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Tribute to Picasso
M. Asuncion Raventos
Painting - 97 x 146 x 3 cm Painting - 38.2 x 57.5 x 1.2 inch
$3,132
Silencieusement, elle glissait sur l’air
Maylis Bourdet
Painting - 90 x 90 x 2 cm Painting - 35.4 x 35.4 x 0.8 inch
$1,521
Breeze - Arm Chair
Poonam Choudhary
Design - 73.7 x 65 x 82 cm Design - 29 x 25.6 x 32.3 inch
$1,500
Series Alpine Skiing, Snowboarding, winter mountains white 3D plaster
Nataliia Krykun
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$2,237
Rhythmogramm Triennale
Heinrich Heidersberger
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$12,303
Call me Bruce (Like This)
Mary Lottridge
Painting - 91 x 91 x 4 cm Painting - 35.8 x 35.8 x 1.6 inch
$1,717
Mareggiata al tramonto
Bruno Di Giulio
Painting - 50 x 70 x 2 cm Painting - 19.7 x 27.6 x 0.8 inch
$219
Gwen Stefani - Anaheim Pond, Anaheim, CA
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
$3,000
Michael Jackson - LA Sports Arena, Los Angeles, CA
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
$3,000
David Byrne of the Talking Heads
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
$3,000
Will Ferrell (II) - Los Angeles, CA 2007
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
$3,000
The Bunny and the Man (S)
Tyler Shields
Photography - 50.8 x 76.2 cm Photography - 20 x 30 inch
$5,000
The Anonymity of Shape (M)
Tyler Shields
Photography - 76.2 x 76.2 cm Photography - 30 x 30 inch
$5,000
The Anonymity of Shape (S)
Tyler Shields
Photography - 45.7 x 45.7 cm Photography - 18 x 18 inch
$2,500
Soldier Silhouette (XS)
Tyler Shields
Photography - 38.1 x 50.8 cm Photography - 15 x 20 inch
$2,500
8th Position Silhouette
Tyler Shields
Photography - 45.7 x 45.7 cm Photography - 18 x 18 inch
$2,500
Take me into another dimension I
Maria Esmar
Painting - 140 x 220 x 0.2 cm Painting - 55.1 x 86.6 x 0.1 inch
$6,711
NYC - The Empire State Building
Isabelle Hirtzig
Painting - 30 x 30 x 0.2 cm Painting - 11.8 x 11.8 x 0.1 inch
$185
Série les Krégins - Sculpture coquillage Raku
Naïg Oulhen dite AbeRaku
Sculpture - 13 x 13 x 10 cm Sculpture - 5.1 x 5.1 x 3.9 inch
$839
Série les Krégins - Sculpture coquillage Raku
Naïg Oulhen dite AbeRaku
Sculpture - 21 x 10 x 12 cm Sculpture - 8.3 x 3.9 x 4.7 inch
$839
USA. Nevada and California. The Misfits, a film by John HUSTON. 1960 VI
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
USA. Nevada. Reno. Marilyn Monroe on the set of The Misfits by John HUSTON
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
USA. Nevada. US actress Marilyn Monroe on the set of The Misfits by John HUSTON.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
UAE. Dubai. Behind the Veil.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
Marilyn MONROE on the set of The Misfits - USA, Nevada, Reno
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
$2,350
The Hollowed Nexus I
Palak Modi
Painting - 91.44 x 91.44 x 3 cm Painting - 36 x 36 x 1.2 inch
$2,740
Skate Mr Hope upcycling
MrHope
Sculpture - 80 x 20 x 2 cm Sculpture - 31.5 x 7.9 x 0.8 inch
$224 $201
Dancer In The Dark (S)
Tyler Shields
Photography - 50.8 x 76.2 cm Photography - 20 x 30 inch
$10,000
Un autre visage
Éric Dabancourt
Fine Art Drawings - 30 x 40 x 2 cm Fine Art Drawings - 11.8 x 15.7 x 0.8 inch
$403
Le bien et le mal (2)
Chantal Westby
Painting - 122 x 91 x 5 cm Painting - 48 x 35.8 x 2 inch
$2,684
Silence, Paris 2024 Olympic Games Begin (Silence, les Jeux Olympiques de Paris 2024 Commencent)
Bruno Cantais
Sculpture - 27 x 7 x 8 cm Sculpture - 10.6 x 2.8 x 3.1 inch
$218
My Shadow A Reflection of Me 2
Agbalaya Abdulahi Opeyemi
Painting - 121.9 x 91.4 x 2.5 cm Painting - 48 x 36 x 1 inch
$2,850
Silence, Paris 2024 Olympic Games Begin (Silence, les Jeux Olympiques de Paris 2024 Commencent)
Bruno Cantais
Sculpture - 27 x 7 x 8 cm Sculpture - 10.6 x 2.8 x 3.1 inch
$257
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!