Pola Negri I. From The Dis-enchanted series, 2016

by Paloma Castello

Fine Art Drawings : ink 41.9 x 29.5 x 0.3 cm 16.5 x 11.6 x 0.1 inch

$500
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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Dimensions cm inch

41.9 x 29.5 x 0.3 cm 16.5 x 11.6 x 0.1 inch Height x Width x Depth

Framing

Grey frame

Artwork dimensions including frame

50.8 x 40.6 x 2.5 cm 20 x 16 x 1 inch


Tags

Portrait

Drawing on paper

Fictional Character

Sky blue

Artwork sold in perfect condition

Artwork location: Colombia

Pola Negri I, 2016
From The Dis-enchanted series
Ink on paper
Image size: 16.5 in. H x 11.6 in. W
Frame size: 20 in. H x 16 in. W x 1 in D

The Dis-enchanted project,
what if reality actually dissolves Before our eyes?
Jean Baudrillard.
The artist has always liked divas and femmes-fatales. My grandmothers spoke often of these actresses and admired them openly as if they were real. They created a collective imagination, which inspired the wonderful illusion that the universe they inhabited was real. The problem was, that they never told me the
truth about them and I always had a distorted image of these divas. I was forever duped.

From my earliest youth, she created a world in which these women existed. She imagined they went through life in fur coats, pearls, and luxury cars. She felt great admiration for the control she believed they had over their lives, in every way.
She always related power with beauty. She was drawn to their temperamental, cocky, controversial, mysterious, dramatic, and scandalous natures. For her, these characteristics clearly symbolized the emancipated woman.
After She began investigating, She discovered Baudrillard and I realized that, sadly, throughout the history of cinema we have only ever seen the female image of the actional character.
Divas and femmes-fatales don’t exist. They’re just an illusion behind a screen. They are the result of a simulation. They have always pretended to be real while playing a role. She found it difficult to distinguish fact from fiction. Their images were so real to her that she was fooled by cinema, advertising, and the female role models imposed by the media. Her only reality was an illusion behind a screen, a loss of reality and illusion, a place where everything is screen and appearance.
So what are these divas really like? They aren’t real people; they’re actually artificial, lonely women admired only for their beauty, their fame, and their wealth, not for who they really are, which causes them great unhappiness.

Through appropriation and phrases linked to illusion and disillusion, She hopes to show what life is really like for divas and femmes-fatales. She chose to photocopy photographs of several silent lm actresses (Pola Negri, Louise Brooks, Tallulah Bankhead, and Vilma Banky) and then decided to reproduce them in drawings, copying them again... Because the original never existed!
Each of these pictures includes dedications written by the women in them. Her intention is to change their discourse, using phrases from Baudrillard that resonated with and, one way or another affected me. She always imagined herself as a diva or a femme fatale in another life, which is why She included a drawing of herself dressed as a diva. And although it’s a picture of her, in it she play with a character that is part of her auction.

The artist feel the need to speak on behalf of these silent actresses who (62) had no voice and so She invented these phrases. These women were slaves to their images. They weren’t really temperamental, cocky, controversial, mysterious, dramatic, or outrageous; those characteristics are not real. In fact, they were slaves to a system that didn’t allow them to be emancipated women. Power is not part of beauty, or so She believed. They are nothing more than a superficial image, a product of charm and the appearance trap.
They are forever chained to their art quality. These divas represent nothing more than disenchantment to me. As Baudrillard put it: “The great stars never dazzle because of their talent or intelligence but because of their absence. They are dazzling in their nullity and in their coldness the coldness of makeup.”
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About the seller

The Art Design Project - Art Gallery • United States

Artsper seller since 2019

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Collector’s Guide

Imagine it at home

Paloma Castello, Pola Negri I. From The Dis-enchanted series
Paloma Castello

Paloma Castello

Colombia  • 1988

Paloma Castello was born in 1988, Bogotá, Colombia.

I use my work to bring life or a different narrative to an object's past. I'm interested in playing with memory and relating it to the present, creating an atmosphere between reality and fiction. My family and social background have a powerful influence on my work. I grew up surrounded with objects and anecdotes inherited from my ancestors that inspire endless surreal stories. My work emerges from these experiences; they are evidence of my “auto-fiction".

"Paloma Castello presents to us a nostalgia-filled body of work. The collection represents the soul of her proposal: inherited objects discovered or found that have become the tip of the iceberg of her past. These are elements she collects, recollects and then classifies following a method that frames her anachronic attitude that proves as evidence of the youth of her art.

She also demonstrates that the experimentations on herself are common in an artist who's just beginning her career. Without a doubt, this resource, valid and true becomes the road that determines the experimental character of the author.

Castelloland works with objects whose uniqueness proves to be fundamental to the piece's narrative in each story because each piece reacts and happens through the word and object interaction. This series is composed by more than 30 small format photographs and the stories that are linked to them that sway between fiction and reality."

Text by Estefania Sokoloff.


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