I Love New York, 2017

by Katherine Bernhardt

Print : lithography 99.7 x 74.3 x 2 cm 39.3 x 29.3 x 0.8 inch

$22,000

One of the last works available by this artist

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About the artwork

Type

Numbered and limited to 75 copies

1 copy available

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Print: lithography

Dimensions cm inch

99.7 x 74.3 x 2 cm 39.3 x 29.3 x 0.8 inch Height x Width x Depth

Framing

White frame

Artwork dimensions including frame

104.78 x 79.38 x 2.54 cm 41.3 x 31.3 x 1 inch


Artwork sold in perfect condition

Artwork location: United States

Medium: Lithograph on Somerset Paper
Edition: 14 of 75
Notes: Signed, titled, dated and numbered 14/75 in pencil, published by Counter Editions, Margate, United Kingdom. Gallery COA Included. Custom Framed.

Katherine Bernhardt's journey into painting the Pink Panther began when she arrived at the Pink Palace Hotel, also known as the Royal Hawai’ian Hotel, nestled on a sandy beach in Waikiki, Oahu. The hotel was situated not far from an imposing eighteen-foot tall bronze sculpture of King Kamehameha I, the legendary Hawai’ian warrior leader, typically adorned with a grand display of vibrant pink orchid lei. This trip was an immersion in all things pink, from the hotel's bathroom towels, sheets, and even sleep masks to the pink carpeting, beach chairs, beach towels, stationery, sunsets, breakfast pancakes, and the ubiquitous presence of the Pink Panther on television screens. As Bernhardt repeatedly watched videos of the Pink Panther, relaxing on a colossal pink bed and leisurely strolling around the hotel grounds, her son, Khalifa, too, became enthralled with Pink Panther videos on his cell phone. It was during this pink-infused experience that Bernhardt envisioned the Pink Panther on large-scale canvases and lithographs.

In the artwork "I Love New York," Bernhardt pays homage to the renowned American graphic designer Milton Glaser (1929-2020), the visionary behind the seemingly straightforward graphic message created with the American Typewriter font in 1976. This design swiftly transcended borders to become a globally recognized and cherished icon. Here, Bernhardt enhances the message's positivity by introducing the joyful Pink Panther, a character that could also be seen as a self-portrait of the artist. Although Bernhardt has recently relocated to her hometown of St. Louis, her love for New York remains unwavering. To her, New York is more than just a city; it represents boundless opportunities, adventures, and endless excitement. Even though her current residence is no longer in the bustling metropolis, she considers herself a "lifer," someone committed for life to the New York way of living.

About the Artist:

Katherine Bernhardt, represented by the influential CANADA Gallery, occupies a prominent position in New York's contemporary painting scene. Her artistic journey includes collaborations with hip-hop superstar Drake, vibrant poolside paintings in Miami, public murals in Los Angeles, and running her own business importing Moroccan carpets. Bernhardt's recent solo exhibitions have graced prestigious venues such as the Modern Art Museum of Fort Worth, the Contemporary Art Museum St. Louis, Lever House in New York, as well as European showcases at Xavier Hufkens in Brussels and Carl Freedman in London. Born in St. Louis, Missouri, in 1975, she currently lives and works in Brooklyn, New York.
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About the seller

End To End Gallery • United States

Artsper seller since 2020

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Collector’s Guide

Imagine it at home

Katherine Bernhardt, I Love New York
Katherine Bernhardt

Katherine Bernhardt

United States  • 1975

Masterpieces

Katherine Bernhardt (born 1975 in Clayton, Missouri) is an artist based in St. Louis, Missouri. Bernhardt received her MFA from the School of Visual Arts, New York, and her Bachelor of Fine Arts (BFA) from the School of the Art Institute of Chicago, Illinois. Bernhardt is known for painting consumer symbols, tropical animals, and everyday objects over bright flat fields of color in an expressionistic and almost abstract style. Previous bodies of work include Moroccan rug-inspired paintings and collages made in collaborations with her former husband Youssef Jdia, as well as her model paintings, which were loose portraits based on images of supermodels from high fashion magazines.



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