This series functions as a visual diary on a human scale. Each canvas captures the energy of a day, directly transposing sketches from the notebook to the canvas without the filter of intellectualization.
The neo-Cubist, sometimes expressionistic vocabulary is not theoretical here, but visceral. The black line, like a personal handwriting, structures the space while allowing the colors to vibrate with emotional freedom. This tension between container and content reflects our daily experience.
These works navigate between figure and landscape, sometimes merging the two. The body becomes territory, the landscape is anthropomorphized. This intimate geography blurs the boundaries between inside and outside, creating emotional topographies onto which our relationship to the world is projected.
From Klee, these works inherit the linear poetry and musicality of composition. From Hofmann, they take the dynamic construction of space through colored planes, this “push and pull” that animates the surface.
In a society stripped of empathy, where relationships are scarce and human contact impoverished, these paintings seek a direct, almost primal communication with the viewer. The joy of painting is expressed without restraint, allowing the emergence of a childlike spontaneity that alone can still authentically connect us to one another.
These canvases require no particular key to understanding, just an openness to encounter—a silent conversation where sensation always precedes interpretation.
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