Abstract artworks

Abstract art was born at the beginning of the 20th century, more specifically between 1911 and 1917 with the work of four influential painters: Frantisek Kupka, Vassily Kandinsky, Kasimir Malevich and Piet Mondrian . Although each of these artists formulated their own vision of abstract art, a shared historical context explains the concurrent emergence of this artistic movement.

The scientific discoveries of the early 20th century completely revolutionized man's perception of the world. These artists, who were literary and cultured men, were well aware of scientific progress. As Paul Valéry put it, "in the last twenty years neither matter nor space nor time has been what it was from time immemorial". People needed a new language to both express and to comprehend this "new world". These four artists demonstrated a keen interest in the esoteric and occult, which explains why the abstract is presented as a research of another type of truth, a way to elevate one's mind and soul towards new horizons, uncovering the deepest mysteries of humankind. The realm of music truly fascinated these artists; they identified with it and, several of them, especially Kandinsky, used it as inspiration. Music is the epitome of the imponderable and the intangible; it suggests meanings while escaping from reality at the same time.

The influence of artistic movements such as Fauvism and also served as references for the development of the abstract's aesthetic research. Abstraction did not attempt to represent the visible world, but rather to become a "visual language". However, it is essential to bear in mind that each of these four painters took a different path, and that they independently formulated their conception of abstract art.

Abstract art wanted to display an "abstract image," a non-figurative representation, outside of reality. They wanted to create art that was self-sufficient, that could look to itself to find the resources needed to support its existence. Abstract creation often required the artists to unleash their consciousness, to break free of instinctive visual associations. This approach produced powerful artworks which, although free of any literal meaning, retained the ability to provoke strong sensations and feelings in the viewer. The triumph of color, of subjectivity and the lack of conventions, foreshadowed the advent of an art that was liberated and free of any restrictive conventions. Abstract art manifestos laid the foundations of its aesthetic. Kandinsky's letters to the music composer Schönberg demonstrated the porous nature of the genres at a time where serial music was emerging. Both music and painting followed a path of growing “dissonance within the arts". These abstract artworks can demand collector to approach them in a particular. Although the interplay of shapes and colours in abstract art make it a visually accessible style, it is also important to reflect on the works more deeply. They invite the viewer to escape from reality, to consider things according to the prism of the absolute, of essence and absence. They might encourage viewers to adopt a new outlook on the world, where everything is astonishing and where our consciousness is constantly wonderstruck by the world around us.

“Art does not reproduce the visible; it makes visible." - Paul Klee

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1966 White Paris Blanc Tour Eiffel Deux clochards dans l'espoir, le jour se lève Eiffel Towers Two bums sleeping with hope in the heart at dawn

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Subcategories

Abstract artworks

Corpuscule

Fragmentation

Cuillerat 8 Méduses 1967

Dive into painting - Letters N°1

Perfection

Be free

Big calm

BONHEUR TUTTI FLOWERS

Reverie

Poésie suspendue

Mod

Mod

Mod

La Source du Calme

La Dulce Aqua Vita

Cane

Two Kinds of Life 1

Hommage a Joan Prats

Homenatge a Joan Prats 1

Entrebanc 19

Entrebanc 18

Entrebanc 15

Entrebanc 10

Entrebanc 9

Entrebanc 4

Entrebanc 13

Entrebanc 8

Entrebanc 12

Entrebanc 7

Entrebanc 6

Entrebanc 2

Entrebanc 1

Entrebanc 17

STRO

Estrats 1

Stellar

Sans titre - N°VIII

Both sides

Visage

1970 Abstraction MOON SHIN MMCA Museum Modern Contemporary Art Seoul

Malice

Déterminisme de couleurs 2

Volcan

Grey

1990 Pingouin Penguin

1992 Elle Ses hanches Her hips

1969 Paris Orange Paris Le Barbu Man with a beard

Flower Series 2

In the Green Realm

Zéphyr

Embrasement

Dance Me to the End of Love

Volupté

Springfield flowers

Evening illusion

Saturation ludique 1

Curiosité Intellectuelle

The early spring garden

Wind dancing with spring flowers

Primavera red flowers

Des sourires pour les fleurs

OSONS LA VIE

Inconnu

Efective Emotion II

ORBITA #2. From The Series Orbita

Confrontation 3