Colored artworks
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The Tenor’s Solo
Kiritin Beyer
Photography - 76 x 51 x 0.1 cm Photography - 29.9 x 20.1 x 0 inch
$1,131
Femme au tuyau - série portrait de femme
Karine Azoulay (1kazou)
Painting - 90 x 90 x 2 cm Painting - 35.4 x 35.4 x 0.8 inch
$1,696
Dreaming of the Future
Abiodun Nafiu Azeez
Painting - 86.4 x 121.9 x 2.5 cm Painting - 34 x 48 x 1 inch
$1,550
Rajao (Réhaussé / Hand-Embellished)
Yoann Bonneville (YBA)
Print - 50 x 50 x 0.1 cm Print - 19.7 x 19.7 x 0 inch
$328
Banana Republic #3 (Oeuvre unique)
Karl Kox
Print - 75 x 70 x 0.3 cm Print - 29.5 x 27.6 x 0.1 inch
$848
Lady with a hand fan
Anatoly Metlan
Painting - 91 x 61 x 2.5 cm Painting - 35.8 x 24 x 1 inch
$6,800
Vase of flowers #3
Rachael Dalzell
Painting - 75 x 55 x 1 cm Painting - 29.5 x 21.7 x 0.4 inch
$1,257
30 janvier 2024
Raymond Attanasio
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$2,827
Vue de Saint Tropez
Brito Esteves
Painting - 100 x 100 x 2 cm Painting - 39.4 x 39.4 x 0.8 inch
$2,488
Envie de nager
Alexandra Battezzati
Painting - 80 x 120 x 4 cm Painting - 31.5 x 47.2 x 1.6 inch
$4,410
Paysages abstraits 6
Qiong qiong Shao
Painting - 50 x 50 x 1 cm Painting - 19.7 x 19.7 x 0.4 inch
$1,018
Paysage de montagne et d’eau
Liqun Zhu
Painting - 42 x 68 x 1 cm Painting - 16.5 x 26.8 x 0.4 inch
$792
Sans titre
Raoul Hausman
Fine Art Drawings - 61 x 45.5 x 0.1 cm Fine Art Drawings - 24 x 17.9 x 0 inch
$5,089
Just The 2 Of Us X
Paul Akiiki
Painting - 100 x 100 x 0.8 cm Painting - 39.4 x 39.4 x 0.3 inch
$4,000
Hôtel Majestic 24
Frédéric Batard
Painting - 115.5 x 80.5 x 2.5 cm Painting - 45.5 x 31.7 x 1 inch
$2,137
Les monstres intérieurs
Julie Beauchemin
Print - 50.8 x 50.8 x 1.8 cm Print - 20 x 20 x 0.7 inch
$850
The scent of grass during a summer storm
Meriem Delacroix
Painting - 50 x 50 x 4 cm Painting - 19.7 x 19.7 x 1.6 inch
$2,036
Let Go Let Live #2
Niki Stearman
Painting - 101.6 x 76.2 x 3.8 cm Painting - 40 x 30 x 1.5 inch
$1,800
The feeling of autumn
Le anh Tuan
Painting - 59.9 x 79.8 x 3 cm Painting - 23.6 x 31.4 x 1.2 inch
$1,300
Abstract Art Twenty-Three
Lynne Taetzsch
Painting - 76.2 x 101.6 x 3.8 cm Painting - 30 x 40 x 1.5 inch
$1,995
Au commencement était le verbe
Kiss Dust
Print - 60 x 120 x 0.3 cm Print - 23.6 x 47.2 x 0.1 inch
$1,696
Geometry with curves
Marek Uhlir
Painting - 59.9 x 59.9 x 2.5 cm Painting - 23.6 x 23.6 x 1 inch
$960
Point Series (Strata) 26
James Lumsden
Painting - 35 x 35 x 5 cm Painting - 13.8 x 13.8 x 2 inch
$1,923
Rêver à la lune
Christine Desplanque
Painting - 60 x 60 x 3 cm Painting - 23.6 x 23.6 x 1.2 inch
$893
Explosion de couleurs - On the move 1
Thomas Jeunet
Painting - 80 x 80 x 3.5 cm Painting - 31.5 x 31.5 x 1.4 inch
$1,696
Love letters in the sand I
Ilgvars Zalans
Painting - 80 x 60 x 3 cm Painting - 31.5 x 23.6 x 1.2 inch
$2,375
Slow light on the way
Maylis Bourdet
Painting - 120 x 90 x 3 cm Painting - 47.2 x 35.4 x 1.2 inch
$2,239
Time for change
Ventzislav Dikov
Painting - 81 x 60 x 2 cm Painting - 31.9 x 23.6 x 0.8 inch
$1,866 $1,587
III (Three) Imperfect Imperfections
Makama John
Painting - 101.6 x 76.2 x 2.5 cm Painting - 40 x 30 x 1 inch
$2,299
Majesty of the Cliffs
Hrach Baghdasaryan
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$600
Swirling Seaside
Lauren Adams
Painting - 121.9 x 121.9 x 3.8 cm Painting - 48 x 48 x 1.5 inch
$1,700
Colored artworks
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?