White
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The Castelloland Installation. 34 digital photographs on brilliant paper,
Paloma Castello
Photography - 43.2 x 101.6 x 0.3 cm Photography - 17 x 40 x 0.1 inch
$5,000
Kaleidoscope 34
Michael Filonow
Photography - 61 x 50.8 x 0.3 cm Photography - 24 x 20 x 0.1 inch
$365
By the crash of a wave
Francesca Borgo
Painting - 100 x 120 x 0.1 cm Painting - 39.4 x 47.2 x 0 inch
$3,560
Take me into another dimension I
Maria Esmar
Painting - 140 x 220 x 0.2 cm Painting - 55.1 x 86.6 x 0.1 inch
$6,785
Mountain lake
Alisa Onipchenko-Cherniakovska
Painting - 120 x 100 x 3 cm Painting - 47.2 x 39.4 x 1.2 inch
$3,000
Couple at sea
Alisa Onipchenko-Cherniakovska
Painting - 80 x 90 x 2 cm Painting - 31.5 x 35.4 x 0.8 inch
$2,500
In the rays of the winter sun
Alisa Onipchenko-Cherniakovska
Painting - 100 x 130 x 3 cm Painting - 39.4 x 51.2 x 1.2 inch
$3,500
Accords et suspensions II
Jean-Claude Atzori
Painting - 65 x 92 x 1 cm Painting - 25.6 x 36.2 x 0.4 inch
$1,696
Mes petits bonheurs B
Aude Herlédan
Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch
$6,785
They Said I’m Stuck With My Brain For The Rest Of My Life
Simon Findlay
Painting - 20 x 15 x 2 cm Painting - 7.9 x 5.9 x 0.8 inch
$283
L'arbre qui cache la forêt
Gris De Garance
Painting - 30 x 25 x 1 cm Painting - 11.8 x 9.8 x 0.4 inch
$113
Stop wars, d'après Banksy
Patrick Cornée
Painting - 50 x 50 x 3 cm Painting - 19.7 x 19.7 x 1.2 inch
$1,357 $1,221
Une touche de modernité
Eric Munsch
Painting - 73 x 60 x 2 cm Painting - 28.7 x 23.6 x 0.8 inch
$1,187
Greeting from : another adventure in human error
Mr Popart
Fine Art Drawings - 6.5 x 15 x 0.1 cm Fine Art Drawings - 2.6 x 5.9 x 0 inch
$136
Cabeza con cuernos
Nacho Eterno
Sculpture - 39 x 16 x 18 cm Sculpture - 15.4 x 6.3 x 7.1 inch
$2,612
Personajes en blanco y negro
Enrique Pichardo
Painting - 50 x 70 x 1 cm Painting - 19.7 x 27.6 x 0.4 inch
$684
All Things Begin and End in Eternity
Carrie Graber
Print - 101.6 x 38.1 cm Print - 40 x 15 inch
$1,125
Blue, Peach and Black Washi abstract
Jan Sullivan Fowler
Painting - 76.2 x 76.2 x 2.5 cm Painting - 30 x 30 x 1 inch
$900
Contemporary portrait "Cat Country"
Nataliya Bagatskaya
Painting - 90 x 55 x 1.8 cm Painting - 35.4 x 21.7 x 0.7 inch
$2,250
Elegance unfolding
Marieta Martirosyan
Painting - 80 x 120 x 2 cm Painting - 31.5 x 47.2 x 0.8 inch
$999
Drawing 427
Sumit Mehndiratta
Fine Art Drawings - 41 x 58 x 1 cm Fine Art Drawings - 16.1 x 22.8 x 0.4 inch
$679
Drawing 426
Sumit Mehndiratta
Fine Art Drawings - 58 x 41 x 1 cm Fine Art Drawings - 22.8 x 16.1 x 0.4 inch
$679
Composition No. 385
Sumit Mehndiratta
Fine Art Drawings - 65 x 46 x 1 cm Fine Art Drawings - 25.6 x 18.1 x 0.4 inch
$848
Aquellos armarios tinosos
Salvador Dali
Print - 23.5 x 17 x 0.2 cm Print - 9.3 x 6.7 x 0.1 inch
$1,301
Composition No. 323
Sumit Mehndiratta
Painting - 30.5 x 30.5 x 0.1 cm Painting - 12 x 12 x 0 inch
$792
Drawing 335
Sumit Mehndiratta
Fine Art Drawings - 76.2 x 56 x 0.02 cm Fine Art Drawings - 30 x 22 x 0 inch
$792
Composition No.252
Sumit Mehndiratta
Painting - 63 x 41 x 0.1 cm Painting - 24.8 x 16.1 x 0 inch
$565
Over my dead body!
David Carey
Photography - 41 x 30 x 0.1 cm Photography - 16.1 x 11.8 x 0 inch
$112
No regret
Cynthia Coulombe-Bégin
Painting - 121.9 x 121.9 x 3.8 cm Painting - 48 x 48 x 1.5 inch
$3,750
Santorini Magic
Sokratis Evgenidis
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
$6,220
Soft abstraction VI
Tamara Bakhshinyan
Painting - 100 x 150 x 3.5 cm Painting - 39.4 x 59.1 x 1.4 inch
$2,940
Urban structure 2
Alessandra Bisi
Painting - 120 x 80 x 2 cm Painting - 47.2 x 31.5 x 0.8 inch
$2,658
L'aventurière
Christiane Simon-Roques
Painting - 100 x 73 x 2 cm Painting - 39.4 x 28.7 x 0.8 inch
$1,583
Spring Hurts.
Djénina Hagenburger
Painting - 122 x 135 x 1 cm Painting - 48 x 53.1 x 0.4 inch
$4,976
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!