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Le vol de la paix (a tribute to Picasso)
Dr. Love
Painting - 30 x 40 x 0.2 cm Painting - 11.8 x 15.7 x 0.1 inch
$56
Steady as she goes
Newel Hunter
Painting - 111.8 x 88.9 x 0.5 cm Painting - 44 x 35 x 0.2 inch
$5,950
Awesome Dreamworld XL 1
Peter Nottrott
Painting - 105 x 155 x 4 cm Painting - 41.3 x 61 x 1.6 inch
$2,673
Beer & Cigar what else ?
Eddy Vitalone
Painting - 117 x 98 x 5 cm Painting - 46.1 x 38.6 x 2 inch
$5,033
Petit chemin de campagne
Marianne Quinzin
Painting - 50 x 61 x 1 cm Painting - 19.7 x 24 x 0.4 inch
$1,118
Features of simultaneous interpreting
Tanya Grinevich
Painting - 254 x 254 x 5.1 cm Painting - 100 x 100 x 2 inch
$6,040
Expansion no. 25
César Baldaccini
Sculpture - 187.5 x 110 x 20 cm Sculpture - 73.8 x 43.3 x 7.9 inch
$50,331
Ladies and gentlemen
Della Camilleri
Painting - 40 x 40 x 1.5 cm Painting - 15.7 x 15.7 x 0.6 inch
$324 $292
Image drawing: Growth lightbox
Jenny Owens
Fine Art Drawings - 29.7 x 21 x 2 cm Fine Art Drawings - 11.7 x 8.3 x 0.8 inch
$503
Hypomnema 2, Wall sculpture
Ivan Castiblanco
Sculpture - 74.9 x 74.9 x 33.8 cm Sculpture - 29.5 x 29.5 x 13.3 inch
$2,500
Dandelion World
Christian Frederiksen
Painting - 10 x 15 x 0.5 cm Painting - 3.9 x 5.9 x 0.2 inch
$816
Le Cordier
Paul de Chatelperron
Fine Art Drawings - 60 x 114 x 2 cm Fine Art Drawings - 23.6 x 44.9 x 0.8 inch
$2,115
Untitled 66
Lucio Forte
Fine Art Drawings - 24 x 33 x 0.1 cm Fine Art Drawings - 9.4 x 13 x 0 inch
$112
Jardín de las flores
Laura Rubio
Painting - 100 x 80 x 3 cm Painting - 39.4 x 31.5 x 1.2 inch
$7,606
Glitch #04. From the series Glitch
Yongwon Noh
Design - 17 x 6.9 x 6.9 cm Design - 6.7 x 2.7 x 2.7 inch
$1,300
Glitch #03. From the series Glitch
Yongwon Noh
Design - 15.7 x 6.9 x 6.9 cm Design - 6.2 x 2.7 x 2.7 inch
$1,300
Glitch #02. From the series Glitch
Yongwon Noh
Design - 18.8 x 8.9 x 8.9 cm Design - 7.4 x 3.5 x 3.5 inch
$1,300
Metaphysical weight (2) (after pina bausch) forbidden collage (8)
Julien Delagrange
Painting - 180 x 120 x 0.1 cm Painting - 70.9 x 47.2 x 0 inch
$7,382
Vertical view over the sea - Positano painting Italy
Gianni Di Guida
Painting - 70 x 50 x 2 cm Painting - 27.6 x 19.7 x 0.8 inch
$531
Tribute to Picasso
M. Asuncion Raventos
Painting - 97 x 146 x 3 cm Painting - 38.2 x 57.5 x 1.2 inch
$3,132
Silencieusement, elle glissait sur l’air
Maylis Bourdet
Painting - 90 x 90 x 2 cm Painting - 35.4 x 35.4 x 0.8 inch
$1,521
Breeze - Arm Chair
Poonam Choudhary
Design - 73.7 x 65 x 82 cm Design - 29 x 25.6 x 32.3 inch
$1,500
Series Alpine Skiing, Snowboarding, winter mountains white 3D plaster
Nataliia Krykun
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$2,237
Rhythmogramm Triennale
Heinrich Heidersberger
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$12,303
Call me Bruce (Like This)
Mary Lottridge
Painting - 91 x 91 x 4 cm Painting - 35.8 x 35.8 x 1.6 inch
$1,717
Mareggiata al tramonto
Bruno Di Giulio
Painting - 50 x 70 x 2 cm Painting - 19.7 x 27.6 x 0.8 inch
$219
Gwen Stefani - Anaheim Pond, Anaheim, CA
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
$3,000
Michael Jackson - LA Sports Arena, Los Angeles, CA
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
$3,000
David Byrne of the Talking Heads
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
$3,000
Will Ferrell (II) - Los Angeles, CA 2007
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
$3,000
The Bunny and the Man (S)
Tyler Shields
Photography - 50.8 x 76.2 cm Photography - 20 x 30 inch
$5,000
The Anonymity of Shape (M)
Tyler Shields
Photography - 76.2 x 76.2 cm Photography - 30 x 30 inch
$5,000
The Anonymity of Shape (S)
Tyler Shields
Photography - 45.7 x 45.7 cm Photography - 18 x 18 inch
$2,500
Soldier Silhouette (XS)
Tyler Shields
Photography - 38.1 x 50.8 cm Photography - 15 x 20 inch
$2,500
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!