Human body
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Please feed on my love
Laurent Anastay-Ponsolle
Painting - 56 x 76 x 0.1 cm Painting - 22 x 29.9 x 0 inch
€1,150
Murmures de jolis mots
Laurent Anastay-Ponsolle
Painting - 60 x 40 x 3 cm Painting - 23.6 x 15.7 x 1.2 inch
€1,500
Discussion Sérieuse
Laurent Anastay-Ponsolle
Painting - 30 x 48 x 2 cm Painting - 11.8 x 18.9 x 0.8 inch
€1,650
Rencontre
Laurent Anastay-Ponsolle
Fine Art Drawings - 56 x 76 x 0.1 cm Fine Art Drawings - 22 x 29.9 x 0 inch
€950
Blackened Lovers #8
Laurent Anastay-Ponsolle
Fine Art Drawings - 76 x 56 x 0.1 cm Fine Art Drawings - 29.9 x 22 x 0 inch
€950
Strong Heart
Carles Prat-Placis
Photography - 50 x 70 x 1 cm Photography - 19.7 x 27.6 x 0.4 inch
€320
Seb, the smartphone junkie
Laurent Anastay-Ponsolle
Painting - 42 x 55 x 0.1 cm Painting - 16.5 x 21.7 x 0 inch
€750
L'amour rue Caulaincourt
Laurent Anastay-Ponsolle
Fine Art Drawings - 70 x 50 x 0.5 cm Fine Art Drawings - 27.6 x 19.7 x 0.2 inch
€750
Dance Moods - Ousseyni Sako (II)
Antoine Tempé
Photography - 60 x 50 x 4 cm Photography - 23.6 x 19.7 x 1.6 inch
€3,000
Shielded | Saint Tropez
Serge Guerand
Photography - 80 x 120 cm Photography - 31.5 x 47.2 inch
€3,120
Les mains du Ciel
Emilie Teillaud
Painting - 100 x 81 x 3 cm Painting - 39.4 x 31.9 x 1.2 inch
€2,100
R.V. (jeune poète au bidon)
Jean-Robert Drouillard
Sculpture - 165.1 x 40.6 x 30.5 cm Sculpture - 65 x 16 x 12 inch
€12,700
Silhouette emballée et contaminée (Hélène)
Jean-Robert Drouillard
Sculpture - 175.3 x 44.5 x 40.6 cm Sculpture - 69 x 17.5 x 16 inch
€11,000
Silhouette emballée et contaminée (Rosalie)
Jean-Robert Drouillard
Sculpture - 156.2 x 41.9 x 43.2 cm Sculpture - 61.5 x 16.5 x 17 inch
€10,000
Silhouette emballée et contaminée (son mari)
Jean-Robert Drouillard
Sculpture - 174 x 76.2 x 43.2 cm Sculpture - 68.5 x 30 x 17 inch
€12,000
Mon mammifère préféré (cônes 6)
Jean-Robert Drouillard
Sculpture - 139.7 x 38.1 x 30.5 cm Sculpture - 55 x 15 x 12 inch
€6,600
Unsharp #02 (2)
Edin Mustafic
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
€4,500
Unsharp #02 (1)
Edin Mustafic
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
€4,500
Soleil, graine et reine des prés
Marie Labat
Fine Art Drawings - 60 x 40 x 0.1 cm Fine Art Drawings - 23.6 x 15.7 x 0 inch
€480
Linge volant et arum
Marie Labat
Fine Art Drawings - 60 x 40 x 0.1 cm Fine Art Drawings - 23.6 x 15.7 x 0 inch
€480
Le réconfort 5
LN Le Cheviller
Fine Art Drawings - 100 x 50 x 0.1 cm Fine Art Drawings - 39.4 x 19.7 x 0 inch
€690
Le réconfort 2
LN Le Cheviller
Fine Art Drawings - 100 x 50 x 0.1 cm Fine Art Drawings - 39.4 x 19.7 x 0 inch
€690
Anatomie 15
LN Le Cheviller
Fine Art Drawings - 70 x 100 x 0.1 cm Fine Art Drawings - 27.6 x 39.4 x 0 inch
€800
Personnage
Pascal Marlin
Fine Art Drawings - 41 x 32 x 0.1 cm Fine Art Drawings - 16.1 x 12.6 x 0 inch
€300
Figure summary 1978 DESTOCKAGE The image expresses itself!!
