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The Prince
Andreas Sundgren
Photography - 105 x 140 x 0.1 cm Photography - 41.3 x 55.1 x 0 inch
€3,184
Grand carré long 84
Tehos
Fine Art Drawings - 65 x 50 x 0.1 cm Fine Art Drawings - 25.6 x 19.7 x 0 inch
€349
A letter to my lost childhood
Solomon Jamy Brown
Photography - 100 x 70 cm Photography - 39.4 x 27.6 inch
€2,500
Tirages sur papier photo: 2011-III-1-2
Gottfried Jäger
Photography - 60 x 50 x 3 cm Photography - 23.6 x 19.7 x 1.2 inch
€15,000
Mika Hakkinen. Monaco. F1. Tout prêt des rails
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,400
Ayrton Senna. Imola. 1994
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,500
Poules et poulailler. Sénégal
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
€800
Girafe et ses poursuivants. Parc de Tarangire. Tanzanie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€800
Seul dans la savane. Parc du Ngorongoro. Tanzanie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€800
Tigre du Bengale. Inde
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
€800
Girafe et girafon. Tanzanie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€800
Measured Response: Biden to Putin April 2022
Lauren Naomi
Painting - 91.44 x 182.9 x 4 cm Painting - 36 x 72 x 1.6 inch
€14,450
Stone the Crows
Izabela Apananska
Painting - 90 x 130 x 2 cm Painting - 35.4 x 51.2 x 0.8 inch
€3,800
Untitled, in reference to Rene Magritte
Izabela Apananska
Painting - 80 x 115 x 2 cm Painting - 31.5 x 45.3 x 0.8 inch
€3,000
Golden streak Artemis
Dervis Akdemir
Sculpture - 32 x 18 x 14 cm Sculpture - 12.6 x 7.1 x 5.5 inch
€245
The dark side of Athena - Handmade sculpture for home decor
Dervis Akdemir
Sculpture - 55 x 37 x 20 cm Sculpture - 21.7 x 14.6 x 7.9 inch
€306
Medusas’ protective gaze
Dervis Akdemir
Sculpture - 31 x 23 x 15 cm Sculpture - 12.2 x 9.1 x 5.9 inch
€245
Vanity tribute to Andy
Ron English
Sculpture - 68 x 54 x 45 cm Sculpture - 26.8 x 21.3 x 17.7 inch
€13,500
Crépuscule des Loups
Christine Pultz
Painting - 73 x 92 x 3 cm Painting - 28.7 x 36.2 x 1.2 inch
€6,000
Sans Titre 18 - Ref BDNW9160
Jean-Pierre Stora
Painting - 11 x 29 cm Painting - 4.3 x 11.4 inch
€290
Sans Titre 17 - Ref BDNW9159
Jean-Pierre Stora
Painting - 16 x 32 cm Painting - 6.3 x 12.6 inch
€450
Sans Titre 4 - Ref BDNW9146
Jean-Pierre Stora
Fine Art Drawings - 30 x 18 cm Fine Art Drawings - 11.8 x 7.1 inch
€350
Sans Titre 8 - Ref BDNW9150
Jean-Pierre Stora
Fine Art Drawings - 30 x 18 cm Fine Art Drawings - 11.8 x 7.1 inch
€350
Sans Titre 9 - Ref BDNW9151
Jean-Pierre Stora
Fine Art Drawings - 16 x 31 cm Fine Art Drawings - 6.3 x 12.2 inch
€450
Sans Titre 15 - Ref BDNW9157
Jean-Pierre Stora
Fine Art Drawings - 16 x 21 cm Fine Art Drawings - 6.3 x 8.3 inch
€290
Temporal Disorder - 17
Radu Corneliu Sarion
Photography - 40 x 50 x 0.2 cm Photography - 15.7 x 19.7 x 0.1 inch
€500
Sans Titre (Ma pensée comme une comédie)
Christos Kalfas
Fine Art Drawings - 103 x 67 x 0.2 cm Fine Art Drawings - 40.6 x 26.4 x 0.1 inch
€2,500
Dame promenant son chien
Catherine Giroud
Sculpture - 55 x 25 x 30 cm Sculpture - 21.7 x 9.8 x 11.8 inch
€850
Esprits d'Amour
Emilie Teillaud
Painting - 162 x 114 x 3 cm Painting - 63.8 x 44.9 x 1.2 inch
€4,500
La passerelle
Georges Laporte
Fine Art Drawings - 37 x 23.5 cm Fine Art Drawings - 14.6 x 9.3 inch
€350
La chapelle
Georges Laporte
Fine Art Drawings - 35 x 26 cm Fine Art Drawings - 13.8 x 10.2 inch
€350
Flou sur Ayrton Senna McLaren
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
€1,500
Architecture et goélands
Lionel le Jeune
Photography - 60 x 60 x 0.4 cm Photography - 23.6 x 23.6 x 0.2 inch
€650
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
€2,500
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
€2,500
Série : Berlin nord-est / arrière-cours: Buanderie dans la cour arrière
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
€2,500
Série : Berlin nord-est / arrière-cours - Kastanienallee
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
€2,500
Série : Berlin nord-est / arrière-cours - Kastanienallee
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
€2,500
Bernard Loiseau
Arnaud Baumann
Photography - 20 x 20 x 0.1 cm Photography - 7.9 x 7.9 x 0 inch
€250 €238
Pete Townshend – Smoking Joint, Twickenham, London, 1977
David Steen
Photography - 111 x 78 x 0.01 cm Photography - 43.7 x 30.7 x 0 inch
€2,880
Le sourire du Joker
Philippe Viejo
Painting - 90 x 90 x 0.5 cm Painting - 35.4 x 35.4 x 0.2 inch
€3,600
Der duft der kurkuma
Sasa Makarova
Painting - 100 x 120 x 5 cm Painting - 39.4 x 47.2 x 2 inch
€14,000
Hollypop 6
Iva Ivanova
Fine Art Drawings - 29 x 21 x 0.1 cm Fine Art Drawings - 11.4 x 8.3 x 0 inch
€250
Hollypop 4
Iva Ivanova
Fine Art Drawings - 29 x 21 x 0.1 cm Fine Art Drawings - 11.4 x 8.3 x 0 inch
€250
Hollypop 2
Iva Ivanova
Fine Art Drawings - 29 x 21 x 0.1 cm Fine Art Drawings - 11.4 x 8.3 x 0 inch
€250
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!