Gestural abstraction
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Cœur Électro - Techno Contemporain de Lyrisme Abstrait coeur
Sylvie Adaoust
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
$1,890
Girl at the beach
Christian Valentine
Painting - 101.6 x 76.2 x 2 cm Painting - 40 x 30 x 0.8 inch
$850
Pin up printanière
Muriel Deumie
Painting - 30 x 90 x 4 cm Painting - 11.8 x 35.4 x 1.6 inch
$1,007 $906
Portrait-I(The Pollock-Krasner Foundation Grant,New York,2003)
Stanislav Bojankov
Painting - 70 x 70 x 2 cm Painting - 27.6 x 27.6 x 0.8 inch
$5,592
Double portrait-II
Stanislav Bojankov
Painting - 70 x 70 x 2 cm Painting - 27.6 x 27.6 x 0.8 inch
$4,474
Portrait-II(The Pollock-Krasner Foundation Grant,New York,2003)
Stanislav Bojankov
Painting - 70 x 70 x 2 cm Painting - 27.6 x 27.6 x 0.8 inch
$5,592
Triple portrait-II(The Pollock-Krasner Foundation Grant,New York,2003)
Stanislav Bojankov
Painting - 70 x 70 x 2 cm Painting - 27.6 x 27.6 x 0.8 inch
$6,711
Triple portrait-I(The Pollock-Krasner Foundation Grant,New York,2003)
Stanislav Bojankov
Painting - 70 x 70 x 2 cm Painting - 27.6 x 27.6 x 0.8 inch
$6,711
Double portrait-I(The Pollock-Krasner Foundation Grant,New York,2003)
Stanislav Bojankov
Painting - 70 x 70 x 2 cm Painting - 27.6 x 27.6 x 0.8 inch
$6,152
White tree blossom is like love
Nadine Antoniuk
Painting - 115 x 95 x 0.1 cm Painting - 45.3 x 37.4 x 0 inch
Sold
Those same lilies of Claude Monet (stretched) (1)
Nadine Antoniuk
Painting - 120 x 60 x 2 cm Painting - 47.2 x 23.6 x 0.8 inch
Sold
Beauty is like love
Nadine Antoniuk
Painting - 95 x 80 x 0.1 cm Painting - 37.4 x 31.5 x 0 inch
Sold
Blue, burned sienna
Tiny de Bruin
Painting - 100 x 100 x 2 cm Painting - 39.4 x 39.4 x 0.8 inch
Sold
Fragility and beauty of the life
Nadine Antoniuk
Painting - 100 x 50 x 2 cm Painting - 39.4 x 19.7 x 0.8 inch
Sold
Open your heart (stretched)
Nadine Antoniuk
Painting - 40 x 120 x 1.5 cm Painting - 15.7 x 47.2 x 0.6 inch
Sold
Happy morning time (stretched)
Nadine Antoniuk
Painting - 90 x 120 x 0.1 cm Painting - 35.4 x 47.2 x 0 inch
Sold
Success comes in waves
Nadine Antoniuk
Painting - 205 x 90 x 0.1 cm Painting - 80.7 x 35.4 x 0 inch
Sold
In constant motion (City life) 4
Nestor Toro
Painting - 61 x 91.4 x 1.8 cm Painting - 24 x 36 x 0.7 inch
Sold
It’s not where you start, it’s where you finish
Nikolaos Schizas
Painting - 100 x 150 x 2.3 cm Painting - 39.4 x 59.1 x 0.9 inch
Sold
Great love in your heart
Nadine Antoniuk
Painting - 155 x 110 x 0.1 cm Painting - 61 x 43.3 x 0 inch
Sold
Together (Triptych)
Nikolaos Schizas
Painting - 90 x 270 x 0.1 cm Painting - 35.4 x 106.3 x 0 inch
Sold
And the prow of its foams
Nikolaos Schizas
Painting - 146 x 114 x 0.1 cm Painting - 57.5 x 44.9 x 0 inch
Sold
It's like tenderness
Nadine Antoniuk
Painting - 115 x 100 x 0.3 cm Painting - 45.3 x 39.4 x 0.1 inch
$1,286
Gestural abstraction
The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."