Untitled Work, 2011

by Jean Faucheur

Painting : aerosol paint 54.6 x 45.7 x 2.5 cm

$3,200

One of the last works available by this artist

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Painting: aerosol paint

Dimensions cm inch

54.6 x 45.7 x 2.5 cm Height x Width x Depth

Framing

Not framed


Tags

Nude

Portrait

Impressionism

Semi-abstract

White

Artwork sold in perfect condition

Artwork location: United States

Jean Faucheur (b. 1956, France) Untitled aerosol on canvas painted in 2011 is signed in the lower left as well as signed and dated on the verso. The work, by one of the pioneers of urban/street art, is from a period during which Faucheur was combining pointillist-impressionist elements with graffiti art. “Color bubbles” made of spray paint, work to obscure and dissolve the actual image creating another. As the fading occurs, a new image appears.

Jean Faucheur is considered as one of the pioneering figures of urban art, known for his talent, his taste for rupture and his sense of sharing. Since 1983, he has covered billboards with his collages and paintings in order to divert them from their function. After a stay in New York, in 1985 he created the group “les Frères Ripoulin” with 6 other urban artists. For the past 15 years, Jean Faucheur has dedicated himself to sculpture, painting and photography. Jean Faucheur is also at the initiative of the MUR which aims to promote the work of other artists.
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About the seller

Professional art gallery • United States

Artsper seller since 2021

Vetted Seller


Collector’s Guide

Imagine it at home

Jean Faucheur, Untitled Work
Jean Faucheur

Jean Faucheur

France  • 1956

Jean Faucheur is a French artist born in 1956.

There is coherence behind the apparent multitude of formal directions in Faucheur’s practice: paintings, photographs, masterpieces he reinterprets, photographs of the Parisian metro covered in graffiti, they all put into question, with great creative generosity, the ambiguity of the image and the ambivalence of the act of “seeing”. Faucheur is never satisfied with a mere exercice in style: he goes beyond the formal, he troubles our representations and faces us with the issue that these representations never reveal themselves for what they really are.

His artistic gesture also involves an analysis: in a century characterized by saturation through image, our resignation in front of these images and overexcitement of our representation systems, his practice is a calm, vigilant and humorous critique of our relationships to the perceived objects and of our paradoxical capacity to let ourselves taken by fascination and/ or repulsion. It reminds us that in this order of representations that is always shifting, what seems obvious is not always so.

Jean Faucheur is a pioneer of street art and is regularly presented as a personality that connects urban and traditional art on the one hand, but also generations of artists on the other. The coherence and the uniqueness of his practice have always been highlighted, confirming the sense of urgency with which Daniel Cresson asks us to realize that “we have in front of our eyes a rich urban painting, full of vitality, for which artists such as Jean Faucheur are essential references.”
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