Colored artworks
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Choosing Happiness
Viktoria Ganhao
Painting - 150 x 40 x 0.2 cm Painting - 59.1 x 15.7 x 0.1 inch
$1,091
A Mysterious Horse - A tribute to the artist Uri Reisman
Menashe Kadishman
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$3,700
Marine abstraite 2022-29
Fred Boutet
Painting - 81 x 116 x 2 cm Painting - 31.9 x 45.7 x 0.8 inch
$1,137
Chiffonnade embrassée
Véro Mazurek
Painting - 60 x 50 x 2 cm Painting - 23.6 x 19.7 x 0.8 inch
$1,091
Beachside Botanics
Sumit Mehndiratta
Photography - 54 x 86 x 0.01 cm Photography - 21.3 x 33.9 x 0 inch
$1,023
A Brand New Day
Sumit Mehndiratta
Photography - 70 x 100 x 0.01 cm Photography - 27.6 x 39.4 x 0 inch
$1,194
Pennyfield Close
George Pinder
Painting - 100 x 80 x 4.8 cm Painting - 39.4 x 31.5 x 1.9 inch
$4,649
Le couple de danseur
Christof Monnin
Painting - 100 x 100 x 2.5 cm Painting - 39.4 x 39.4 x 1 inch
$1,705
Sunny Day Treescape
Sumit Mehndiratta
Print - 103 x 68 x 0.5 cm Print - 40.6 x 26.8 x 0.2 inch
$1,137
Schtroumpfs (plan du métro de Paris)
Fat
Painting - 41 x 80 x 0.2 cm Painting - 16.1 x 31.5 x 0.1 inch
$2,274
Idéfix (plan du métro de Paris)
Fat
Painting - 36 x 36 x 0.2 cm Painting - 14.2 x 14.2 x 0.1 inch
$1,421
Picsou (plan du métro de Paris)
Fat
Painting - 42 x 69 x 0.2 cm Painting - 16.5 x 27.2 x 0.1 inch
$2,274
Sans titre - TAF668757
Yann Guinchan
Painting - 97 x 130 x 2 cm Painting - 38.2 x 51.2 x 0.8 inch
$966
Alessandro Michele
Manuel Santelices
Painting - 40.6 x 29.8 x 2.5 cm Painting - 16 x 11.75 x 1 inch
$1,200
Red parties vertical
Alessandra Bisi
Painting - 30 x 21 x 0.1 cm Painting - 11.8 x 8.3 x 0 inch
$226
Retrato en fondo blanco
Enrique Pichardo
Painting - 210 x 210 x 2 cm Painting - 82.7 x 82.7 x 0.8 inch
$8,763
Composición en Azul
Enrique Pichardo
Painting - 230 x 330 x 2 cm Painting - 90.6 x 129.9 x 0.8 inch
$7,981
Je t’aime à enfin vivre
Yohan Storti
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
$2,046
Jolies Dames
Martine Fauve Dechavanne
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$2,160
Champagne pour tout le monde
Martine Fauve Dechavanne
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$2,160
Marine Abstraite 2022-19
Fred Boutet
Painting - 100 x 100 x 2.5 cm Painting - 39.4 x 39.4 x 1 inch
$1,023
Heaven's Gate
Marija Tanaskovic Papadopoulos
Fine Art Drawings - 31 x 46 x 0.2 cm Fine Art Drawings - 12.2 x 18.1 x 0.1 inch
$26,828
Questions Asked and Not Answered
Hal Mayforth
Painting - 116.8 x 81.3 x 0.3 cm Painting - 46 x 32 x 0.1 inch
$5,000
26 janvier 2024
Raymond Attanasio
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$2,842
Abstract n°310-5
Harry James Moody
Painting - 61 x 50.8 x 3.8 cm Painting - 24 x 20 x 1.5 inch
$1,364
17 octobre 2022
Raymond Attanasio
Painting - 90 x 90 x 3 cm Painting - 35.4 x 35.4 x 1.2 inch
$2,842
14 aout 2022
Raymond Attanasio
Painting - 146 x 114 x 3 cm Painting - 57.5 x 44.9 x 1.2 inch
$5,115 $2,558
19 novembre
Raymond Attanasio
Painting - 98 x 130 x 3 cm Painting - 38.6 x 51.2 x 1.2 inch
$3,410 $1,705
17 novembre
Raymond Attanasio
Painting - 114 x 162 x 3 cm Painting - 44.9 x 63.8 x 1.2 inch
$5,115 $2,558
28 octobre 2022
Raymond Attanasio
Painting - 140 x 100 x 3 cm Painting - 55.1 x 39.4 x 1.2 inch
$3,638
Connected By 8
Angelica Tcherassi
Print - 149.9 x 119.9 x 0.3 cm Print - 59 x 47.2 x 0.1 inch
$1,500
Colored artworks
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?