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Composición en blanco y negro
Enrique Pichardo
Painting - 50 x 65 x 1 cm Painting - 19.7 x 25.6 x 0.4 inch
$535
The Business Stormtrooper
Ian Philip
Sculpture - 65 x 45 x 30 cm Sculpture - 25.6 x 17.7 x 11.8 inch
$4,413
Meditation
Gina Vor
Fine Art Drawings - 55.5 x 76 x 0.1 cm Fine Art Drawings - 21.9 x 29.9 x 0 inch
$679
Not there 2
Gina Vor
Fine Art Drawings - 50 x 65 x 0.1 cm Fine Art Drawings - 19.7 x 25.6 x 0 inch
$622
Le jaguar du Costa Rica, N°2
Catherine Clare
Print - 35 x 50 x 0.1 cm Print - 13.8 x 19.7 x 0 inch
$396
Le jaguar du Costa Rica, N°1
Catherine Clare
Print - 35 x 50 x 0.1 cm Print - 13.8 x 19.7 x 0 inch
$396
Fabrique à glace 23 #2
Marion Chombart de Lauwe
Fine Art Drawings - 30 x 49 x 0.2 cm Fine Art Drawings - 11.8 x 19.3 x 0.1 inch
$3,282
Place Within Reach 25.
Petr Strnad
Painting - 70.2 x 50 x 0.1 cm Painting - 27.6 x 19.7 x 0 inch
$509
Place Within Reach 23
Petr Strnad
Painting - 70.2 x 50 x 0.1 cm Painting - 27.6 x 19.7 x 0 inch
$509
Place Within Reach 20.
Petr Strnad
Painting - 70.2 x 50 x 0.1 cm Painting - 27.6 x 19.7 x 0 inch
$509
Le kiosque à journaux de New York
Pierre Boulat
Photography - 28 x 28 x 0.3 cm Photography - 11 x 11 x 0.1 inch
$736
Palm Springs party
Slim Aarons
Photography - 30 x 41 x 0.01 cm Photography - 11.8 x 16.1 x 0 inch
$1,867
Poolside social
Slim Aarons
Photography - 41 x 51 x 0.01 cm Photography - 16.1 x 20.1 x 0 inch
$2,207
Nelda and friends
Slim Aarons
Photography - 51 x 41 x 0.01 cm Photography - 20.1 x 16.1 x 0 inch
$2,207
Poolside gathering
Slim Aarons
Photography - 41 x 51 x 0.01 cm Photography - 16.1 x 20.1 x 0 inch
$2,207
Helen & Nelda by the Pool
Slim Aarons
Photography - 41 x 31 x 0.01 cm Photography - 16.1 x 12.2 x 0 inch
$1,867
Poolside socialites
Slim Aarons
Photography - 30 x 41 x 0.01 cm Photography - 11.8 x 16.1 x 0 inch
$1,867
Marine abstraite 2023-06
Fred Boutet
Painting - 65 x 100 x 2 cm Painting - 25.6 x 39.4 x 0.8 inch
$905
Marine abstraite 2023-02
Fred Boutet
Painting - 65 x 100 x 2 cm Painting - 25.6 x 39.4 x 0.8 inch
$905
Les Demoiselles de Monti
Orest Hrytsak
Painting - 116 x 89 x 2.5 cm Painting - 45.7 x 35 x 1 inch
$11,316
Marine Abstraite 2022-14
Fred Boutet
Painting - 100 x 100 x 2.5 cm Painting - 39.4 x 39.4 x 1 inch
$1,018
Mémorial Australien de Villers-Bretonneux
Philippe Grincourt
Photography - 34 x 51 x 0.1 cm Photography - 13.4 x 20.1 x 0 inch
$181
Free style and Co
Marie-Aude Molin
Painting - 60 x 40 x 0.25 cm Painting - 23.6 x 15.7 x 0.1 inch
$521
Lewis Carroll - Die jagd nach dem snark
Max Ernst
Print - 33 x 25 x 0.1 cm Print - 13 x 9.8 x 0 inch
$3,169
Non-ideal cube eggshell effect
Irena Tone
Sculpture - 16.5 x 16.5 x 17.5 cm Sculpture - 6.5 x 6.5 x 6.9 inch
$1,697
Journal d'un Graveur - Vol. 2 Plate 13
Joan Miró
Print - 57 x 45.5 x 0.1 cm Print - 22.4 x 17.9 x 0 inch
$1,584
Fruit d'Anémone du Japon
Thierry Robert
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$430
Bugs Bunny on fire - Basquet Ball - First Collectors Series
Carlos Pun Art
Painting - 90 x 70 x 3 cm Painting - 35.4 x 27.6 x 1.2 inch
$1,800
You are what you have
Poonam Choudhary
Painting - 121.9 x 182.9 x 5.1 cm Painting - 48 x 72 x 2 inch
$1,500 $1,350
Power of to love
Cécile Desserle
Painting - 146 x 114 x 2 cm Painting - 57.5 x 44.9 x 0.8 inch
$5,432
Où est Charlie ? III
Tanguy Mendrisse
Photography - 30 x 24 x 0.1 cm Photography - 11.8 x 9.4 x 0 inch
$141
Place Within Reach 18.
Petr Strnad
Painting - 51 x 40.2 x 0.1 cm Painting - 20.1 x 15.8 x 0 inch
$351
A Woman on a Blitch
Michael Gorban
Painting - 80 x 120 x 2.5 cm Painting - 31.5 x 47.2 x 1 inch
$3,961
Prémices Diptyque N° 14
J/Y Delaunay-Israël
Painting - 100 x 200 x 3 cm Painting - 39.4 x 78.7 x 1.2 inch
$5,930
Orogenèse XXIII (SG238)
Sylvie Guyomard
Sculpture - 50 x 40 x 3 cm Sculpture - 19.7 x 15.7 x 1.2 inch
$1,358
Epouvantail_Art-O-Middle-02
Art-O
Sculpture - 98 x 43 x 48 cm Sculpture - 38.6 x 16.9 x 18.9 inch
$1,245
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!