Paolo Ambrosio
Fine Art Drawings - 50 x 35 x 0.1 cm Fine Art Drawings - 19.7 x 13.8 x 0 inch
€50
L'érosion des Chimères
Laurent Anastay-Ponsolle
Painting - 24 x 36 x 2 cm Painting - 9.4 x 14.2 x 0.8 inch
€1,100
Cœur Noir & Lumière Rouge
Laurent Anastay-Ponsolle
Painting - 27 x 38 x 3 cm Painting - 10.6 x 15 x 1.2 inch
€1,200
Caresse bleu cadium
Laurent Anastay-Ponsolle
Painting - 22 x 32 x 2 cm Painting - 8.7 x 12.6 x 0.8 inch
€950
Homme dans fauteuil
Pascal Marlin
Painting - 122 x 107 x 3 cm Painting - 48 x 42.1 x 1.2 inch
€3,000
Untitled
Alexandre Taillandier
Fine Art Drawings - 20 x 20 x 1 cm Fine Art Drawings - 7.9 x 7.9 x 0.4 inch
€280
Ne faire plus qu'un #2
Laurent Anastay-Ponsolle
Painting - 50 x 65 x 0.1 cm Painting - 19.7 x 25.6 x 0 inch
€850
Chuter, se battre, recommencer
Laurent Anastay-Ponsolle
Painting - 60 x 92 x 3 cm Painting - 23.6 x 36.2 x 1.2 inch
€2,250
Illusion
Laurent Anastay-Ponsolle
Painting - 65 x 91 x 3 cm Painting - 25.6 x 35.8 x 1.2 inch
€2,250
Sans titre nº1
Julien Monteiro
Photography - 60 x 90 x 0.2 cm Photography - 23.6 x 35.4 x 0.1 inch
€338
Sans Titre (dessin)
Antoine Marquis
Fine Art Drawings - 73 x 49.5 x 0.2 cm Fine Art Drawings - 28.7 x 19.5 x 0.1 inch
€2,900
Sans titre nº4
Julien Monteiro
Photography - 60 x 90 x 0.2 cm Photography - 23.6 x 35.4 x 0.1 inch
€330
Porter un seau à deux mains
Marie Labat
Design - 90 x 90 x 0.1 cm Design - 35.4 x 35.4 x 0 inch
€290
Les bras chargés et oseille des prés
Marie Labat
Fine Art Drawings - 60 x 40 x 0.1 cm Fine Art Drawings - 23.6 x 15.7 x 0 inch
€480
TRITIUM 21
Yannick Bouillault
Sculpture - 49 x 26 x 26 cm Sculpture - 19.3 x 10.2 x 10.2 inch
€1,200
Genetic manipulation
Hildegarde Handsaeme
Painting - 70 x 180 x 2 cm Painting - 27.6 x 70.9 x 0.8 inch
€2,400
Invocation
Laurent Anastay-Ponsolle
Painting - 100 x 73 x 3 cm Painting - 39.4 x 28.7 x 1.2 inch
€2,500
Geogram 2
Hoel Gwern
Fine Art Drawings - 17 x 14 x 0.2 cm Fine Art Drawings - 6.7 x 5.5 x 0.1 inch
€180
Paleolithic Bronze Figurine
Ohad Ben-Ayala
Sculpture - 23 x 10 x 6 cm Sculpture - 9.1 x 3.9 x 2.4 inch
€2,450
Someone from Crazy Horse Painting
Kristina Malashchenko
Painting - 70 x 60 x 1 cm Painting - 27.6 x 23.6 x 0.4 inch
€2,250
Discours sur la servitude volontaire
Arnaud Labelle-Rojoux
Print - 70 x 50 cm Print - 27.6 x 19.7 inch
€150
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.