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Minnie white Splash
Xavier Wttrwulghe
Sculpture - 30 x 17 x 25 cm Sculpture - 11.8 x 6.7 x 9.8 inch
€1,350
Invader Prints On Paper, catalogue raisonné 1st edition
Invader
Design - 27 x 20 x 4 cm Design - 10.6 x 7.9 x 1.6 inch
€149
Self-discovery
Mayra AleJandra Lifischtz
Painting - 70.1 x 50 x 2 cm Painting - 27.6 x 19.7 x 0.8 inch
€1,854
Land Before Time 1
Laura Spring
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
€1,007
GackoBear Love pop art Karl
André Gacko
Sculpture - 27 x 26 x 21 cm Sculpture - 10.6 x 10.2 x 8.3 inch
€1,290
GackoBear Love pop art Mondrian
André Gacko
Sculpture - 27 x 26 x 21 cm Sculpture - 10.6 x 10.2 x 8.3 inch
€1,290
GackoBear Love pop art Banksy White
André Gacko
Sculpture - 27 x 26 x 21 cm Sculpture - 10.6 x 10.2 x 8.3 inch
€1,290
Vital XLIV. Scent Collection (5)
Tuba Onder Demircioglu
Sculpture - 61 x 15 x 10 cm Sculpture - 24 x 5.9 x 3.9 inch
€6,550
Oxalis. Scent Collection (4)
Tuba Onder Demircioglu
Sculpture - 31 x 32 x 31 cm Sculpture - 12.2 x 12.6 x 12.2 inch
€8,100
The Split
Korede Solaja
Fine Art Drawings - 59 x 49 x 1 cm Fine Art Drawings - 23.2 x 19.3 x 0.4 inch
€3,126
My Shadow A Reflection of Me 2
Agbalaya Abdulahi Opeyemi
Painting - 121.9 x 91.4 x 2.5 cm Painting - 48 x 36 x 1 inch
€2,733
Gwen Stefani - Anaheim Pond, Anaheim, CA
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,877
Michael Jackson - LA Sports Arena, Los Angeles, CA
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,877
David Byrne of the Talking Heads
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,877
Will Ferrell (II) - Los Angeles, CA 2007
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,877
Chromadynamica #70
Felipe Pantone
Painting - 120 x 120 x 3 cm Painting - 47.2 x 47.2 x 1.2 inch
€20,000
Silence Please (Silence S'Il Vous Plait)
Bruno Cantais
Sculpture - 27 x 7 x 8 cm Sculpture - 10.6 x 2.8 x 3.1 inch
€195
USA. Nevada and California. The Misfits, a film by John HUSTON. 1960 VI
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,253
USA. Nevada. Reno. Marilyn Monroe on the set of The Misfits by John HUSTON
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,253
USA. Nevada. US actress Marilyn Monroe on the set of The Misfits by John HUSTON.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,253
UAE. Dubai. Behind the Veil.
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,253
Marilyn MONROE on the set of The Misfits - USA, Nevada, Reno
Eve Arnold
Photography - 40.6 x 30.5 x 5.1 cm Photography - 16 x 12 x 2 inch
€2,253
Glitch #05. From the series Glitch
Yongwon Noh
Design - 10.9 x 13 x 13 cm Design - 4.3 x 5.1 x 5.1 inch
€959
What did we do
Guillaume Nicolaou
Painting - 120 x 60 x 4 cm Painting - 47.2 x 23.6 x 1.6 inch
€1,500
Cascades
Erte Tirtoff
Fine Art Drawings - 19.5 x 13.7 x 1 cm Fine Art Drawings - 7.7 x 5.4 x 0.4 inch
€2,000
Horizon Carbone (2)
Christophe Ruiz
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
€900
Orpheus and Eurydice (S)
Tyler Shields
Photography - 50.8 x 76.2 cm Photography - 20 x 30 inch
€4,794
Le Palais - Série village et port de Belle-île-en-mer
Yves Guillard
Painting - 100 x 81 x 2 cm Painting - 39.4 x 31.9 x 0.8 inch
€1,875
A glimpse into rural tranquility
Narek Qochunc
Painting - 24 x 30 x 2 cm Painting - 9.4 x 11.8 x 0.8 inch
€191
Andres Alsina in Paris
Manuel Santelices
Fine Art Drawings - 27.9 x 27.9 x 0.3 cm Fine Art Drawings - 11 x 11 x 0.1 inch
€911
Call me Bruce (Like This)
Mary Lottridge
Painting - 91 x 91 x 4 cm Painting - 35.8 x 35.8 x 1.6 inch
€1,535 €1,382
Duality
Alexandre de Poplavsky
Painting - 160 x 110 x 3.5 cm Painting - 63 x 43.3 x 1.4 inch
€28,000
The Cramps Lead singer Lux Interior (III)
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,877
Member of Human League, Susan Sulley - Boston, MA 1980 (II)
Michael Grecco
Photography - 40.6 x 50.8 x 5.1 cm Photography - 16 x 20 x 2 inch
€2,877
Member of Philip Oakey - Boston, MA 1980 (III)
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,877
The Cramps lead singer Lux Interior
Michael Grecco
Photography - 40.6 x 50.8 x 5.1 cm Photography - 16 x 20 x 2 inch
€2,877
The girl in feather canyons
Ritchelly Oliveira
Painting - 78 x 65 x 3 cm Painting - 30.7 x 25.6 x 1.2 inch
€8,400
Mystic River
Mariusz Makula
Painting - 119.9 x 100.1 x 4.1 cm Painting - 47.2 x 39.4 x 1.6 inch
€671
Ride Around Shining
Mariusz Makula
Painting - 70.1 x 119.9 x 2.5 cm Painting - 27.6 x 47.2 x 1 inch
€671
Hat and Gloves Silhouette
Tyler Shields
Photography - 76.2 x 76.2 cm Photography - 30 x 30 inch
€4,794
China. Peking. Cotton mill nursery
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
€2,253
Red White and Blue (L)
Tyler Shields
Photography - 114.3 x 114.3 cm Photography - 45 x 45 inch
€9,589
Série les Krégins - Sculpture coquillage Raku
Naïg Oulhen dite AbeRaku
Sculpture - 13 x 13 x 10 cm Sculpture - 5.1 x 5.1 x 3.9 inch
€750
Série les Krégins - Sculpture coquillage Raku
Naïg Oulhen dite AbeRaku
Sculpture - 21 x 10 x 12 cm Sculpture - 8.3 x 3.9 x 4.7 inch
€750
Village in Snow - 7651203
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
€3,212
L'air le plus limpide... (série 11 vues des Pyrénées) (1)
Serge Sauniere
Print - 56 x 45 x 0.01 cm Print - 22 x 17.7 x 0 inch
€500
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!