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L'Encre dans la Peau
Charly Desoubry
Photography - 100 x 75 x 1 cm Photography - 39.4 x 29.5 x 0.4 inch
$1,060
Do you smoke after ? #2
Charly Desoubry
Photography - 100 x 75 x 1 cm Photography - 39.4 x 29.5 x 0.4 inch
$1,060
Do you smoke after ? #1
Charly Desoubry
Photography - 100 x 75 x 1 cm Photography - 39.4 x 29.5 x 0.4 inch
$1,060
Elle Le regard
Didier Cormillot
Photography - 60 x 40 x 0.2 cm Photography - 23.6 x 15.7 x 0.1 inch
$257
Kira's Tattoo
Richard Dunkley
Photography - 50.8 x 40.6 x 1.3 cm Photography - 20 x 16 x 0.5 inch
$327
Dumping
Jean-Paul Veison Marcelli
Photography - 40 x 60 x 0.3 cm Photography - 15.7 x 23.6 x 0.1 inch
$352
ND (en collaboration avec Alcibiade)
Jean-Paul Veison Marcelli
Photography - 40 x 40 x 0.3 cm Photography - 15.7 x 15.7 x 0.1 inch
$234
Thésée et le Minotaure/ Theseus and the Minotaur
Phil Skolle
Photography - 80 x 121 x 3 cm Photography - 31.5 x 47.6 x 1.2 inch
$1,060
Homage to Matisse
Richard Dunkley
Photography - 61 x 50.8 x 2.5 cm Photography - 24 x 20 x 1 inch
$523
Elle La Sirène
Didier Cormillot
Photography - 60 x 40 x 0.2 cm Photography - 23.6 x 15.7 x 0.1 inch
$301
Elle The wall /
Didier Cormillot
Photography - 80 x 60 x 0.5 cm Photography - 31.5 x 23.6 x 0.2 inch
$301
Elle et la maternité
Didier Cormillot
Photography - 42 x 60 x 0.2 cm Photography - 16.5 x 23.6 x 0.1 inch
$257
C3
Jean-Paul Veison Marcelli
Photography - 40 x 60 x 0.3 cm Photography - 15.7 x 23.6 x 0.1 inch
$469
Marie une amie /
Didier Cormillot
Photography - 60 x 80 x 0.2 cm Photography - 23.6 x 31.5 x 0.1 inch
$257
C2
Jean-Paul Veison Marcelli
Photography - 60 x 40 x 0.3 cm Photography - 23.6 x 15.7 x 0.1 inch
$469
C1
Jean-Paul Veison Marcelli
Photography - 40 x 60 x 0.3 cm Photography - 15.7 x 23.6 x 0.1 inch
$469
ELLE L'horizon /
Didier Cormillot
Photography - 40 x 60 x 0.5 cm Photography - 15.7 x 23.6 x 0.2 inch
$301
SHE and the setting sun /
Didier Cormillot
Photography - 40 x 60 x 0.5 cm Photography - 15.7 x 23.6 x 0.2 inch
$301
Ma sirène en noir et blanc ou en couleur /
Didier Cormillot
Photography - 60 x 40 x 0.3 cm Photography - 23.6 x 15.7 x 0.1 inch
$257
My first nudes 1978 N°5 /
Didier Cormillot
Photography - 60 x 40 x 0.2 cm Photography - 23.6 x 15.7 x 0.1 inch
$257
Elle Son corps dévoilé /
Didier Cormillot
Photography - 40 x 60 x 0.5 cm Photography - 15.7 x 23.6 x 0.2 inch
$257
Marie au Château 1
Didier Cormillot
Photography - 60 x 42 x 0.2 cm Photography - 23.6 x 16.5 x 0.1 inch
$257
Elle Le matin /
Didier Cormillot
Photography - 40 x 60 x 0.2 cm Photography - 15.7 x 23.6 x 0.1 inch
$257
My first nudes 1978 N°4 /
Didier Cormillot
Photography - 42 x 60 x 0.2 cm Photography - 16.5 x 23.6 x 0.1 inch
$257
ELLE on the rocks /
Didier Cormillot
Photography - 60 x 80 x 0.2 cm Photography - 23.6 x 31.5 x 0.1 inch
$257
ELLE Lying in the grass /
Didier Cormillot
Photography - 40 x 60 x 0.5 cm Photography - 15.7 x 23.6 x 0.2 inch
$257
My first nudes 1978 N°3 /
Didier Cormillot
Photography - 60 x 40 x 0.2 cm Photography - 23.6 x 15.7 x 0.1 inch
