Patricia Daluz Galego

BIOGRAPHY - EDUCATION

Since childhood, Patricia DALUZ GALEGO has created, according to her rules and her approach, while respecting in line with her desires, aesthetics and pleasure, the joy of realizing her personality through her creations.

She built her universe, her know-how on her feelings, her skills, her curiosity..., formed by her pursuing gaze, in creation what her senses feel in art. However, some private lessons and advice from painters guided her for the technique.

Yesterday, figurative oil painting and today, abstract, acrylic, mixed techniques… for her, an evolution (in both senses of the word) towards another art where she finds the place of her expression.

She confides: "I think that fulfilling oneself through a creation is the happiness of realizing what haunts our hands, our thoughts, our souls. Thus, concerning this disorder which invades there is the author who sees his feeling end on his canvas, finds a satisfaction which he lives fully, then the spectator who joins, in the accomplished work, the emotion of a moment... that of the author during the creation.

Its representations since 2011: international trade fairs in France and abroad, exhibitions in its Occitanie region, Parisian galleries (75003), some private exhibitions/sales and platforms linked to art.

2023, she was given an artist rating – she appears in the "dictionary of listed artists". 2023 & 2024, her works are presented at the DROUOT auction in the Lausanne auction room in Switzerland.

ARTISTIC APPROACH - TECHNIQUE & INFLUENCE

His style is framed, it is mainly abstraction…a style that attracts him for its freedom because it disguises the factual, the visible, the exactness and releases another surrealist emotion.

She turned to abstract and acrylic after many years where oil and figurative were united on my canvases. A certain weariness had set in and reproducing what my eyes saw was no longer enough for her. The attraction was no longer there and she painted only rarely.

In 2011, on an impulse for his niece, acrylic and abstract entered his head for his greatest pleasure. Finally his painting penetrated the fusion of his thoughts, his new ideas, his moods, through another technique. In the same spirit, collage and the application of matter, composite material, textile and others, lead his imagination towards other paths.

She likes Malevich for his geometric shapes, Ernst for his fine details, Mondrian for his primary colours, Kandinsky and Miro for their density of shapes and colours, Picabia for his collages, Klee for his blend of blended tones, etc.

His evidence: "In abstract painting, abstraction is a free vision that reflects the thought that it releases and that the creator has instilled. Thus, the abstract work born from abstraction is neither a replica of reality, nor a certainty, nor an error, it is! ... simply a view of the mind. The artist exhibits in his own way, the expression through an art, his intimate evidence, his exercise of life."

Abstraction has no abstraction.

Klee, Kandinsky, Malevich, Ernst, Marc, Mondrian, Picabia and many others, at the beginning of the 20th century, understood and created the very essence of contemporary art, the "expression of non-objectivity": abstraction.

She finds herself in this journey at the heart of her thoughts and lets herself drift in this perspective.