Colored artworks
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Variation d'un paysage 7
Sophie André
Painting - 70 x 50 x 2 cm Painting - 27.6 x 19.7 x 0.8 inch
€1,050
Dreaming No.1
Bea Garding Schubert
Painting - 149.9 x 119.9 x 4.6 cm Painting - 59 x 47.2 x 1.8 inch
€3,965
Beyond the Visible
Yaacov Agam
Fine Art Drawings - 25.4 x 27.9 cm Fine Art Drawings - 10 x 11 inch
€1,934
Eclipse jaune x2
Alice Aladjem
Sculpture - 70 x 50 x 0.4 cm Sculpture - 27.6 x 19.7 x 0.2 inch
€1,800
RB M25 Edition
Ronan and Erwan Bouroulec
Print - 90 x 70 x 0.2 cm Print - 35.4 x 27.6 x 0.1 inch
€1,450
The man who lost himself
Zhivko Mutafchiev
Painting - 80 x 100 x 2 cm Painting - 31.5 x 39.4 x 0.8 inch
€2,500
Hommage à Federico Fellini
Jean Messagier
Print - 50 x 69.5 x 0.2 cm Print - 19.7 x 27.4 x 0.1 inch
€460
Ode to Alice Neel
Randi Matushevitz
Painting - 50.8 x 50.8 x 5.1 cm Painting - 20 x 20 x 2 inch
€1,161
Stone Series 1
GK Austin II
Photography - 76.2 x 50.8 x 2.5 cm Photography - 30 x 20 x 1 inch
€3,675
### Songe dans une nebuleuse rouge de patates célestes orangées...
Monsieur Térez
Painting - 130 x 100 x 1 cm Painting - 51.2 x 39.4 x 0.4 inch
€2,400
Dual perception
Alexander Tadesse
Painting - 100 x 100 x 2 cm Painting - 39.4 x 39.4 x 0.8 inch
€1,800
I think the cops traced it back to grimsby. (6)
Vianca Reinig
Photography - 150 x 120 cm Photography - 59.1 x 47.2 inch
€4,000
Deux Demis Jaunes
Jean-Roch Focant
Painting - 90 x 90 x 3 cm Painting - 35.4 x 35.4 x 1.2 inch
€2,400
Caresses III
Ismaël Kachtihi del Moral
Painting - 20 x 20 x 3 cm Painting - 7.9 x 7.9 x 1.2 inch
€450
1997, Painting, Oil on Canvas
Ethan Newman
Painting - 91.4 x 91.4 x 7.6 cm Painting - 36 x 36 x 3 inch
€3,869
Le retour des cigales
Sigrid M.
Painting - 100 x 100 x 2 cm Painting - 39.4 x 39.4 x 0.8 inch
€1,800
Un jour ailleurs
Catherine Tapon
Painting - 150 x 50 x 3.5 cm Painting - 59.1 x 19.7 x 1.4 inch
€2,990
MMDC 12
Françoise Sémiramoth
Fine Art Drawings - 65 x 50 cm Fine Art Drawings - 25.6 x 19.7 inch
€2,800
Wall street monsters and other tales
Mideo M. Cruz
Painting - 53 x 43 x 1 cm Painting - 20.9 x 16.9 x 0.4 inch
€850
Ti' punch molotov 04
Jean-Marc Hunt
Painting - 68 x 48 x 3 cm Painting - 26.8 x 18.9 x 1.2 inch
€3,900
You lose control
Lucile Callegari
Painting - 100 x 100 x 2 cm Painting - 39.4 x 39.4 x 0.8 inch
€2,900
Jardin d'emeraude - Serie silk
Brice Mounier
Sculpture - 60 x 60 x 5 cm Sculpture - 23.6 x 23.6 x 2 inch
€2,400
Cargo Traffic City Landscape
Vlado Vesselinov
Painting - 50 x 75 x 2 cm Painting - 19.7 x 29.5 x 0.8 inch
€1,900
Yellow birds - édition rose
Bishop Parigo
Print - 70 x 50 x 3 cm Print - 27.6 x 19.7 x 1.2 inch
€1,500
In the end, everything comes back
Dervis Akdemir
Painting - 70 x 50 x 2.5 cm Painting - 27.6 x 19.7 x 1 inch
€547
Cocktail Party II
Alexandre Moore Rockefeller
Painting - 162 x 72 x 0.6 cm Painting - 63.8 x 28.3 x 0.2 inch
€5,100
Confidentiel
M. Cohen
Fine Art Drawings - 51 x 51 x 0.5 cm Fine Art Drawings - 20.1 x 20.1 x 0.2 inch
€1,700
Aggregate #20 (Large Abstract Contemporary Painting)
G. Campbell Lyman
Painting - 121.9 x 152.4 x 2.5 cm Painting - 48 x 60 x 1 inch
€4,749
Color sound in the golden light
Mi Jean Kang
Painting - 50 x 50 x 2 cm Painting - 19.7 x 19.7 x 0.8 inch
€2,400
Off to the Field of dreams 5
Thein Shwe
Painting - 120 x 180 x 1 cm Painting - 47.2 x 70.9 x 0.4 inch
€12,950
Colored artworks
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?