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Franclisa
Gbemileke Blessing Adegboro
Painting - 91.9 x 91.9 x 2.5 cm Painting - 36.2 x 36.2 x 1 inch
$1,800
The layers get to me
Michael Alan
Fine Art Drawings - 46.7 x 34.3 x 0.1 cm Fine Art Drawings - 18.4 x 13.5 x 0.04 inch
$1,357
Chronometer Series 4
Lena Ochkalova
Painting - 65 x 50 x 0.1 cm Painting - 25.6 x 19.7 x 0 inch
$679
Chronometer Series 2
Lena Ochkalova
Painting - 65 x 50 x 0.1 cm Painting - 25.6 x 19.7 x 0 inch
$679
Follow your dreams
Diederik Van Apple
Sculpture - 24 x 13 x 13 cm Sculpture - 9.4 x 5.1 x 5.1 inch
$225
Vaincre l'apensenteur du réel
Walter Sené
Painting - 92 x 73 x 2 cm Painting - 36.2 x 28.7 x 0.8 inch
$679
White landscape in 3D
Nataliia Krykun
Painting - 120 x 180 x 4 cm Painting - 47.2 x 70.9 x 1.6 inch
$7,916 $6,729
Intimate explosion
Michael Alan
Fine Art Drawings - 33 x 27.9 x 0.1 cm Fine Art Drawings - 13 x 11 x 0.04 inch
$3,053
Desert signe LVII (SG248)
Sylvie Guyomard
Sculpture - 50 x 40 x 5 cm Sculpture - 19.7 x 15.7 x 2 inch
$441
Desert signe LV (SG246)
Sylvie Guyomard
Sculpture - 40 x 50 x 5 cm Sculpture - 15.7 x 19.7 x 2 inch
$554
Desert signe LIII (SG244)
Sylvie Guyomard
Sculpture - 50 x 40 x 5 cm Sculpture - 19.7 x 15.7 x 2 inch
$441
Right from the source
Manuela Karin Knaut
Painting - 125 x 125 x 4 cm Painting - 49.2 x 49.2 x 1.6 inch
$5,824
Village en Hiver (Vosges) - série Paysage
Marie-Thérèse Chanel
Painting - 46 x 61 x 2 cm Painting - 18.1 x 24 x 0.8 inch
$1,244
Louis Vitton n°6
Parscha Mirghawameddin
Painting - 146 x 114 x 2 cm Painting - 57.5 x 44.9 x 0.8 inch
$1,696
Pauvre Amour 2
Agathe David
Fine Art Drawings - 100 x 70 x 0.5 cm Fine Art Drawings - 39.4 x 27.6 x 0.2 inch
$1,414
Close Touching God
Mattia Novello
Sculpture - 71.1 x 71.1 x 5.1 cm Sculpture - 28 x 28 x 2 inch
$8,000
Women
Kirill Postovit
Fine Art Drawings - 20.5 x 25 x 0.1 cm Fine Art Drawings - 8.1 x 9.8 x 0 inch
$3,042
Mer en hiver - série Mer
Françoise Lavenu
Painting - 60 x 73 x 2 cm Painting - 23.6 x 28.7 x 0.8 inch
$1,357
Codes esthétiques 2380
Konstantin Kornakov
Photography - 60 x 40 cm Photography - 23.6 x 15.7 inch
$792
Codes esthétiques 1127
Konstantin Kornakov
Photography - 40 x 60 cm Photography - 15.7 x 23.6 inch
$792
Élément jaune (PM15)
Palmi Marzaroli
Painting - 49 x 63 x 0.2 cm Painting - 19.3 x 24.8 x 0.1 inch
$2,601
Siestes short ancres marines
Pascal Astier
Painting - 60 x 120 x 2.5 cm Painting - 23.6 x 47.2 x 1 inch
$2,262
Teddy Love Pearl White & Gold
Nicolas Krauss
Sculpture - 33 x 28 x 15 cm Sculpture - 13 x 11 x 5.9 inch
Price upon request
Restaurant place des Vosges
Jeff Bayley
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$679
Homer's fashion week - Large format
Kobalt
Print - 100 x 70 x 0.2 cm Print - 39.4 x 27.6 x 0.1 inch
$509
L'énigme de l'attachement Ghost Town Part I & II
Kevin-Ademola Sangosanya
Painting - 60 x 42.5 x 4 cm Painting - 23.6 x 16.7 x 1.6 inch
$2,036
Soleil d'hiver
Mathilde de Bellecombe
Painting - 100 x 80 x 2 cm Painting - 39.4 x 31.5 x 0.8 inch
$2,652
Abstract 2341
Alex Senchenko
Painting - 100 x 150 x 4 cm Painting - 39.4 x 59.1 x 1.6 inch
$2,515 $1,760
Abstract 2333
Alex Senchenko
Painting - 150 x 100 x 4 cm Painting - 59.1 x 39.4 x 1.6 inch
$3,177 $2,224
Abstract 2325
Alex Senchenko
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
$2,250 $1,575
Abstract 2322
Alex Senchenko
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
$2,250 $1,575
Abstract 2307
Alex Senchenko
Painting - 100 x 200 x 4 cm Painting - 39.4 x 78.7 x 1.6 inch
$2,581 $1,807
Abstract 2306
Alex Senchenko
Painting - 100 x 120 x 4 cm Painting - 39.4 x 47.2 x 1.6 inch
$2,250 $1,575
Abstract 2305
Alex Senchenko
Painting - 120 x 100 x 4 cm Painting - 47.2 x 39.4 x 1.6 inch
$2,250 $1,575
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!