Abstract artworks
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White Hope - Paper Cut
David Gerstein
Print - 73 x 93 x 3.5 cm Print - 28.7 x 36.6 x 1.4 inch
€4,700
The currency: 6274. nobody should hear it
Damien Hirst
Painting - 21.5 x 30 cm Painting - 8.5 x 11.8 inch
€18,500
Basal Elements. The cycle
Ariadna Dane
Painting - 76 x 56 x 0.1 cm Painting - 29.9 x 22 x 0 inch
€1,072
Shingle Wash
Lorna Holdcroft - Kirin
Painting - 50 x 50 x 4 cm Painting - 19.7 x 19.7 x 1.6 inch
€1,164
De la serie De Faros y Mar 009
Enriqueta Aguiló
Painting - 57 x 80 x 3 cm Painting - 22.4 x 31.5 x 1.2 inch
€2,850
Anne-Marie with red ribbon in hair
Stephen Nadja
Painting - 59.4 x 42 x 3 cm Painting - 23.4 x 16.5 x 1.2 inch
€2,600
Huit au carré 1, 2, 3
Thierry Robert
Fine Art Drawings - 30 x 90 x 0.1 cm Fine Art Drawings - 11.8 x 35.4 x 0 inch
€680
Detail, inside / outside nr. 9, 2009
René van den Bos
Print - 29.7 x 19.8 x 0.1 cm Print - 11.7 x 7.8 x 0 inch
€320
1 of infinite possibilities of seeing a particular rectangle a little different
Guido Winkler
Print - 30 x 40 x 0.1 cm Print - 11.8 x 15.7 x 0 inch
€430
Without tittle 81
Barbara Marcinkowska
Painting - 40 x 40 x 5 cm Painting - 15.7 x 15.7 x 2 inch
€3,800
West of the way
Justin Pumfrey
Photography - 101 x 76 x 0.001 cm Photography - 39.8 x 29.9 x 0 inch
€1,995
Come dare i primi soccorsi ann cane
Valerio Adami
Painting - 81 x 100 cm Painting - 31.9 x 39.4 inch
€85,000
Traversée 2 (Bas Relief)
Sezny Peron
Sculpture - 45 x 35 x 5 cm Sculpture - 17.7 x 13.8 x 2 inch
€1,500
La vie est belle
Sandrine Jarrosson
Painting - 116 x 89 x 3 cm Painting - 45.7 x 35 x 1.2 inch
€3,700
A dream longer than night
Janina Wierusz Kowalska
Painting - 206 x 135 x 2 cm Painting - 81.1 x 53.1 x 0.8 inch
€12,068
Gicleé réassembler le cubisme
Miguel Guía
Print - 75 x 100 x 4 cm Print - 29.5 x 39.4 x 1.6 inch
€870
Retreat to the mountains
Nick Warren
Painting - 92 x 155 x 3.5 cm Painting - 36.2 x 61 x 1.4 inch
€2,250
Jardin de mes rêves
Irina Bellaye BlanXs
Sculpture - 95 x 65 x 45 cm Sculpture - 37.4 x 25.6 x 17.7 inch
€1,800
Yellow Landscape
Liliana Samulak
Painting - 100 x 70 x 3 cm Painting - 39.4 x 27.6 x 1.2 inch
€4,100
Face abstraite
Marcela Zemanova
Painting - 81 x 65 x 2 cm Painting - 31.9 x 25.6 x 0.8 inch
€850 €765
Landscape18
Karina Antonczak
Painting - 70.1 x 100.1 x 2.5 cm Painting - 27.6 x 39.4 x 1 inch
€1,486
Underwater fantasy
Behshad Arjomandi
Painting - 80 x 59.9 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
€911
J’ai demandé à la lune
Yohan Storti
Painting - 100 x 100 x 3.5 cm Painting - 39.4 x 39.4 x 1.4 inch
€2,000
Table - Paysage dans un nuage
Claude Gilli
Design - 70 x 60 x 65 cm Design - 27.6 x 23.6 x 25.6 inch
€9,000
The blue one
Christian Valentine
Painting - 121.9 x 91.4 x 5.1 cm Painting - 48 x 36 x 2 inch
€1,822
The inside of a watering can (Das Innere einer Gießkanne)
Paul Verstraten
Painting - 140 x 110 x 2 cm Painting - 55.1 x 43.3 x 0.8 inch
€1,750
El sonido del agua
Alejandro Toscano
Painting - 70 x 50 x 1 cm Painting - 27.6 x 19.7 x 0.4 inch
€2,410
Petite houle
Aurélie Trabaud
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
€250 €225
Abstract artworks
Abstract art was born at the beginning of the 20th century, more specifically between 1911 and 1917 with the work of four influential painters: Frantisek Kupka, Vassily Kandinsky, Kasimir Malevich and Piet Mondrian . Although each of these artists formulated their own vision of abstract art, a shared historical context explains the concurrent emergence of this artistic movement.
The scientific discoveries of the early 20th century completely revolutionized man's perception of the world. These artists, who were literary and cultured men, were well aware of scientific progress. As Paul Valéry put it, "in the last twenty years neither matter nor space nor time has been what it was from time immemorial". People needed a new language to both express and to comprehend this "new world". These four artists demonstrated a keen interest in the esoteric and occult, which explains why the abstract is presented as a research of another type of truth, a way to elevate one's mind and soul towards new horizons, uncovering the deepest mysteries of humankind. The realm of music truly fascinated these artists; they identified with it and, several of them, especially Kandinsky, used it as inspiration. Music is the epitome of the imponderable and the intangible; it suggests meanings while escaping from reality at the same time.
The influence of artistic movements such as Fauvism and also served as references for the development of the abstract's aesthetic research. Abstraction did not attempt to represent the visible world, but rather to become a "visual language". However, it is essential to bear in mind that each of these four painters took a different path, and that they independently formulated their conception of abstract art.
Abstract art wanted to display an "abstract image," a non-figurative representation, outside of reality. They wanted to create art that was self-sufficient, that could look to itself to find the resources needed to support its existence. Abstract creation often required the artists to unleash their consciousness, to break free of instinctive visual associations. This approach produced powerful artworks which, although free of any literal meaning, retained the ability to provoke strong sensations and feelings in the viewer. The triumph of color, of subjectivity and the lack of conventions, foreshadowed the advent of an art that was liberated and free of any restrictive conventions. Abstract art manifestos laid the foundations of its aesthetic. Kandinsky's letters to the music composer Schönberg demonstrated the porous nature of the genres at a time where serial music was emerging. Both music and painting followed a path of growing “dissonance within the arts". These abstract artworks can demand collector to approach them in a particular. Although the interplay of shapes and colours in abstract art make it a visually accessible style, it is also important to reflect on the works more deeply. They invite the viewer to escape from reality, to consider things according to the prism of the absolute, of essence and absence. They might encourage viewers to adopt a new outlook on the world, where everything is astonishing and where our consciousness is constantly wonderstruck by the world around us.
“Art does not reproduce the visible; it makes visible." - Paul Klee