$257
My first nudes 1978 N°2
Didier Cormillot
Photography - 60 x 40 x 0.2 cm Photography - 23.6 x 15.7 x 0.1 inch
$257
Elle On the beach
Didier Cormillot
Photography - 42 x 60 x 0.2 cm Photography - 16.5 x 23.6 x 0.1 inch
$257
Elle Séduction /
Didier Cormillot
Photography - 60 x 40 x 0.2 cm Photography - 23.6 x 15.7 x 0.1 inch
$257
ELLE la joie de vivre /
Didier Cormillot
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
$257
Manifestation
Jean-Paul Veison Marcelli
Photography - 21 x 30 x 0.3 cm Photography - 8.3 x 11.8 x 0.1 inch
$211
Elle offerte /
Didier Cormillot
Photography - 40 x 60 x 0.2 cm Photography - 15.7 x 23.6 x 0.1 inch
$257
So beautiful pregnant /
Didier Cormillot
Photography - 60 x 40 x 0.3 cm Photography - 23.6 x 15.7 x 0.1 inch
$257
Elle Douceur /
Didier Cormillot
Photography - 60 x 80 x 0.3 cm Photography - 23.6 x 31.5 x 0.1 inch
$257
ELLE Pudique /
Didier Cormillot
Photography - 40 x 60 x 0.2 cm Photography - 15.7 x 23.6 x 0.1 inch
$257
Elle " Déshabillez-moi " /
Didier Cormillot
Photography - 80 x 60 cm Photography - 31.5 x 23.6 inch
$257
Cheveux d'Encre - Emotion II
Feng Kaixuan
Painting - 200 x 80 x 1 cm Painting - 78.7 x 31.5 x 0.4 inch
Price upon request
Mummy & Me
Lars Beusker
Photography - 146 x 126 x 5 cm Photography - 57.5 x 49.6 x 2 inch
Price upon request
Markus klino - The Descent (B&W)
Markus Klinko
Photography - 152.4 x 120.8 x 4 cm Photography - 60 x 47.6 x 1.6 inch
Price upon request
I Am Craig
Lars Beusker
Photography - 136 x 131 x 5 cm Photography - 53.5 x 51.6 x 2 inch
Price upon request
Elephants On Earth
Lars Beusker
Photography - 116 x 186 x 5 cm Photography - 45.7 x 73.2 x 2 inch
Price upon request
Amboseli
Lars Beusker
Photography - 121 x 171 x 5 cm Photography - 47.6 x 67.3 x 2 inch
Price upon request
This Is Us
Lars Beusker
Photography - 126 x 146 x 5 cm Photography - 49.6 x 57.5 x 2 inch
Price upon request
Walk The Walk
Lars Beusker
Photography - 146 x 126 x 5 cm Photography - 57.5 x 49.6 x 2 inch
Price upon request
Ba Jun Tu
Lars Beusker
Photography - 126 x 176 x 5 cm Photography - 49.6 x 69.3 x 2 inch
Price upon request
Game of Thrones
Lars Beusker
Photography - 106 x 186 x 5 cm Photography - 41.7 x 73.2 x 2 inch
Price upon request
Mondays
Lars Beusker
Photography - 126 x 166 x 5 cm Photography - 49.6 x 65.4 x 2 inch
Price upon request
Shere Khan
Lars Beusker
Photography - 136 x 126 x 5 cm Photography - 53.5 x 49.6 x 2 inch
Price upon request
The King
Lars Beusker
Photography - 150 x 120 x 5 cm Photography - 59.1 x 47.2 x 2 inch
Price upon request
Garden Of Eden
Lars Beusker
Photography - 126 x 186 x 5 cm Photography - 49.6 x 73.2 x 2 inch
Price upon request
Waterhole
Lars Beusker
Photography - 126 x 146 x 5 cm Photography - 49.6 x 57.5 x 2 inch
Price upon request
Band Of Love
Lars Beusker
Photography - 116 x 181 x 5 cm Photography - 45.7 x 71.3 x 2 inch
Price upon request
New York city ballet, paper interactions 13, 2014
JR
Print - 100 x 70 cm Print - 39.4 x 27.6 inch
Sold
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!