Colored artworks
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It's Getting Kind of Hectic
Emma Harrison
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$2,247
Un coin de ciel bleu
Emily Starck
Painting - 80 x 100 x 3 cm Painting - 31.5 x 39.4 x 1.2 inch
$2,247
La sieste - Nap in a 70's room
Léa Dedieu
Painting - 100 x 80 x 2 cm Painting - 39.4 x 31.5 x 0.8 inch
$2,023
Chrysanthemum Cascade
Kamo Atoyan
Painting - 80 x 100 x 2 cm Painting - 31.5 x 39.4 x 0.8 inch
$1,000
Blossoming Romance
Gor Avetisyan
Painting - 110 x 100 x 2 cm Painting - 43.3 x 39.4 x 0.8 inch
$4,382
Existenciel
Françoise Dugourd-Caput
Painting - 50 x 50 x 3 cm Painting - 19.7 x 19.7 x 1.2 inch
$775
Métamorphose
Maryse Chatron Kriloff
Painting - 60 x 80 x 1.5 cm Painting - 23.6 x 31.5 x 0.6 inch
$1,573
Love letters in the sand I
Ilgvars Zalans
Painting - 80 x 60 x 3 cm Painting - 31.5 x 23.6 x 1.2 inch
$2,360
Abstract Floral Field
Mateos Sargsyan
Painting - 70 x 50 x 2 cm Painting - 27.6 x 19.7 x 0.8 inch
$750
Let Go Let Live #2
Niki Stearman
Painting - 101.6 x 76.2 x 3.8 cm Painting - 40 x 30 x 1.5 inch
$1,800
Spring sunset #3
Laura Dujoncquoy
Painting - 100 x 70 x 4 cm Painting - 39.4 x 27.6 x 1.6 inch
$1,686
Octagonal Composition
Giuseppe Zumbolo
Painting - 40 x 40 x 0.1 cm Painting - 15.7 x 15.7 x 0 inch
$899
La danse des cartes
Xavier de Vilmorin
Painting - 92 x 60 x 2.5 cm Painting - 36.2 x 23.6 x 1 inch
$2,135
Vive les fleurs et les fleurs
Seb Paul Michel
Painting - 30 x 40 x 2 cm Painting - 11.8 x 15.7 x 0.8 inch
$601
Souvenirs d'enfance
Pierre Henry
Painting - 60 x 48.5 x 1 cm Painting - 23.6 x 19.1 x 0.4 inch
$2,294
Les architectures de l'ombre V.XXXXI
Geraldine Wilcke
Photography - 40 x 30 x 3 cm Photography - 15.7 x 11.8 x 1.2 inch
$1,348
Self-Worth 2
Hezekiah Oyejide Obidare
Painting - 121.9 x 91.4 x 5.1 cm Painting - 48 x 36 x 2 inch
$3,250
Temperatura - Tincion. From The Light series
Jose Ricardo Contreras Gonzalez
Painting - 25.9 x 129.8 x 2.8 cm Painting - 10.2 x 51.1 x 1.1 inch
$1,900
Cathédrale Saint Julien Le Mans
Stéphane Cantin
Painting - 60 x 70 x 2 cm Painting - 23.6 x 27.6 x 0.8 inch
$955
Soulmates
Marie Julou (Tina McCallan)
Painting - 50 x 60 x 1.5 cm Painting - 19.7 x 23.6 x 0.6 inch
$1,112
Once There Was A Way
Brian Bartlett
Painting - 90 x 90 x 4 cm Painting - 35.4 x 35.4 x 1.6 inch
$1,569
The dance of a star
Saverio Filioli Uranio
Painting - 100 x 100 x 1.5 cm Painting - 39.4 x 39.4 x 0.6 inch
$1,236
Tableau d'une trahison
Frédéric Lemonnier
Painting - 60 x 80 x 2.5 cm Painting - 23.6 x 31.5 x 1 inch
$966
Marine abstraite 2024-42
Fred Boutet
Painting - 97 x 130 x 2.5 cm Painting - 38.2 x 51.2 x 1 inch
$1,236
Frétillements frénétiques
Arnaud Dromigny
Painting - 50 x 70 x 2 cm Painting - 19.7 x 27.6 x 0.8 inch
$584
Le monde en équilibre
Isabelle Duffaud
Painting - 80 x 80 x 1.5 cm Painting - 31.5 x 31.5 x 0.6 inch
$1,517
Pink city Abstract-187
Nivas Kanhere
Painting - 121.9 x 100.3 x 2.5 cm Painting - 48 x 39.5 x 1 inch
$1,750
Rajao (Réhaussé / Hand-Embellished)
Yoann Bonneville (YBA)
Print - 50 x 50 x 0.1 cm Print - 19.7 x 19.7 x 0 inch
$326
Window view 11 - Wipe left
Low Bros
Painting - 130 x 110 x 2 cm Painting - 51.2 x 43.3 x 0.8 inch
$9,664
Banana Republic #3 (Oeuvre unique)
Karl Kox
Print - 75 x 70 x 0.3 cm Print - 29.5 x 27.6 x 0.1 inch
$843
Colored artworks
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?