painting - 14.6 x 13 x 0.1 inch
$227 $205
Untitled N. 40
Adam Hongshan Wei
Painting - 37 x 33 x 0.3 cm Painting - 14.6 x 13 x 0.1 inch
$227 $205
Untitled N. 56
Adam Hongshan Wei
Painting - 33 x 37 x 0.3 cm Painting - 13 x 14.6 x 0.1 inch
$227 $205
Untitled N. 58
Adam Hongshan Wei
Painting - 33 x 37 x 0.3 cm Painting - 13 x 14.6 x 0.1 inch
$227 $205
Mémoire fragmentée VI - série "Figures libres"
Danie Faurie
Painting - 150 x 100 x 2 cm Painting - 59.1 x 39.4 x 0.8 inch
$3,524
Beneath the Night
Jessica Houston
Painting - 152 x 152 x 2 cm Painting - 59.8 x 59.8 x 0.8 inch
$6,400
The Flaws That Cut Through
Jessica Houston
Painting - 152 x 152 x 2 cm Painting - 59.8 x 59.8 x 0.8 inch
$6,400
88.3.2
Karl-Martin Holzhäuser
Photography - 62 x 52 x 35 cm Photography - 24.4 x 20.5 x 13.8 inch
$12,175
88.25.2001
Karl-Martin Holzhäuser
Photography - 133 x 133 x 5 cm Photography - 52.4 x 52.4 x 2 inch
$36,377
180.10.2003
Karl-Martin Holzhäuser
Photography - 133 x 133 x 5 cm Photography - 52.4 x 52.4 x 2 inch
$36,377
The little rainbow
Gregg Simpson
Painting - 188 x 139.7 x 3.8 cm Painting - 74 x 55 x 1.5 inch
$14,610
Scenario III
Georges Fikry Ibrahim
Fine Art Drawings - 47.5 x 63 cm Fine Art Drawings - 18.7 x 24.8 inch
$3,979 $3,382
Signs of Struggle
Gregg Simpson
Painting - 152.4 x 243.8 x 2.5 cm Painting - 60 x 96 x 1 inch
$14,000
Woman Dancing With Spheres
David Lynch
Photography - 104 x 137 cm Photography - 40.9 x 53.9 inch
$17,052
Crevices II
Robert van Bolderick
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
$15,631
Affiche d'exposition, lettrage blanc Lumière et ténèbres d'Adam et Eve 2019
Marko Zoric
Print - 70 x 50 x 0.1 cm Print - 27.6 x 19.7 x 0 inch
$563
Through the Glasses
Anastas Kamburov
Painting - 64 x 58 x 3 cm Painting - 25.2 x 22.8 x 1.2 inch
$6,593
COULEURS de jour abstrait pop art
Hayvon
Painting - 33 x 40 x 2 cm Painting - 13 x 15.7 x 0.8 inch
$182
Lines #42 -Battleships
Tadas Zaicikas
Painting - 122 x 82 x 2 cm Painting - 48 x 32.3 x 0.8 inch
$16,938
Chimigramme 30/8/77 III „Minimal Photography“
Pierre Cordier
Photography - 50 x 50 cm Photography - 19.7 x 19.7 inch
$19,325
Lights at the mountains
Francisco Nicolás
Print - 30 x 40 x 0.1 cm Print - 11.8 x 15.7 x 0 inch
$171
Abstract artworks
Abstract art was born at the beginning of the 20th century, more specifically between 1911 and 1917 with the work of four influential painters: Frantisek Kupka, Vassily Kandinsky, Kasimir Malevich and Piet Mondrian . Although each of these artists formulated their own vision of abstract art, a shared historical context explains the concurrent emergence of this artistic movement.
The scientific discoveries of the early 20th century completely revolutionized man's perception of the world. These artists, who were literary and cultured men, were well aware of scientific progress. As Paul Valéry put it, "in the last twenty years neither matter nor space nor time has been what it was from time immemorial". People needed a new language to both express and to comprehend this "new world". These four artists demonstrated a keen interest in the esoteric and occult, which explains why the abstract is presented as a research of another type of truth, a way to elevate one's mind and soul towards new horizons, uncovering the deepest mysteries of humankind. The realm of music truly fascinated these artists; they identified with it and, several of them, especially Kandinsky, used it as inspiration. Music is the epitome of the imponderable and the intangible; it suggests meanings while escaping from reality at the same time.
The influence of artistic movements such as Fauvism and also served as references for the development of the abstract's aesthetic research. Abstraction did not attempt to represent the visible world, but rather to become a "visual language". However, it is essential to bear in mind that each of these four painters took a different path, and that they independently formulated their conception of abstract art.
Abstract art wanted to display an "abstract image," a non-figurative representation, outside of reality. They wanted to create art that was self-sufficient, that could look to itself to find the resources needed to support its existence. Abstract creation often required the artists to unleash their consciousness, to break free of instinctive visual associations. This approach produced powerful artworks which, although free of any literal meaning, retained the ability to provoke strong sensations and feelings in the viewer. The triumph of color, of subjectivity and the lack of conventions, foreshadowed the advent of an art that was liberated and free of any restrictive conventions. Abstract art manifestos laid the foundations of its aesthetic. Kandinsky's letters to the music composer Schönberg demonstrated the porous nature of the genres at a time where serial music was emerging. Both music and painting followed a path of growing “dissonance within the arts". These abstract artworks can demand collector to approach them in a particular. Although the interplay of shapes and colours in abstract art make it a visually accessible style, it is also important to reflect on the works more deeply. They invite the viewer to escape from reality, to consider things according to the prism of the absolute, of essence and absence. They might encourage viewers to adopt a new outlook on the world, where everything is astonishing and where our consciousness is constantly wonderstruck by the world around us.
“Art does not reproduce the visible; it makes visible." - Paul Klee