Swathes of Color

It isn't surprising that the word swathe is also used to describe broad strips of countryside, or rows of corn. How to depict a vastness of a vista filled with color, without being limited to painstakingly recreate every detail, has aided in shifting certain styles of painting. Typically associated with the looser brushstrokes of the Impressionists,large swathes of color also found a home in modern abstract art during the first half of the 20th century. In the color theory of art, color is used to evoke emotion by artists within compositions, aiding expression. But in abstract art, color is used in its most simplistic form. Thus painting with swathes of color can emote a sense of freedom, of celebrating color at its very best, in abundance. In Artsper's own selection of works, Marie Labat focuses on the relationship between man and nature in her landscapes, using color to depict the Atlantic Pyrenees. Whilst Nick Tidnam works with a studio that opens up into a garden in order to consistently be affronted by nature. It may seem futile to attempt to limit the vastness of a landscape to a canvas, but such artists know that the ability to do so lies in the use of color…

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Exposed as our camp was to every wind, we built no rigid structures above ground. We set up tents to shelter in while we dug a series of cubicles in the ice itself.

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Categories

Subcategories

Swathes of Color

Deliver

Continue

Rest

Colours mountains III

Lighty

ST 004

Red Forest

ST00037

One bird at the forest

There is a snake skin on the mountain

One table at the forest

ST0108

Abstract 003

Abstract 002

Insula II

Pink mountain

Forest XXIII

Forest XXIII

Mountains K003

One home on the table

Mountains K004

Mountains K001

Lights at the mountains

ST0043

001

Accumulate

Give (clipping series - understand)

Tree

C3RR1R02-24

This Wayward Floating Body (Antarctica)

Many Kinds of Absence (Antarctica)

Snoved landscape

Sobre el filtro de la realidad II

Casa de Dios

Forest XXVI

Insula

Camping

Forest XXX

Ceramica #96

World reflected

Le sécateur

Vae soli

A balancing land

There remains and irreducible parity

Inextricably Linked

Around us and within us

Holding up and attracting the earth

Action which enables us to project our forces into the outside world

Between them

Polar opposites and complementary relationships

The impossible abyss which separates the two sides

Of a difference in which the differences are inseparable

Both above and below

Heart world

The shadow economy of extraction

The sky was a doorway

Exposed as our camp was to every wind, we built no rigid structures above ground. We set up tents to shelter in while we dug a series of cubicles in the ice itself.

Green mountain

Landscape with table

Pink forest

Forest and Black

CV9L2F-25

C7L1R-18

Colors ice

The Spaces We Breathe

White Horizon