Abstract artworks

Abstract art was born at the beginning of the 20th century, more specifically between 1911 and 1917 with the work of four influential painters: Frantisek Kupka, Vassily Kandinsky, Kasimir Malevich and Piet Mondrian . Although each of these artists formulated their own vision of abstract art, a shared historical context explains the concurrent emergence of this artistic movement.

The scientific discoveries of the early 20th century completely revolutionized man's perception of the world. These artists, who were literary and cultured men, were well aware of scientific progress. As Paul Valéry put it, "in the last twenty years neither matter nor space nor time has been what it was from time immemorial". People needed a new language to both express and to comprehend this "new world". These four artists demonstrated a keen interest in the esoteric and occult, which explains why the abstract is presented as a research of another type of truth, a way to elevate one's mind and soul towards new horizons, uncovering the deepest mysteries of humankind. The realm of music truly fascinated these artists; they identified with it and, several of them, especially Kandinsky, used it as inspiration. Music is the epitome of the imponderable and the intangible; it suggests meanings while escaping from reality at the same time.

The influence of artistic movements such as Fauvism and also served as references for the development of the abstract's aesthetic research. Abstraction did not attempt to represent the visible world, but rather to become a "visual language". However, it is essential to bear in mind that each of these four painters took a different path, and that they independently formulated their conception of abstract art.

Abstract art wanted to display an "abstract image," a non-figurative representation, outside of reality. They wanted to create art that was self-sufficient, that could look to itself to find the resources needed to support its existence. Abstract creation often required the artists to unleash their consciousness, to break free of instinctive visual associations. This approach produced powerful artworks which, although free of any literal meaning, retained the ability to provoke strong sensations and feelings in the viewer. The triumph of color, of subjectivity and the lack of conventions, foreshadowed the advent of an art that was liberated and free of any restrictive conventions. Abstract art manifestos laid the foundations of its aesthetic. Kandinsky's letters to the music composer Schönberg demonstrated the porous nature of the genres at a time where serial music was emerging. Both music and painting followed a path of growing “dissonance within the arts". These abstract artworks can demand collector to approach them in a particular. Although the interplay of shapes and colours in abstract art make it a visually accessible style, it is also important to reflect on the works more deeply. They invite the viewer to escape from reality, to consider things according to the prism of the absolute, of essence and absence. They might encourage viewers to adopt a new outlook on the world, where everything is astonishing and where our consciousness is constantly wonderstruck by the world around us.

“Art does not reproduce the visible; it makes visible." - Paul Klee

Search by Image

Save your search and find it in your favorites

21/100 1 10 19 20 21 22 23 30 40 50 60 70 80 90 100

Categories

Subcategories

Abstract artworks

Les blés d'or

L'orage

Jeux de plage

La Moulinatte

Ampélio

Balaruc

Broken line blue

Venise

Îlot lumineux

Notes sur thème 2

Inventario

L'encre dansant : juillet

L'encre dansant : mars

Dame nature

Sur le sofa rouge

Amphitrite

Form and Reform

Endless Painting 1

Au rythme de minuit

Empreinte d'une boule 2

Empreinte d'une boule 1

Circle

Sans titre

Roca azul

Composition pour les JO

Lignes d'eau

La petite

Storm

Chorus

Focal varia

Arbre

Salue pleureur

Le songe

Sans titre - N°XVIII

Sans titre - N°V

Voyage vers l'inconnu

Arbres de vie

"Entre deux mondes" acrylique végétaux châssis lin 100x210cm 2015

A travers champs

Le grand Mange-rêves

Impression soleil couchant

Grey Ice Water

Automne

Abricot

Visage n°49

The A

Horizon

Misty Morning

Confrontation

Le village

Visage n°50

Turtle River

Manganese Morning

Les Mille et une nuits

Earth and wind

Poussière d'ombres, diptyque

"La rouille et les bateaux" acrylique oxydation châssis lin livré caisse en bois coût coûtant

Paysage : beneath the red and yellow drift of the waning years

Fond marin 6

Fond marin 3

L'Enfer me ment (39)

Das Lied

Fond marin 5

Fond marin I

Afrique

Back 70