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30cm Heart CH Tribute Black
Naor
Sculpture - 30 x 15 x 10 cm Sculpture - 11.8 x 5.9 x 3.9 inch
€1,330
35cm Teddy CH Tribute, Chrome White
Naor
Sculpture - 35 x 25 x 28 cm Sculpture - 13.8 x 9.8 x 11 inch
€1,170
Peinture 11-2023-67
Alain Bécanne
Painting - 120 x 120 x 4.5 cm Painting - 47.2 x 47.2 x 1.8 inch
€1,200
Marine abstraite 2024-48
Fred Boutet
Painting - 50 x 100 x 4 cm Painting - 19.7 x 39.4 x 1.6 inch
€600
London, lithograpie originale
Tony Soulié
Print - 90 x 76 x 0.5 cm Print - 35.4 x 29.9 x 0.2 inch
€900
L'Arbre du Lac
Sinden Collier
Photography - 41 x 61 x 0.1 cm Photography - 16.1 x 24 x 0 inch
€1,600
Patterns 2
Kittisak Taweekitpinyo
Painting - 120 x 120 x 4 cm Painting - 47.2 x 47.2 x 1.6 inch
€2,400
Readers series - Philosophy of money
Nikolaus von Wolff
Print - 50 x 50 x 0.1 cm Print - 19.7 x 19.7 x 0 inch
€800
As Far As You Can See
Eniafe Gbenga
Painting - 55.9 x 50.8 x 2.5 cm Painting - 22 x 20 x 1 inch
€1,294
L'oiseau qui rêve de Mer - 1
Pauline Couble
Sculpture - 39 x 25 x 32 cm Sculpture - 15.4 x 9.8 x 12.6 inch
€3,700
Brigitte Bardot "Kitchen"
Peter Donkersloot
Painting - 150 x 120 x 3 cm Painting - 59.1 x 47.2 x 1.2 inch
€8,500
Marine abstraite 2024-51
Fred Boutet
Painting - 40 x 120 x 4 cm Painting - 15.7 x 47.2 x 1.6 inch
€700
The Curtain Call
Kiritin Beyer
Photography - 102 x 102 x 0.1 cm Photography - 40.2 x 40.2 x 0 inch
€1,500
Soprano's Fate
Kiritin Beyer
Photography - 102 x 102 x 0.1 cm Photography - 40.2 x 40.2 x 0 inch
€1,500
Masquerade of emotions
Aram Sevoyan
Painting - 90 x 80 x 2 cm Painting - 35.4 x 31.5 x 0.8 inch
€1,918
La jeune fille à la fenêtre
Anne Horlaville
Painting - 65 x 54 x 2 cm Painting - 25.6 x 21.3 x 0.8 inch
€560
Bec au souliers rouges
Pascal Billard
Sculpture - 87 x 40 x 23 cm Sculpture - 34.3 x 15.7 x 9.1 inch
€1,280
Passeur de fétiches
Pascal Billard
Sculpture - 46 x 40 x 27 cm Sculpture - 18.1 x 15.7 x 10.6 inch
€1,390
Kévin & Jessie - Nanytes - Île de Nantes - série photo couleur danse et architecture
Lucas Perrigot
Photography - 59.4 x 84.1 x 0.1 cm Photography - 23.4 x 33.1 x 0 inch
€578
Jessie - Pont Éric Tabarly - série photo couleur danse et architecture
Lucas Perrigot
Photography - 59.4 x 84.1 x 0.1 cm Photography - 23.4 x 33.1 x 0 inch
€578
IBEYI - Deux minutes avant la scène - Paris - L'Olympia - série photo concert noir et blanc
Lucas Perrigot
Photography - 59.4 x 84.1 x 0.1 cm Photography - 23.4 x 33.1 x 0 inch
€600
Hollywood Glamour
Yasna Godovanik
Painting - 100 x 70 x 2 cm Painting - 39.4 x 27.6 x 0.8 inch
€1,250
Rhythmogramm Klangfläche
Heinrich Heidersberger
Photography - 30 x 24 x 0.1 cm Photography - 11.8 x 9.4 x 0 inch
€8,400
Rhythmogramm Verzeichnis Nr: 03782_000_253
Heinrich Heidersberger
Photography - 24 x 18 x 0.1 cm Photography - 9.4 x 7.1 x 0 inch
€5,800
L'aube de tes jours
Cécile Desserle
Painting - 116 x 89 x 2 cm Painting - 45.7 x 35 x 0.8 inch
€3,800
Queue de Baleine - Sculpture Raku animal marin
Naïg Oulhen dite AbeRaku
Sculpture - 42 x 45 x 26 cm Sculpture - 16.5 x 17.7 x 10.2 inch
€1,225
Before the storm
Serhii Cherniakovskyi
Painting - 80 x 90 x 2.5 cm Painting - 31.5 x 35.4 x 1 inch
€1,438
Street in Santorini
Serhii Cherniakovskyi
Painting - 80 x 75 x 2 cm Painting - 31.5 x 29.5 x 0.8 inch
€1,500
L'oiseau qui rêve de Mer - Miniature 3
Pauline Couble
Sculpture - 11 x 6 x 10 cm Sculpture - 4.3 x 2.4 x 3.9 inch
€350
13 novembre - Libération
Karine Azoulay (1kazou)
Painting - 90 x 90 x 2 cm Painting - 35.4 x 35.4 x 0.8 inch
€1,500
Beer & Cigar what else ?
Eddy Vitalone
Painting - 117 x 98 x 5 cm Painting - 46.1 x 38.6 x 2 inch
€4,500
White tulips on a pink background. Morning, spring
Lilya Volskaya
Painting - 40 x 50 x 2 cm Painting - 15.7 x 19.7 x 0.8 inch
€650
Vivent les animaux X Brigitte Bardot
Jérôme Mesnager
Painting - 50 x 30 x 0.2 cm Painting - 19.7 x 11.8 x 0.1 inch
€3,500
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!