Rosa sobre tela, 2023

by Juan Ibarra

Painting : mixed media 130 x 120 x 5 cm 51.2 x 47.2 x 2 inch

$1,928

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9.6/10

About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Medium

Painting: mixed media

Dimensions cm inch

130 x 120 x 5 cm 51.2 x 47.2 x 2 inch Height x Width x Depth

Framing

Not framed


Tags

Abstract artworks

Colors

Abstract expressionism

Artwork sold in perfect condition

Artwork location: Mexico

Rosa sobre Tela by Juan Ibarra is a work that emerges from the darkness, finding layer upon layer the essence of this work. Created in an ideal size, to show off the colorful layers or the details of the texture that is perceived as a work of great antiquity, where the different shades of pink give birth to the harmony of the overlays with the different materials. Created on canvas with a mixed technique. The game of geometric figures, lines and marks make Ibarra's work have a characteristic stamp.

Juan Ibarra has his first approaches to art through his grandfather, years later he discovers painters like Miquel Barceló, Tamayo, Felguerez and others who make him discover the passion for plastic arts. His work encompasses painting, engraving, art-object and, lately, sculpture, using different industrial-type materials. Muralism enters into his chores, capturing his work in private institutions.

His works have been exhibited and sold in various galleries, houses of culture and interior design and design firms (MarqCó, Mariangel Coghlan, Estudio Actual Gallery, Manuel Altamirano House of Culture in Tixtla Guerrero, House of Culture of Bosque de Tlalpan in CDMX, Los Cerezos Gallery, La Escalera Gallery, among others).
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About the seller

Ilusorio Arte • Mexico

Vetted Seller

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Collector’s Guide

Imagine it at home

Juan Ibarra, Rosa sobre tela
Juan Ibarra

Juan Ibarra

Mexico  • 1974

The burning sensation conveyed by Juan Ibarra's proposal is comparable to the feeling of seeing cuts and openings in flesh. It is no coincidence that the painter inherits techniques such as frottage and grattage, which give his canvases an aged appearance. In fact, his work is adjacent to the European tradition that encompasses informalism and abstract expressionism. In this way, the artist aims to highlight the worn-out character of painting, as well as the range of textures and reliefs that literally detach from the canvas. 

Somehow, his pieces speak of the pictorial disintegration that not only exhausts itself but also gives rise to an exposed process of material healing. Therefore, his creations represent matter in a raw state of cauterization and transformation. This aesthetic of decay is crucial to him as it exacerbates the fragmented nature of the materials he uses to paint. This is because he deliberately resolves his compositions and, to a certain extent, anticipates the ravages of time in the realm of plastic arts. 

Hence, his art decomposes color, forms, and spaces, along with their multiple interrelations. It is worth mentioning that the artist works in layers, much like sediments of rock formations, to then intercalate and blend the background with the surface and vice versa on a single plane. Furthermore, his works frequently feature geometric and expressionistic linear structures that enhance the visual effect of corrosion while carrying an immeasurable dramatic charge.


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