Chiaroscuro

Print, Snow White, Vasil Angelov

Snow White

Vasil Angelov

Print - 100 x 70 cm Print - 39.4 x 27.6 inch

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Photography, Eartha Kitt On Stage, Harry Hammond

Eartha Kitt On Stage

Harry Hammond

Photography - 76.2 x 76.2 cm Photography - 30 x 30 inch

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Photography, Cliff Richard, Harry Hammond

Cliff Richard

Harry Hammond

Photography - 76.2 x 76.2 cm Photography - 30 x 30 inch

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Print, Zodiac 7 - Leo, Vasil Angelov

Zodiac 7 - Leo

Vasil Angelov

Print - 15 x 15 x 0.2 cm Print - 5.9 x 5.9 x 0.1 inch

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Print, Rebecca, Frank Horvat

Rebecca

Frank Horvat

Print - 57.5 x 49.5 cm Print - 22.63 x 19.5 inch

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Photography, Anne, Frank Horvat

Anne

Frank Horvat

Photography - 57.5 x 49.5 x 0.3 cm Photography - 22.63 x 19.5 x 0.1 inch

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Photography, Le Souper, Estelle Lagarde

Le Souper

Estelle Lagarde

Photography - 42 x 52 x 2 cm Photography - 16.5 x 20.5 x 0.8 inch

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Photography, Exit 1, Leny Bagshop

Exit 1

Leny Bagshop

Photography - 60 x 80 x 0.1 cm Photography - 23.6 x 31.5 x 0 inch

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Photography, Bing Crosby, Harry Hammond

Bing Crosby

Harry Hammond

Photography - 101.6 x 101.6 cm Photography - 40 x 40 inch

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Painting, 738- Chimpanzé (1), Rémi Planche

738- Chimpanzé (1)

Rémi Planche

Painting - 90 x 60 x 3 cm Painting - 35.4 x 23.6 x 1.2 inch

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Photography, Duke Ellington, Harry Hammond

Duke Ellington

Harry Hammond

Photography - 50.8 x 50.8 cm Photography - 20 x 20 inch

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Photography, Dizzy Gillespie, Harry Hammond

Dizzy Gillespie

Harry Hammond

Photography - 50.8 x 50.8 cm Photography - 20 x 20 inch

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Painting, Lion de face, Rémi Planche

Lion de face

Rémi Planche

Painting - 140 x 100 x 2.5 cm Painting - 55.1 x 39.4 x 1 inch

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Painting, Long John Silver, Mathieu Lauffray

Long John Silver

Mathieu Lauffray

Painting - 65 x 50 cm Painting - 25.6 x 19.7 inch

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Painting, Eternel retour, Mathieu Boisadan

Eternel retour

Mathieu Boisadan

Painting - 230 x 170 cm Painting - 90.6 x 66.9 inch

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Painting, Sans titre 119, C. Leg

Sans titre 119

C. Leg

Painting - 90 x 150 x 5 cm Painting - 35.4 x 59.1 x 2 inch

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Photography, Untitled (Hand and wall), Mikael Siirilä

Untitled (Hand and wall)

Mikael Siirilä

Photography - 22 x 15 cm Photography - 8.7 x 5.9 inch

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Photography, Marie-Paule, Frank Horvat

Marie-Paule

Frank Horvat

Photography - 57.5 x 49.5 x 0.3 cm Photography - 22.63 x 19.5 x 0.1 inch

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Photography, Sophie, Frank Horvat

Sophie

Frank Horvat

Photography - 57.5 x 49.5 x 0.3 cm Photography - 22.63 x 19.5 x 0.1 inch

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Photography, Aurelia, Frank Horvat

Aurelia

Frank Horvat

Photography - 57.5 x 49.5 x 0.3 cm Photography - 22.63 x 19.5 x 0.1 inch

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Photography, Alessandra, Frank Horvat

Alessandra

Frank Horvat

Photography - 57.5 x 49.5 x 0.3 cm Photography - 22.63 x 19.5 x 0.1 inch

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Photography, Kristin, Framed, Frank Horvat

Kristin, Framed

Frank Horvat

Photography - 57.5 x 49.5 x 0.3 cm Photography - 22.63 x 19.5 x 0.1 inch

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Photography, Alexandra, Frank Horvat

Alexandra

Frank Horvat

Photography - 49.5 x 57.5 x 0.3 cm Photography - 19.5 x 22.63 x 0.1 inch

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Photography, Frank Horvat Portfolio, Frank Horvat

Frank Horvat Portfolio

Frank Horvat

Photography - 177.8 x 203.2 x 0.3 cm Photography - 70 x 80 x 0.1 inch

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Painting, Lion de profil, Rémi Planche

Lion de profil

Rémi Planche

Painting - 110 x 90 x 2.5 cm Painting - 43.3 x 35.4 x 1 inch

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Chiaroscuro

Chiaroscuro is one of the foremost techniques to come out of the Renaissance. Derived from the Italian words “chiaro", meaning bright or light, and “oscuro", meaning obscure or dark, this technique refers to the use of strong contrasts between light and dark to achieve a sense of volume when depicting three-dimensional subjects. Its advent was a crucial artistic development, marking a new era of art in which painters could now begin to convey depth through slow gradation of light and shadow.

It is said that the technique was invented by Renaissance master Leonardo da Vinci, but other important artists who either developed or popularized the techniques include Caravaggio, Rembrandt, Vermeer and Goya. Invented in the 15th century, the technique quickly became common practice for all artists and by the late 17th century the term was  frequently being used to describe any painting, drawing or print that used contrasting colors to create depth.

A century after its advent, Caravaggio developed the technique into something new which has been labelled “Caravaggesque" . This specifically refers to a harsher kind of chiaroscuro which uses a singular light source to create even sharper contrasts. Its usage in art will often result in darkness being the dominating feature of the painting, producing an extreme and dramatic effect. His cult of followers were given the name the “Caravaggisti", mimicking his style of intense tonal contrast, which artists like Ruby Bat Arnon and C.Leg continue to use today.

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