Colored artworks
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Le château des ombres - Les Dieux aussi…
Julie Ruelle
Painting - 130 x 97 x 3 cm Painting - 51.2 x 38.2 x 1.2 inch
$5,205
Lavandes sous le mont ventoux (2)
ZiB
Painting - 20 x 20 x 0.3 cm Painting - 7.9 x 7.9 x 0.1 inch
$260
Lavandes sous le mont ventoux (1)
ZiB
Painting - 20 x 20 x 0.3 cm Painting - 7.9 x 7.9 x 0.1 inch
$260
Chaleur Humaine - Fruit Défendu
Julie Ruelle
Painting - 89 x 116 x 3 cm Painting - 35 x 45.7 x 1.2 inch
$3,621
Vulve-monde - Fruit Défendu
Julie Ruelle
Painting - 89 x 116 x 3 cm Painting - 35 x 45.7 x 1.2 inch
$4,300
Emotion and conflict
Poonam Choudhary
Painting - 101.6 x 76.2 x 5.1 cm Painting - 40 x 30 x 2 inch
$650
I don’t remember this either
Kaliya Ka
Painting - 50 x 50 x 2 cm Painting - 19.7 x 19.7 x 0.8 inch
$1,109
A New Slate
Angelica Tcherassi
Painting - 49.8 x 39.9 x 0.3 cm Painting - 19.6 x 15.7 x 0.1 inch
$2,600
Strive to be worthy
Poonam Choudhary
Painting - 91.4 x 91.4 x 5.1 cm Painting - 36 x 36 x 2 inch
$750
Smile, there's rose
Poonam Choudhary
Painting - 91.4 x 91.4 x 2.5 cm Painting - 36 x 36 x 1 inch
$600
With strength and grace 02
Poonam Choudhary
Painting - 121.9 x 76.2 x 5.1 cm Painting - 48 x 30 x 2 inch
$750
Haut en couleur
Martine Fauve Dechavanne
Painting - 30 x 30 x 2 cm Painting - 11.8 x 11.8 x 0.8 inch
$600
Village de rêve
Martine Fauve Dechavanne
Painting - 100 x 50 x 2 cm Painting - 39.4 x 19.7 x 0.8 inch
$1,731
Jaillissement
Christelle Ferron (Nasca)
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$2,127
Un Jardin en hiver
Christelle Ferron (Nasca)
Painting - 50 x 50 x 3 cm Painting - 19.7 x 19.7 x 1.2 inch
$996
Bonheur de Matisse - MP 386
Bram van Velde
Print - 65 x 97 x 0.1 cm Print - 25.6 x 38.2 x 0 inch
$3,961
Vent des sables - MP 392
Bram van Velde
Print - 65 x 92 x 0.1 cm Print - 25.6 x 36.2 x 0 inch
$3,169
Serigraphie I (rehaussée à la main/hand-embellished)
Piotre
Print - 50 x 50 x 0.1 cm Print - 19.7 x 19.7 x 0 inch
$905 $724
La Dame de Cœur
Christelle Ferron (Nasca)
Painting - 40 x 40 x 3 cm Painting - 15.7 x 15.7 x 1.2 inch
$747
L'Age d'or II
Christelle Ferron (Nasca)
Painting - 64 x 77 x 3 cm Painting - 25.2 x 30.3 x 1.2 inch
$1,426
L'Age d'or IV
Christelle Ferron (Nasca)
Painting - 77 x 64 x 3 cm Painting - 30.3 x 25.2 x 1.2 inch
$1,426
L'Age d'or 1
Christelle Ferron (Nasca)
Painting - 64 x 77 x 3 cm Painting - 25.2 x 30.3 x 1.2 inch
$1,426
Couleurs festives
Pierre Lamblin
Painting - 100 x 81 x 2.5 cm Painting - 39.4 x 31.9 x 1 inch
$2,263
Couleurs festives (2)
Pierre Lamblin
Painting - 81 x 100 x 2.5 cm Painting - 31.9 x 39.4 x 1 inch
$2,263
Imagination
Christelle Ferron (Nasca)
Painting - 92 x 65 x 3 cm Painting - 36.2 x 25.6 x 1.2 inch
$1,765
Dynamique III
Christelle Ferron (Nasca)
Painting - 50 x 50 x 3 cm Painting - 19.7 x 19.7 x 1.2 inch
$837
Dynamique II
Christelle Ferron (Nasca)
Painting - 50 x 50 x 2 cm Painting - 19.7 x 19.7 x 0.8 inch
$837
Dynamique I
Christelle Ferron (Nasca)
Painting - 50 x 50 x 3 cm Painting - 19.7 x 19.7 x 1.2 inch
$792
Portrait of a girl
Zakhar Shevchuk
Painting - 46 x 40 x 2 cm Painting - 18.1 x 15.7 x 0.8 inch
$1,188
Walking The City
George Pinder
Painting - 120 x 100 x 3.8 cm Painting - 47.2 x 39.4 x 1.5 inch
$4,244
Colored artworks
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?