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On the moon 13 - série portraits de femmes (1)
Stéphane Vereecken
Photography - 40 x 30 x 2 cm Photography - 15.7 x 11.8 x 0.8 inch
$770
1972 Vienna Muse 7
Florian Hunger-Pegof
Photography - 18 x 24 x 0.5 cm Photography - 7.1 x 9.4 x 0.2 inch
$2,177
1972 Vienna Muse 5
Florian Hunger-Pegof
Photography - 24 x 18 x 0.5 cm Photography - 9.4 x 7.1 x 0.2 inch
$2,177
1972 Vienna Muse 4
Florian Hunger-Pegof
Photography - 24 x 18 x 0.5 cm Photography - 9.4 x 7.1 x 0.2 inch
$2,177
1972 Vienna Muse 3 Vue du ciel
Florian Hunger-Pegof
Photography - 24 x 18 x 0.5 cm Photography - 9.4 x 7.1 x 0.2 inch
$2,177
1972 Vienna Muse 2 Vue du ciel
Florian Hunger-Pegof
Photography - 24 x 18 x 0.5 cm Photography - 9.4 x 7.1 x 0.2 inch
$2,177
1972 Vienna Muse 1
Florian Hunger-Pegof
Photography - 24 x 18 x 0.5 cm Photography - 9.4 x 7.1 x 0.2 inch
$2,177
Francisco
Valérie Abadie
Fine Art Drawings - 29 x 20 x 0.3 cm Fine Art Drawings - 11.4 x 7.9 x 0.1 inch
$1,786
Filets de lumières
Dominique Jullien
Photography - 17 x 31 x 1 cm Photography - 6.7 x 12.2 x 0.4 inch
$268
Blanc Marais
Yves Bordes Lapeyre
Photography - 75 x 50 x 0.1 cm Photography - 29.5 x 19.7 x 0 inch
$636
Cigarette et cendrier
Pierre Boillon
Photography - 60 x 42 x 3 cm Photography - 23.6 x 16.5 x 1.2 inch
$603
John Lennon NYC Shirt 1974
Bob Gruen
Photography - 127 x 101.6 x 5.1 cm Photography - 50 x 40 x 2 inch
$7,300
Tina Turner NYC 1970
Bob Gruen
Photography - 101.6 x 76.2 x 5.1 cm Photography - 40 x 30 x 2 inch
$5,600
S/T Serie Del zaguán de Fico al patio de Matilde (4)
Sonia Almaguer
Photography - 24 x 32 x 2 cm Photography - 9.4 x 12.6 x 0.8 inch
$1,340
S/T Serie Del zaguán de Fico al patio de Matilde (3)
Sonia Almaguer
Photography - 32 x 24 x 2 cm Photography - 12.6 x 9.4 x 0.8 inch
$1,340
S/T Serie Del zaguán de Fico al patio de Matilde (2)
Sonia Almaguer
Photography - 24 x 32 x 2 cm Photography - 9.4 x 12.6 x 0.8 inch
$1,340
S/T Serie Del zaguán de Fico al patio de Matilde (1)
Sonia Almaguer
Photography - 24 x 32 x 2 cm Photography - 9.4 x 12.6 x 0.8 inch
$1,340
S/T. Serie, La Habana 500 detalles (4)
Sonia Almaguer
Photography - 24 x 16 x 2 cm Photography - 9.4 x 6.3 x 0.8 inch
$1,228
S/T. Serie, La Habana 500 detalles (3)
Sonia Almaguer
Photography - 24 x 16 x 2 cm Photography - 9.4 x 6.3 x 0.8 inch
$1,228
S/T. Serie, Habana 500 detalles (2)
Sonia Almaguer
Photography - 24 x 16 x 2 cm Photography - 9.4 x 6.3 x 0.8 inch
$1,228
S/T. Serie, Habana 500 detalles (1)
Sonia Almaguer
Photography - 24 x 16 x 2 cm Photography - 9.4 x 6.3 x 0.8 inch
$1,228
S/T de la Serie Callejeros musicales (4)
Sonia Almaguer
Photography - 32 x 24 x 2 cm Photography - 12.6 x 9.4 x 0.8 inch
$1,340
S/T de la Serie Callejeros musicales (3)
Sonia Almaguer
Photography - 24 x 32 x 2 cm Photography - 9.4 x 12.6 x 0.8 inch
$1,340
Jean-Paul Belmondo à Venise, Italie
Vittorio Pavan
Photography - 50 x 40 x 0.1 cm Photography - 19.7 x 15.7 x 0 inch
$893
Long day's journey into tomorrow
Elena Raceala
Photography - 91.4 x 61 cm Photography - 36 x 24 inch
$1,340
Appareil photo création Christer HAMP Hidalgo 1995
Christer Hamp
Photography - 30 x 21 cm Photography - 11.8 x 8.3 inch
$993
Surrounded by light
Elena Raceala
Photography - 61 x 91.4 x 0.3 cm Photography - 24 x 36 x 0.1 inch
$1,060
Street in Paris 5
Shengqi Tang
Photography - 30 x 20 x 1 cm Photography - 11.8 x 7.9 x 0.4 inch
$726
Je ne suis pas content
Ghislaine Ferreira
Painting - 32 x 24 x 1 cm Painting - 12.6 x 9.4 x 0.4 inch
$447
Taureau
Jérémy Le Mouël (Mooven’s)
Painting - 50 x 65 x 3 cm Painting - 19.7 x 25.6 x 1.2 inch
$1,563
Jeux d’échecs
Jérémy Le Mouël (Mooven’s)
Painting - 50 x 65 x 4 cm Painting - 19.7 x 25.6 x 1.6 inch
$1,786
Unambidextrous (Black & Metallic Grey)
Niels Meulman (Shoe)
Print - 111 x 77 cm Print - 43.7 x 30.3 inch
$675
Above the clouds #5
Cody Choi
Photography - 50.8 x 76.2 x 0.1 cm Photography - 20 x 30 x 0 inch
$654
Otoño en Tailandia
Alejandra Leon
Photography - 50 x 70 x 0.3 cm Photography - 19.7 x 27.6 x 0.1 inch
$1,600
The wild coast
Andrew Lever
Photography - 101.6 x 152.4 x 0.3 cm Photography - 40 x 60 x 0.1 inch
$1,007
30's Sensuality
Tanguy Mendrisse
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$201
In-between B2
Nikolay Stefanov
Photography - 60 x 90 x 0.2 cm Photography - 23.6 x 35.4 x 0.1 inch
$826
Model stands beside Surfboat
Tony Potts
Photography - 40.6 x 50.8 cm Photography - 16 x 20 inch
$1,900
Otoño en Buenos Aires
Alejandra Leon
Photography - 50 x 70 x 0.3 cm Photography - 19.7 x 27.6 x 0.1 inch
$1,600
Lifesavers running from Surf
Tony Potts
Photography - 40.6 x 50.8 cm Photography - 16 x 20 inch
$1,900
Fishing Club House North Bondi
Tony Potts
Photography - 40.6 x 55.9 x 0.1 cm Photography - 16 x 22 x 0 inch
$1,900
No Smoking Carriage
Tony Potts
Photography - 40.6 x 55.9 x 0.1 cm Photography - 16 x 22 x 0 inch
$1,900
Sunbaking Icebergs
Tony Potts
Photography - 40.6 x 55.9 x 0.1 cm Photography - 16 x 22 x 0 inch
$1,900
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!