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Sylvie Guyomard Suspension - pluie d’été, 2007

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The artwork is available for pickup from the gallery in ETRECHY, France


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ARTCOM Paris

Étréchy, France

Artsper seller since 2018
16 orders finalized
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Sylvie Guyomard, Suspension - pluie d’été
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About the work
  • Medium

    Painting : oil

  • Dimensions cm | inch

    80 x 80 x 2 cm

  • Support

    Painting on canvas on stretcher

  • Framing

    Not framed

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    A refreshing and soothing rain The series "Suspension" the title speaks for itself. Sylvie Guyomard continues her research here on light effects. On a bare canvas, without preparation, the artist spreads fine streams of oil and pigments which are juxtaposed vertically. Through this colored curtain, a few inlays (white gold, mother-of-pearl, partitions, etc.) thus recreate the effects of moiré and lightness.

    "It is a real painting in suspension that interests me; the lightness and transparency, the fluidity and the sag. It is even more evident on plexiglass, with always this rhythm which inhabits me" Sylvie Guyomard
    Read more
Delivery
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Origin: France
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Want to go further?

Sylvie Guyomard

Born in 1964, Sylvie Guyomard is a plastic artist who, after having studied at the Beaux-Arts School in Paris, studied mural painting; she is also passionate about architecture.

Her creations are influenced by nature, she is interested in volcanic eruptions, in geology, in fossils; everything that involves the ?boiling? of the earth.

Sylvie Guyomard has worked in the beginning with inlays of materials to arrive today to something more ?zen?, all the while following her own path.

From her third project on, she has been using slate. She works with this material in order to show and use the light. The search for reflections, the strong contrasts, she goes from light gray to black , in some cases adding inlays to accentuate the mysterious side, reminding of icons a little.

Sylvie Guyomard likes the idea that the observer becomes an actor, that we can move around the work and be able to contemplate each angle and see the piece so differently from one place to another. For her, the light is part of the piece and it can make it evolve through the day and the seasons.
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